My house is devoid of musical instruments right now so I will wait to draw EDM#17 until I come across one somewhere — stay posted. Instead I skipped ahead to Challenge #18.
Liz Steel is an architect who lives in Sydney but loves to draw, paint and travel. I have long admired her art which she tells me she just started a few years ago, influenced by Everyday Matters and The Creative License. Now she is a voracious and talented drawer of things, mainly buildings and teacups. Accompanied by her bear, Borromini, she has drawn all over the world and she is just on her way back Down Under after attending the Urban Sketchers symposium in the Dominican Republic.
Liz draws with a Lamy fountain pen and a palette full of Daniel Smith and Winsor watercolors pans. She works quickly and lightly, stopping to wipe her brush on a sweatband emblazoned with a kangaroo.
She sees clearly and draws the minimum necessary to convey the scene, unencumbered by a need to crosshatch and all sorts of tone into her drawing. The results are as upbeat and fresh as she is.
I was feeling in a regressed sort of mood, I guess, in part because I havent drawn this view in many years, and I pulled out my sack of ten-year old brush markers (later augmented with some Doc Martin’s). The results look like a drawing I might have done in the late 20th century when I first started to draw.
I really enjoyed my visit with Liz — her experience at the Symposium and her worldwide visits with many of the artists I admire but know only through the web inspired me to want to get out and meet more drawing people in person. It’s so great to sit around and talk about pens and folding chairs and share lessons and observations.
I’m also delighted that Liz and her work are going to be in my book, An Illustrated Journey, which I understand will be available in February or thereabouts.