Friend of a friend

So, recently, a business associate told me I should further develop my network on LinkedIn. I know that’s sort of a horrible sentence but there you have it. I have business associates and they advise me to do things that probably have some purpose beyond my understanding. Generally I am okay with following their directives so long as they don’t involve public nudity or large amounts of money. They know more than me about some stuff.

The way LinkedIn works is by burrowing into your address book and your resume and your underwear drawer and pulling up long lists of names and smiling portraits and you are supposed to click on people who you know and want to link to. When you do, each person’s links are then joined to yours in an ever-expanding gyre of connections until every man, woman and Chihuahua on the planet is arrayed in concentric circles around you.

Let me now confess something else to you. Despite how garrulous I may appear within the confines of dannygregorysblog.com, I am not an especially outgoing person. For much of my career, I was the person standing in the dimly lit corner of the office party, gnawing carrot sticks and clutching a bottom-shelf gin and tonic. I was not glad-handing, back-slapping or table-hopping. Over time, as I grew older and slunk up the ladder, I knew more and more people who didn’t seem to despise me so I would allow myself to slink out of the safe zone and talk to people. But I was never and never will be a ‘networker.’ Fortunately for me, I have been in love with two women who were quite the opposite and dragged me into various social circles where I could mumble and make self-deprecating remarks to ever-increasing numbers of people.

When Linked In began to present me with long lists of smiling faces, I swallowed hard. Some faces looked familiar, some names looked familiar, and I began to click on the faces and request to be connected. Some people were easy, the ones who I knew well and who were outgoing. Some were harder, people I knew well but who I was embarrassed to be asking, who I assumed would scoff at such a fawning request, surprised that I was not, like them, too cool for school to network.

My associate prodded me to further expand my timid circle and so I delved deeper. I began to click on the faces of those I had not shot the breeze with in their cubicle and not invited to lunch, but had sat with in endless meetings, sometimes with dozens of others, people in other departments, of other ages and ranks, like soldiers in adjoining platoons, veterans of the same wars but not aways the same battles. People who I might nod to as we motored past each other in the hall, who I might have had that one long talk with as we waited for a flight to Columbus or Wichita for another regional committee meeting, people who I might have even had one drink too many within a Holiday Inn Express lobby on the eighth night of a shoot that seemed it would never end and shared opinions and revelations that I woke up the next day to regret.

And then there were those faces who I knew and who I knew knew me but who I thought hated me for one slight or another — a layout I hadn’t approved, a suggestion I had dismissed, an opinion I had contradicted. I winced reflexively thinking about what they might think years later when I appear on their virtual doorsteps, hat in hand. I assume these requests would be junked, that I would never hear from the person whose meeting I had twice arrived ten minutes late for, the person who scowled that one time when I interrupted in a briefing, the person whose coffee mug I had taken by accident.

But masochistically, I clicked their faces nonetheless.

In the next few hours, I received emails, confirming that even these outliers were willing to open their chains and link to mine. I reached out to a few with InMail™ messages, tail between my legs, wishing them well in their new endeavors. And they responded, tails aloft and wagging hard, sometimes with their paws stretched out, ready to play.

I’m perplexed and dismayed that someone who spends so much effort thinking about and writing about and drawing himself can be so self-unaware, that I often have no idea how I appear to others. I can think I have offended someone and they have no idea what I mean. I can think I have been a pal to someone and they will reveal a long-held grudge. I can pour over a blog post and get a stinging response from some reader, dash off another one unthinking and hear it has helped someone else a lot.

Despite my quest for seeing myself objectively, I have come to terms with the fact that it is pretty much impossible. In part, because no one else sees me objectively. In part because there may not be any absolute truth there. In part, because my monkey still lurks back in that dark hole. But most of all because I am a work in progress.

I try to do my best most of time, to avoid being a selfish dick, to contribute where I can and to take others’ feelings into consideration. But beyond that, I have to stick to my own knitting, to be true to what I know of myself, and to hope that those who are in my newly expanded network of links will see and value those things that I am.

It’s important to connect with others, to engage, to be of service, and not spend ones’s days crouched in a shadowy hermitage. But it’s just as important to link in with oneself.

El niño dibuja cada día

My French, Latin, Urdu and Hebrew are rusty and dim but I kinda have an itch to learn a new language. So I downloaded a free app called Duolingo.

Each day it emails me to remind me to do my lesson. The email has a picture of a little green owl who says, “Hi Danny, keep the owl happy! Learning a language requires practice every day.”

