This started with the challenge, trying to examine how getting old was registering on my face. Simultaneously, I decided to use some Chinagraph marker pencils on some colored paper — don’t know why. The combination of a concerted attempt at realism rendered with garish, creamy grease pencils was a blast.
I don’t know how much the drawing actually looks like me — it actually looks more like my great-uncle who isn’t actually even related to me my birth. Oh, and my father, of course, who, despite the fact that I’ve only seen him four or five times over the past half century, insists on appearing in the mirror whenever I shave.
Anyway, it was interesting to see how the folds and pockets of my jaws are coming along, and my nascent jowls are really very flattering. I had my hair cut today so I appear really rather bald but Picasso was bald and Pollack was bald and I’m glad to see that Sinead O’Connor is still bald too.. By the way, why are “bleak”, “dour” and grim” synonyms for “bald, Mr. Roget (who had a comb-over, BTW)?
A couple of people have commented on the elongated rendering of my noggin and I have reviewed the situation and sussed out the cause. I have fallen afoul of a blunder which plagues many of the world’s great artists: Flat On the Table Syndrome ( FOTTS).
The distance from my eye to the top and bottom of my reflection is the same when my mirror is vertical. But if my book lies flat on the table, the distance from the top of the page is quite different from that to the bottom.
If I overlook that difference, I will distort the image because in its supine position it will seem wider than it really is.
Fortunately there are at least two cures for FOTTS that do not require telethons, 5Ks, or government funding. One is to factor in the distortion and try to overcome it through sheer brain power. This can lead to even more distortion if one does not calculate properly. Secondly, one can just stand one’s book up — through the whole process or even just intermittently — and make sure one is not inducting hydroencephalopathic skull compression in the drawing.