Fleedom's just another word for nothing left to delouse.


While we were away, so were our hounds, Joe and Tim. They went to stay with the Globuses (their breeders) and various relatives in Fire Island.The highlight of their vacation was when Joe, a natural hunter, escaped from the compound and went over to the neighbors where he found a dead (and non-rabid) raccoon. Tim (Robin to Joe’s Batman) followed. Their various cousins stayed safely at home.
We were hound-less for quite a while upon our return as it took forever for Captain Ron Globus to make it back to the city with his boarders. We consoled ourselves by sleeping in and missing morning walks.

Joe and Tim brought some friends back to the City– a pack of fleas. They were both scratching and nipping until Jack and I took them for a scrub. Normally, we wash them in the kitchen sink but this itchuation called for professional help. We scooted them right over to the Village dog wash and soaked them in some special flea bath until they were squeaky clean and calm again.

Though I try to control the temptation to use blue shadows in my paintings, I love the way these worked against Joe’s ginger fur. In fact, let’s be honest, I rarely avoid the temptation to use blue shadows. I’m sure if I was lady, I’d wear blue eye-shadow and coral lipstick like my mother-in-law Phyl used to.

Late Night

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I have been quite busy launching some new advertising for Chase over the past couple of months. You may have seen my newest spots on the air for the new Chase Freedom credit card. If not, check ’em out here (click on Watch TV Spots).
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Anyway, making these spots was fairly arduous and involved endless long nights in a studio, watching digital paint dry, drawing (and painting with tea) and eating biscuits. We also created half dozen digital kaleidoscopes that are in magazine and newspapers and wild posting around about.
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One of the most interesting things about the project has been that we bought the song, “I’m Free” by The Rolling Stones and then worked with Moby, Fatboy Slim, The Postal Service and Hot Chip to reinterpret it. Mick Jagger sings the vocals and everything is brand new. The Stones are releasing our music as an album on iTunes in the next couple of weeks and we are about to do a new round of “I’m Free” remixes with other great artists.


I was appropriately melancholy on the 5th anniversary of the 9/11 attacks, thinking about how things have changed and how much damage has been done to us all by those maniacs in the caves of Afghanistan and the conference rooms of Washington, D.C. I have been speaking out against this madness since the beginning and it seems that finally the rest of this country is coming to its senses.
Meanwhile, it was a sunny lovely day (I call it ‘9/11 weather’ as it’s always like this on this day) and so I drew the buildings that are still left standing in my hometown.

I have watched this new Frank Gehry building go up on the West Side, bit by bit, every day on my way to work and am really falling in love with it. At first it seemed so un-New York, like many of the new cartoon-colored, glass boxes cropping up in the current building boom, but watching its undulating windows reflect the clouds is really stirring. The construction of the underlying concrete structure was fun to watch, seeming completely off kilter and doomed to collapse (apparently people regularly called in during that phase, to point out to the contractors that they were doing something horribly wrong). It also seemed like there were a lot of problems with the complex, twisted glass; panes were regularly swopped in and out.
Sometime I pass right under the building on the West Side drive but usually I admire it from 10th Ave. across the rusting elevated train tracks (soon to become a public park) and the umber tenements, a lovely juxtaposition of 19th, 20th, and 21st century New York.

Seventh Avenue was blasted through the West Village in the late ’50’s, cleaving buildings, leaving unusable little triangular lots, and wreaking all sorts of havoc across the organic twists of the old Indian paths. Streets go higgledy-piggledy and then stop abruptly. The only thing that got completely away from me is the scale of the truck on the left hand side which, to correct my screw-up and as a tribute to Lucinda Rogers, I made transparent-ish.

Street Folks


People walking down the street are one of the more challenging subjects for me draw. They are always changing shape and size or just disappearing before I can study them long enough to get down on paper. As I’d rather not end up with every single one of my cityscapes looking like someone just dropped a neutron bomb and depopulated the place, I try to practice a technique for capturing people in motion. It has to be atechnique rather than an actual observation, of course, and so I have to work out shorthand and special practices to get the job done.

When I draw a person, say, waiting for the light to change and standing still for a moment, I can usually capture about half of their pose. Then I watch another person in a similar position and finish up a composite of both of them in one figure. I figured this approach out at the zoo in Milwaukee ( sorry, the the Como and Minnesota Zoos in Minneapolis!) a couple of years ago, when drawing animals with my pal Roz. Many animals would assume three or four different positions but then go back and forth between them so I just did several drawings simultaneously on the page, moving back and forth between the poses.
I did these particular drawings one evening while waiting for Patti to meet me on the street corner. It was fairly hectic and there was a lot of coming and going so I found it quite hard to really lock into to the exercise. I imagine that if I had the patience to take more life drawing classes and concentrated on short poses, I’d be well served.
I learned quite a lot drawing stuffed animal specimens at home and at various natural history museums. Maybe I should visit Madam Tusaud’s. It’s just so hard to find decent human taxidermy.

Kitchen Window


In the morning, as I eat my breakfast and listen to the news, I like to draw the view out the window. I can see the Park and the Judson church and the layers of buildings stretched out to the Hudson River. I zoom in on little rectangles of the landscape and loosely sketch it in an old drawing book. If I don’t have time to finish it one morning, I’ll continue on another, generally with whatever pen is at hand. Some times, on weekends, I may pull out a watercolor set or a bottle of ink and a brush and add another dimension. Here are a few examples:




Amsterdam Journal

Here are some pages from the tiny journal I kept recently in Amsterdam. (Click on any thumbnail to open the gallery)

Comic Class

Yesterday, Jack and I overcame our usual aversion to art classes and joined Patti on 6th Street and Avenue B at a comic drawing class. The teachers were graduates of a comic drawing college in NJ, though one of them has left the biz and become an illustrator. They handed out a thick package of material Xeroxed from some great anatomy and comic drawing books, then gave us a few assignments, one to make up a character and draw a spec sheet of the character from all angles and write a description, of the character and his powers. This seemed dull to me so I decided to tackle a comic right off.


