
I’ve used every sort of journal-book over the past decade, but the one I’ve returned to the most was the pocket-sized, drawing Moleskine. The paper is a little odd; it has a water resistant treatment designed, I guess, to make one’s page hardier in the field (I imagine them being tested in Amazon jungles and blustery Scottish heaths) which became quite frustrating when I first got into watercolors. I also got fed up with the size (3.5 x 5.5″) and wanted to do bigger and bigger drawings.
When I went to Amsterdam, I decided to bring a long a little Moleskine, though this time I used the new watercolor book.
My friend, Tom Kane, had made an observation to me a few months ago: that there is a huge difference between one’s approach to journaling in a bound book vs. a spiral bound book. Since I had been using the latter for the past couple of years, I discounted his distinction. But then I looked through some of my earlier journals and reconsidered. Tom’s main objection is a matter of commitment; he says that there’s a real sense of permanency to a bound book: the pages can’t be ripped out so one works more carefully. I think that’s true to some extent but I rarely tear out pages. For me the difference is that when a book is perfect bound, one can think in terms of spreads far more easily. Increasingly over the past year, I have just been doing drawings in the middle of a page and not thinking nearly as much in terms of design. lettering, writing, all the things that make for lovely journal pages.

My hiatus from this site and my change in materials have been all part of my growing unhappiness with the path I’ve been on. I would say I’ve been ‘pursuing’ this path but I haven’t been doing it consciously. Instead I have been ambling and stumbling along, not paying enough attention to why I’m going where I’m going, pursuing objectives I now question.
I began drawing in spiral books because they were easier to scan. In short, it was more important to put my journal pages into a computer, a book , a magazine, a website, that to record and cherish my life. Sure, these are not mutually exclusive goals, but increasingly I was making decisions about my art because of the pressure of external forces. That ended up making me unhappy. Drawing has brought so much to my life and suddenly I felt I no longer had that peace and pleasure. I was spending more and more time administering web sites, talking to people about teaching opportunities, doing interviews, planning sketchcrawls, answering email, and less and less time drawing,. My most recent journal seemed symbolic: a big, bright red journal, custom bound with gold letters on the cover. Cool in a way, but ostentatious in many more.
My ego seemed to have taken over. Not just in the sense of being egotistical, but in the sense that I was more preoccupied with what I was than with just being. I don’t need to spend every waking moment thinking about what other people think, though the temptation is certainly there.
Over the past couple of months, I have been far more productive and exploratory. I have brought journaling back into my everyday life, I have decided to think a lot harder about the opportunities that come my way and recognize that there are only 24 hours in each day and that my priorities are: my family, my health, my job, me time, and other stuff, more or less in that order.