I diligently open my app and spend a few minutes going through my lessons. I might be waiting for the kettle to boil, waiting for the F train, waiting for the elevator, and I fill the pause by repeating “naranja, naranja“. When I am done, the app goes bing-bong and rewards me with some pointless points. It’s painless and fun and soon I am sure I will be able to order a burrito from the food truck on the corner.

Now we just need a genius to come up with a drawing app that’ll do the same thing. Bing-bong! Time to draw a bagel. Ding-dong! Sketch your shoe. Ting-tong! Get out your gouache. Five or ten minutes a day of gentle prodding to keep me in tiptop drawing shape.

Any coders out there?¡vámonos!

Rusty beans and dusty gold.

One evening, you go to a friend’s house and she has rented a movie. She paid for it, but you get to watch it for free.

You notice a bestseller on the table and ask if you can borrow it. Your friend waves it away and tells you how disappointing it was. Instead, she urges another book on you that you never knew about. That book changes your life.

You have coffee with a friend who offers to introduce you to a colleague with professional experience that dovetails perfectly with yours.

You are on your phone, about to jaywalk. A bicyclist zooms past you and through a red light, almost getting clipped by a taxi. Your heart spasms with adrenaline as you step back on the curb and swallow hard.

You read a memoir of a man who went against the herd to start a business in an industry others had long since abandoned. He struggles, backslides, struggles some more, but by using certain surprising skills, he reverses the trend and creates a successful, beloved business. His book is full of specific descriptions that you can use to pursue your own dream.

You read a review on Amazon for a product you have been considering for a while. The review points out three unusual criteria you had never considered which make you act immediately.

Your mother-in-law smokes like a chimney. At sixty, she is dead of lung cancer. You used to have an occasional cigarette with your second martini. No longer.

You had a parent who withheld affection to the point of abuse.  When you have your own children, you use his behavior as a yardstick, a warning of things never to do.

Distracted, you say something unthinking to your spouse — who gasps aloud. You look up, suddenly aware of what you’ve said, and grow shocked at your own insensitivity.

Your grandfather survived the Great Depression. For the next sixty years, he counts every penny, then dies alone in a shabby house, its basement full of rusting canned goods and thirty pounds of gold bullion.

Every day life offers you a lesson you may or may not notice. What did you learn today? What did you teach someone else?

(Can’t think of anything? Well, that’s why there’s this.)

Reading me.

I don’t usually read my books for a long time after I write them. I’ll have some occasion to look back and read what I wrote and the experience will be quite odd. Sometimes it will seem familiar, and very much me. At other times, I’ll think, “Did I really say that?”, sometimes with pleasure, sometimes with dismay.

Often I am possessed by some other version of me when I write, a version that is a co-creation of the book itself, the inexorable march of ideas and words that surge forward as I write at length, ideas taking on their own voice, connections stopping out of the shadows. That’s one of the prime pleasure of writing, how the process takes over. When I wrote a novel a few years ago, I was constantly surprised at things the characters said, at the way bits of plot came full circle to tie up ends, at the life the story had quite beyond me. I sometimes think back on the characters, wondering how they are now, as if they lived on even though I stepped away from the keyboard.

I can have the same feelings when I draw. I begin with an impulse of what sort of drawing I want to make but invariably where I end up is pretty different. Making a drawing, like writing, is an exploration, an adventure. The destination is subject to change. My mission is to discover myself. And sometimes what I find may be pretty unfamiliar and surprising.

I write my books. But I read them too. And I hope I’ll always get lost in their pages, lost so I can find something surprising and new.

Keeping the fun in fundamentals.

Teaching yourself to make art is a lifelong endeavor. Books and courses will help but it’s up to you to keep the work interesting and relevant.

Look for creative ways to keep practicing the basics, like contour drawing, proportions, foreshortening, tone, shading, volume, etc.

Don’t make drills dull. Find ways to mix things up. Draw things that mean something to you.

Instead of setting up artificial subjects like bowls of fruit or vases of flowers, draw the contents of your fridge. Draw the roses you got for your birthday and write about how you feel getting a year older. Instead of drawing naked strangers in a life drawing class, draw your naked spouse, your cat, your boss. Rather than doing “Drapery studies,” draw the shapes your feet make under the covers on a Sunday morning.

Be inventive. Be fresh. Be personal. It’s an adventure, not a chore.

I’m the best!

Maybe I’m not the best writer.

Maybe I’m not the best artist.

Maybe I’m not the best thinker.

But I am supremely qualified to do at least one thing. Here’s my superpower:

I’m the best person to write what I think.

I’m the best person to draw the world through my eyes.

I’m the best person to express my point of view, my experiences, my mistakes, my shortcomings, my strengths.

When I compare myself with others and what they make, when I think, ‘Oh, I could never do that!’, it’s easy to forget my superpower.

