A few hours ago I bought a set of Winsor & Newton Designer Gouache for a fairly hefty price. I had a cheap set of pan “opaque watercolors” but they don’t have the vim and pizzaz of my new set and I only used them for the occasional highlight on a watercolor painting. Here’s my very first gouache painting and it taught me a great deal.
First off, it’s beautifully opaque, particularly on a piece of fairly black construction paper. The paint goes on creamily and covers like an 800 thread count Egyptian cotton sheet. My painting looked like someone had turned the lights on.
But it’s not watercolor and it sure doesn’t work like it. I am so used to adding on layers and layers of paint to build the color I want but with this stuff you have to be very careful or you end up with mud. :Look at the bottom right had side of the dress and you can where I tried to slather on a layer of grey on top of the pattern I’d already painted and it turned to potage. Fortunately, I could add another layer on top and fix the error.
It also seems like there are degrees of dryness. I did a little test here: First I put down rectangles of three different colors and waited ten hours (don’t worry — I didn’t just sit there starting at it, I went to work and had my eyes checked for the DMV and some other stuff) and then put down colors on top of the colors and that worked out fairly well. It’s sort of surprising that it seems easier to work better light on top of dark but that’s not an absolute — I even put a second coat of permanent yellow on and it still didn’t work great against the light ochre.
I also tried drawing with my Lamy and that was okay and super contrasty but a little balky and occasionally the pen slid or got hung up on the dried layer. Then I tried writing with a dip pen and some green doc martins and that’s when things got really ugly.
In the end, I quite like the painting I did of Patti’s little Barbie dress (at the time her mom made matching dresses for P and B) and I definitely plan to keep working with gouache because the color is so intense and bright and I like the challenge of working in a whole new way.
Got any other tips on working with gouache? Bring it.