I do not think that I am a particularly special person and see my own flaws without a mirror. That fact has made me uncomfortable with the idea of teaching or preaching or leading or even setting an example. I also have a deep and dark streak of judgmentalism that does little but cause me pain. As soon as I come up with some fantasy of what I am supposed to be, some vaunted, lofty burnished image, reality and my inner critic soon set me straight.
I don’t want to waste a day of my life. I want it all to matter. Life is not spiral-bound and I want to cherish as much of it as I can. At times that will mean laboriously scanning and annotating drawings; at others, it will mean shutting of my computer and slipping that comfortable little moleskine out of my hip pocket and drawing my lunch.
Category: Ideas
Big and small.
CU Comix
Through a glass brightly
When I was a teenager, I decided that I would look more mature and intelligent if I had glasses. So I told my mother that I was having headaches and wanted to get my vision checked. When the optician had me in his infernal machine and began twiddling knobs and swapping lenses, I slightly blurred and crossed my eyes. When his tests were completed, he told me that I had a slight astigmatism and should be fitted with reading glasses. I cheered quietly to myself and picked out a pair of tortoiseshell frames.
I could see fine through the new glasses but, after a while, ironically, they started to give me a headache. My mother began to badger me to wear them and so, eventually, I trod on them, they shattered, and they were never replaced.
I have always had very good eyesight. I can read a street sign from a block and a half away, that sort of thing. Most of the things that are important to me are experienced through my eyeballs: reading, drawing, watching movies, making commercials, etc.
My drawing pal, Tom Kane, is a couple of years older than me but when we go to out to dinner, he squints hard at the menu. Occasionally he remembers to bring his reading glasses along and stops just ordering the daily special. He says that his new far-sightedness doesn’t impact his drawing at all.
Patti wears glasses to watch movies or TV and is very shortsighted. So is virtually everyone in her family. My mother wears glasses, always has. She’s far sighted. I was surprised that last time I saw my father, he pulled out some reading glasses too. I had always counted on his genes.
I love to read just before bed; it help transition me to sleep. Over the last couple of months though, I’ve had to strain a little harder than normal to read. The letters are a little soft and, if I’ve had a really long day, I have to blink and rub my eyes to get decent focus. Most days, I spend a lot of hours in front of the computer screen in my office and recently have started to feel myself getting a little headache-y by mid afternoon.
Last week, I tried a colleague’s drugstore reading glasses and, pow!, everything was big and clear and bright and lovely. Damn, I guess I need reading glasses — for real this time. (Of course, my hypochondria lead me to assume that I was actually on a rapid descent into blindness and that my livelihood, hobbies, and chief pleasures would all soon be taken from me.)
I did some google research and discovered that it’s basically inevitable that, after forty, one’s lenses will start to harden and some sort of correction is inevitable. It’s called presbyopia.
Patti tells me I look sexy in glasses but I hate the idea. To go with my spreading middle and vanishing hair, I now have another pair of horn rims. I am not one of those people who obsesses about getting old, but, if I last as long as my grandfather (95 and counting), I assume I will have to come to better grip with my apparent mortality.
Of course, the day after I got the glasses, my vision improved and I stopped using them. But when the day’s been long and I’m tired, they help me more than I am happy to admit.
Thursday
Too hot not to cool down
Like every twenty-first century critter, I am surrounded by exciting possibilities that latch onto the throat of my life and suck out my plasma. Every second is so jam-crammed with diversions: 500 channels, ten billion websites, a zillion blogs and podcasts and videocasts and magazines and art supply stores and people to chat with and email with and lunch with and … gak!
Life is American Idolized as our culture dangles the carrot of success and adoration at every street corner and browser window. Everyone is getting their 15 megabytes of fame. We keep inventing more and more entertainment and interactivity and yet my watch still only manages to tick off 24 hours each day and my calendar only offers seven days each week.
I am a child who’s lost in the candy-store so long he is exhausted from hyperglycemic sugar fits. My cheeks are stained by tears and smeared with corn syrup. My tongue aches, my taste buds refuse to respond. I am slumped in the corner after a glut of trying to podcast and videopod and become a ‘serious artist’ and promote my books and answer every piece of friendly email and delete all the spam and plan my next blog entry and I am lonely from breaking appointments with friends because I am dull and spent and just want to put my feet up and watchHouse.
But most of all, I am sick of what has happened to my drawing.
Between advertising and books and illustrations and design projects and blogging, I forgot what the hell I am doing.
I have lost touch with the most important thing to me, my life as I live it. Not my life as it is ornamented and sugar crusted but the plain old eat-some-cereal, smell-the-tuberose, watch-the-dog-sunbathe life that I actually lead. The life that isn’t destined for some other purpose or audience or analysis but just is. The authentic life that starts each day with an emptying bladder and wraps it up with a stretch of floss.
It’s not just me. It’s easy for anyone to get caught up with the enthusiasm for this drawing stuff to get overly involved in drawing prompts, in posting to a blog, to shopping for art supplies, taking classes, and planning sketchcrawls, and to forget the most important thing, the true purpose of it all. To draw what you live so you will live it more deeply.
Life without drawing is bad.
And drawing without life is bad too.
I am going to go out and have that tattooed on me somewhere prominent. But first, let me do some research into tattooing, pick a type face, plan out a color palette, comparison-shop pain killers…
A religion
oah: HI!
Tess: Hey Danny!
Noah and I are reading your book Creative Lisence in class and it has been one of the most inspiring book we have evr read, and we are on the 20th page! It is like a religion all it’s own. It has all the elements and honestly has done more for me than any religion has even begun to.
Are you religious? This is the only of your books iv’e read so I don’t know if you had alluded to it, but Noah was just wondering. He wants to know if you would want to start a religion with him. o.O
If you have the time, please write as back as we wuld love to be in contact with such an inspirational person ^_^
Thank You,
Tess and Noah
——
Dear Tess and Noah:
Indeed it is a religion.
Here are the ten commandments:
I. Thou shall not be afraid of making things.
II. Thou shall not erase. Well, not too often.
III. Thou ought to keep a journal of your life and draw the stuff that strikes you as cool and make little notes next to it and stuff.
IV. Thou shall not not play around.
V. Thou shall not covet they neighbor’s art work as thine own.
VI. Thou shall remind other people that they can draw even if they think they can’t.
VII. Thou shall not judge too harshly.
VIII. I 8 a dead horse.
IX. Thou shall draw on the Sabbath, but not only on the Sabbath.
X. Thou shall not make lists with more than IX things in them.
Your pal,
Danny
Every Hair Matters: a graphic novella
How to draw a How cover
How:Design Ideas at Work is a great magazine, primarily for graphic designers and art directors. It has a lot of practical advice as well as coverage of the leading edges of design, advertising, and art. Recently, I was asked to write an long (8-page) article about how drawing and journal keeping can feed one’s creativity. It was a topic I’d long wanted to address to the professional image-making community because so many of those folks have lost their touch with drawing, though it was probably the very thing that got them into their chosen field at the get-go.
I am pretty happy with the article and was delighted when the senior art director for the magazine also asked me to draw the cover for the issue, a special one dedicated to Illustration. How has a fairly strict format for the cover, one that revolves around their enormous logo, so I did a design that integrated the three letters into my idea. Because illustration is a personal medium, I liked the idea of putting a thumbprint on the cover, maybe the thumb of an artist sighting his subject. I did a quick sketch of myself in that pose, colored it on my computer, and fired it off to her.