And if I do, I won’t express myself — and no one else will.

And even if they were to try, they couldn’t to do it as well as I could. So, it’s up to me.

Learn from others, but don’t wish to be them. We all have unique ways of seeing the world. And we all have our own, priceless way to express what we are.

Have you used your superpower yet?

Five beautiful things I saw today.

I looked up from my book and glimpsed the setting sun reflected in a window across West 3rd Street. It was enormous, an incredible, unnatural, cherry red. I rushed to the corner of the terrace to look at the actual sun but it was hidden behind a tangle of water towers and satellite dishes. I watched the last slivers disappear in the mirrors of my neighbors’ picture windows.

In the park, a woman in a black pinafore spun lime green hula hoops ’round her hips, her waist, and knees, and then suddenly convulsed and folded them all into a single shape, a globe with all its meridians demarcated by the buzzing hoops.

The fur on Tim’s back is curly as Persian lamb today. The air is still but he is knotted and wavy. His fur is a dusky rainbow: eggplant, auburn, battleship grey, matte black, all threaded with silver highlights.

I went to Jack’s room to put away some towels. On his top bookshelf, the albums of his drawings that we collected when he was just starting to draw, aged 2 to 4. On their spines, they’re labeled “The Art of Jack Tea Gregory, Vols 1-4.”  On the shelf below them, arranged, apparently in the last few weeks, a row of books of art notes Jack’s been making this year.  Each is labeled with a Brother P-Touch that I didn’t even know he had.  Those two rows of books encompass the last twenty years of his life. And of mine.

At least seven blocks away, there’s a railroad apartment. It has windows at the west end near me and at the far eastern side. A slice of sky is visible through that far window and, across that bright patch, the silhouette of a person passes back and forth. A single leaf on the crabapple tree across the street appears larger than that tiny silhouette yet somehow, I am connected, and know something about how that miniature person feels, pacing so many blocks away.

Bulletproof

I saw some cops having lunch at the diner the other day. There were three of them, big guys crammed into a booth, working through sandwiches and fries.  They each wore a heavy leather utility belt with a flashlight, handcuffs, mace, a Taser, a notebook, a radio, a nightstick, a big handgun and God knows what else.  These cops sat very erect — under their uniforms, their torsos were girded in a thick bulletproof vest.

When their meal was done, one officer reached for the bill — but it slipped out of his grip and fluttered to the floor. He leaned over, grunting, to pick it up. Straining and cursing, he couldn’t bend in the middle to reach it. The gun, the vest, all the clobber had him strapped down and inflexible. Eventually, the waitress saw his predicament and darted down to lightly pick up the bill and replace it in front of him.

Life can force us to armor up. As we endure traumas, abuse, poor judgment, we layer on defenses to protect us from what has happened. As they say in the Pentagon, we are always preparing to fight the last war. But many of our shields are redundant, obsolete, and confining. As we bolster ourselves against more and more possible eventualities, we become like medieval knights struggling to get back on the horse under a load of steel plate.

Do you need it all? Look at your ramparts. Monitor your reactions. Check your gear and see if, maybe, you can lighten your load.

Spine-tingling

My uncle Michael published half a dozen books. Everyone in our family prominently displayed their set. A foot-long row of familiar spines standing proudly together — his books, his name repeated across them. I envied the pleasure I imagined that gave him, that cube of honored real estate.

I made my first book when I was six. A stack of deliciously thick paper. The smell of library paste, a smell I can taste (probably because I did). A clear plastic sleeve filled with a rainbow of markers. Brass paper fasteners.

I treasured the pleasures of bookmaking. Carefully lettering my name on the title page. Alternating pages of drawings with pages filled with large, neatly penciled letters. Numbering all the pages. Making up the front matter: the publisher, the copyright, the dedication. Conjuring up blurbs from my favorite authors to put on the back.

My biggest regret: my books never had a proper spine. I couldn’t run my name and title and the Dewy Decimal number down the edge. It didn’t look right on the shelf.
But that was a minor blunt to my pleasure. I was still “an author”.

A half century later, whenever I visit a book store or a library, I always, eventually, wind up looking for my books on the shelf. I can spot them from across the room, familiar faces in a sea of stripes, like spotting my son on a crowded playground.

No matter how many books I publish or sketchbooks I fill, that boyhood thrill is still there. I love the shelves of books I’ve made, all together, spines aligned like little soldiers.

Oh, BTW, I am soon gonna add a new spine to my collection. Shut Your Monkey: How  to control your inner critic and get more done is in the design/illustration phase and will soon head to the printer.  It’ll be on the shelves of your local bookstore this fall.