I haven’t really tried to draw a full up comic since I was a kid, and since I generally don’t draw from my imagination, it was a bit of a struggle, I just started drawing panels describing what was going on in the class, and, because I couldn’t be bothered to write real dialogue, I just filled bubbles with chicken scratching.


Patti, who’d initiated the thing, ended up having to leave early so Jack and I drew on.


He invented a bunch of weirdo characters, including a hilarious slug-like bunny.


Then we were asked to draw a 2 page comic about two characters finding a box.


Jack was cursing and crumpling up paper, damning his own drawing abilities, which was pretty unlike him.


I got very into the minutiae of the character’s morning ablutions and only got around to the box in the last few panels. There were several layout and composition problems I couldn’t crack. Fortunately, Jack is a genius and helped me out.


I quite like drawing the comic though it was far from my normal drawing experience, I like pushing myself to draw from my head and should probably do a lot more of it.

Like father, like son.

My father has been drawing self portraits every day for ages. He just sent me a day’s output, drawn looking down into a mirror lying flat on the table.

In the accompanying note, he says:

“Doing things in pen is very nerve wracking as if you get one line wrong the whole thing is ruined. This makes you concentrate so you tend to get a picture that is more accurate than otherwise. I n each case I started with the left eye which is the only one I can see out of (the other has been blind all my life), I did the last two in the afternoon, I had to wear my glasses (as you can see in the pics) because after lunch I am unable to see without them, (except all blurry).”

It is sad that I didn’t know about my father’s blindness until this letter. He sends these sorts of little packages to me every year or so. They are more or less the only contact I have with him any more. My parents were divorced when I was about three so I don’t know a lot about him.

His drawings are so similar. He has really developed his ability to draw himself down to an almost mechanical science.

He is pretty unflinching in his scrutiny too.

I decided to try my hand at the same experiment. It is a very unflattering, through-the-nose-hairs sort of perspective on oneself. The last time I saw my father, about three years ago for a couple of hours in London, we were walking down the street and he said to me, “Is that your stomach?” As a result, I made my head very thin in this first drawing.

More accurate, less paranoid view of self.

Third go: scary, pig-snoutish.

I tried a version with my glasses and could barely see my reflection through them. The resulting drawing looks a lot like Ozzie Osbourne’s loutish son, Jack.

Slo-Mo

I think, therefore I am. And yet to truly be, I have to control, even stifle that part of me that thinks and thinks and thinks. It’s important, particularly when life gets overwhelming, to take time to just be in the moment.
I’ve never been able to shut down through a program of meditation; the voices of boredom soon intrude on my tranquility. But when I’m drawing, that yammering voice of worry and criticism starts to disengage from my mind and then float away. Time slows, then stops. After twenty minutes or so, I come back to reality — refreshed, clear, my buttocks still asleep.
But I’ve found other ways to slow down.
I walk to work most days, covering the two and a half miles in thirty five minutes. I generally wind through Greenwich Village, then up through the meat packing district and along the river. I don’t encounter much traffic and the landscape is varied and interesting: 19th century brownstones and warehouses, taxi garages, car washes, art galleries, empty lots, some gentrified conversions. For a year or so, I wore my headphones en route and listened to music, books on tape or NPR podcasts. But recently I began leaving my iPod at home and slowed my pace down a bit. Now I spend my traveling time just listening to the morning. I find the time to think through ideas, to make connections, to be.
When I’m overly busy, my perspective gets so distorted. My loved ones become distractions. My pleasures become chores. I just want to get through things so I can work my way down the list.
Our turtle Mo-hammed is a low-maintenance creature. We feed him in the morning and clean out his tank once a week. Under the wrong circumstances, I ask myself (or worse, Patti and Jack) why do we have this creature in our kitchen in his heavy fetid tank of water, making more work for poor, burdened me. But when I come to my senses*, I take pleasure in feeding him dozens of little tablets of food one at a time or watching him walk around the kitchen counter, exploring. His striped skin is so beautiful. His shell like a horn of thumbprints, symmetrical and yet funky and organic. Pick him up when he wants to keep going on and he’ll emit a little hiss, like a cat or a radiator.
Walking with Joe through the park can be a perspective shift — if I let it. What’s it like to see the world from 12 inches, to note every previous dog’s markings, to yearn for every discarded chicken bone and bagel stub? I observe the politics of the dog run. A new dog enters and the pack’s pecking order needs to be re-calibrated. Every butt must be re-sniffed. Each dog must decide if he’ll submit or try to dominate the rest. The power struggles tend to be bloodless and quick. Dogs thrust their chests out or expose their genitals. Many encounter include a period of assessment, a brief standoff, during which each party stares and vibrates and finally chooses his place. Or, has it chosen for him. Studying and flowing with these basic interactions makes me feel at peace and in harmony. If only office politics were so clear and simple.
Drawing with my boy, cuddling with my wife, weeding my garden, folding laundry, staring out the window, sunbathing with my hound, flossing, drinking tea… the day is full of opportunities to stop and be. I never regret the time spent being thoughtless. I need to think of more ways to do it.
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*“Come to my senses.” I just instinctively typed in that phrase and yet it seems so exactly right. I spend a lot of time away from my senses, in a revery or an imagined depiction of the what the world is really like. Being in the here and now means brushing away the fabricated veil, dealing only with what actually is (or at least what my senses really seem to be experiencing, Neo).