Unfortunately, the magazine’s staff felt that the image was confusing. Some didn’t like the fact that the fist might interfere with the coverlines (the titles of the articles inside). Then some others thought it was a person giving a thumbs up, rather than sighting.
Back to the drawing board. The art director suggested I just draw a hand drawing the logo filled with clouds with some art supplies scattered around. I resisted this idea and instead thought I could make a little design out of pens and stuff. I cobbled together a collage from drawings I’d already done to convey the idea.

My client didn’t like this design much because it doesn’t play up the logo enough and was a two 2-dimensional. Instead she brought up the idea they’d proposed earlier: filling the logo with sky and having a hand drawing it. I gave that a try but thought the hand looked so lonely. Instead I sketched in the artist’s head and torso too. I did another self portrait but shaved off my beard in case that was a turn-off.

The email arrived the next morning:
There are still a few hang-ups. Something about the person coming from the back of the logo is off-putting. The focus needs to be on drawing not on the person doing the drawing. The viewer needs to be in the place of the artist.
I’d like you to draw the cover as if it were a page in your sketchbook where you drew the act of drawing the cover. Forget the hands. Just draw the set up since you’re so good with everyday objects. Leave the middle just a wash background or blank so the focus is totally on the logo. I’ll attach my thumbnail. That may help.
Yesterday I started again, following the art director’s sketch. Just to put a little bit of myself into it, I added her sketch as part of the assignment, lying on the table where I drew from it.

I sent the final image to her last night but don’t expect to her about it till Monday. We’ll see. It was an interesting experience; I may have been stupid to have resisted the idea she clearly wanted me to execute and insisting on other interpretations. It’s a hard lesson to learn for a stubborn know-it-all, but I am trying.
I do it 'cause it's trendy.

Recently, I was asked why I thought journaling, and Internet journaling in particular, has become such a phenomenon. I rattled off a bunch of bullet points but I’ve continued to think about my answer and thought I’d share my thoughts with you to see if you want to refute or amplify my hypotheses.
First, there’re the tools at hand. The Internet and blogging let us share our personal work with like-minded people more easily. In the past, one might keep a diary that some descendant could unearth in the attic after we’ve passed, but the practice was basically solipsistic. In the new millennium, while our stories and drawings may not find an audience in our homes or communities, the Web lets us find interested readers from Belgium to Brisbane. The fact that someone else is interested helps to keep us going.
But technology also helps to create the need. I think that all this technology and titanium has made handmade things much more appealing. Even if it ends up as a jpeg, putting ink, graphite, and good old watercolors down on paper is a warm and pleasant break from email and cel phoning.
The next factor is our zeitgeist. We live in the age of memoir and confession. Anything goes and everyone’s an audience. Reality TV, James Frey, Augusten Burroughs, Oprah, Bill Clinton, everyone is sharing their story whether anyone asked or not. You don’t need to be a celebrity or a world leader to be worth listening to any more; now, if you get a publishing contract your personal life is, well, an open book. It follows that we all have a heightened need for self-analysis and -exposure.
Our culture has also become increasingly about individual achievement: the star athlete, the maverick CEO, the non-aligned President, etc. Despite a brief window of collective focus after 9/11, ‘s not about community any more; instead ‘s about self-absorption.
Most if us have the leisure time for journaling. Oh sure there’re a zillion diversions and distractions but if we want to make the time, we can have it. Turn off the tube, the Crackberry, the RSS feed, and do a bit of self-analysis.
And more and more of us have that need because of a growing sense of our own mortality. Baby boomers are the largest group in the population and we are in mid-life. Beginning to sum up, to think about what we’ve learned from life, and interested in sharing what we find.
Another aspect of modern life is reflected in the last essay I wrote here, about the effects of globalization on our environment. The more homogeneity there is, the more we seek quirk and particularity in others and ourselves. If everyone’s wearing clothes from the same stores and eating food from the same restaurants, we have all the more need to make our own mark, to stand out from the crowd.
While the world imposes consistency on us through megabranding, it is also providing us with a lot of tumult and anxiety. We are looking for answers and perspective and sitting down with a blank piece of paper and a pen is a great way to start looking.
It also seems that organized religion hasn’t managed to give us a strong enough sense of meaning in the modern world. I don’t feel that the Pope or the mullahs or the Christian Right are providing any answers I can relate to; instead it seems ‘s up to me to get to the bottom of things and chart a path for passing through these troubled waters. Again, slowing down and meditating on the moment with a pen in my hand brings me peace and balance.
Why have you started journaling? And what role does drawing play in it?
Gran

My grandfather had a small stroke last week and now one of his ankles is paralyzed. After a depressing day or two, he got a splint and is, by all accounts, quite happily mobile again. Gran was a doctor and has always looked after himself quite well — a brisk walk each day after lunch, a balanced diet, all his shots, quitting smoking at 80, etc. but I think genetics are primarily responsible for his living to this ripe age of 96. His sister, Shula, is still alive too, despite a several-pack-a-day habit.
Gran more or less retired when he was around seventy and has filled the last quarter of his life by writing every day. He writes stories, essays, observations, and his memoir (three times). He writes so much, in fact, that he has worn out a half dozen word processors (he’s not a computer man) and produced enormous stacks of work, many of which he has hand-bound with shirt cardboard and wrapping paper.
For most of his life, Gran certainly never would have called himself ‘a writer’. He was a doctor — he got his degree in Germany in the early ’30’s, then, when Jews weren’t allowed to practice medicine under Hitler, he went to Rome and took his degree all over again; then he fled to India where he and my grandmother had a practice in what became Pakistan for 35 years or so, and finally moved onto his current home in Jerusalem. He and my grandmother published a book on diet in the late 1940s but I have never heard that he did anything but work at medicine until he retired. Still, his passion for writing seems like something that must have alway been burning deep inside him. As soon as he earned the luxury of spare time, he didn’t head for the golf course or the local saloon. He started to write. Early in the morning and late at night, his fingers clattered over the keys, and the piles of paper began to stack up.
Image
I tend to think of 9/11 as this enormously defining moment, one that has made me reconsider the possibility of a long life. Seeing the Twin Towers collapsing a mile from my home flicked some switch deep within. Ever since, like many Americans, I have assumed that life suddenly became a lot more finite.
Gran lived through 9/11. He also survived the Flu epidemic and World War I. He lived through the Holocaust (but many of his relatives didn’t). He survived 6 years in a British internment camp where he and my grandmother, mother and uncle were incarcerated because they were of German origin. He survived the Bangladesh War which split his adopted country. He endured the Soviet occupation of Afghanistan, just to the west. He lived though Yom Kippur War in a bomb shelter. He made it through the Gulf Wars when Scud missiles were aimed at his home; his gas mask is still in the coat closet. He survived the endless Palestine-Israel conflict – the barbed wire and barriers are visible from his living room window. He survived the death of his wife after more than a half century of marriage and partnership. And despite all of that, he is still here, in his walker and splint, keys still clattering.
Image
How long will your life last? Have you got seventy five years left? Or a day? So what are you waiting for? When will you allow yourself to be creative, to be the person you have always wanted to be? Can you overcome the trauma of the news and have faith in the future? Can you make things not to be famous (Gran has no books on the bestseller list) or rich (Gran’s writings haven’t earned a shekel) or influential (Gran has had a half dozen readers at most) but just because you must? When are your keys going to start clattering?



















