I love making money. And it’s easier than it seems. Just crumple up a bill or spread it out — and then open your workbook and dive deep into the details with your pen.
The way I approach this little bit of counterfeiting is the same way I draw anything complex. I’ll take you through the steps in this video.
It’s a lovely subject for meditation. Spend a half hour doing this and you’ll emerge much richer. And so will your workbook.
As you know, I am rather lazy and always eager to get out of work. So don’t be deceived by the plethora of seemingly-fresh videos below.
Last year, when the original Art Before Breakfast came out, I made a bunch of quick videos to explain the principles behind the week of drawing lessons. As I have a similar week of instruction in the workbook, I am resharing those videos for you to follow here. Lazy, but effective.
Despite their vintage, the lessons still work.
Spend a week watching the videos and doing the exercises in the workbook, and, by the weekend, you’ll be ready for your first one-person show at the museum of your choice.
BTW, I filmed these in the winter and I think I was sick with something during a couple of them, so you’ll notice turtlenecks, sweater vest, pale skin and a red nose. Don’t be alarmed. I’m better now.
I try. But when a stressful day with too little sleep has me on the ropes, my best intentions go out the window. Here’s an example. My pledge to share an exercise from the Workbook as often as possible — draw, make a video about it, and then blog about it — collided with my recent travel itinerary and the results are recorded on YouTube.
Warning: this video is a little crabby, a tad unreasonable, and the drawing’s not something a professional teacher would share with his class, but the actual valuable lesson in it is about life, the challenges of trying to better oneself, and when to board a plane. Enjoy. Then get back to work.
Let’s get down to some actual drawing. This video is a trick for turning lousy drawings into a cool piece of art. It’s all about the power of more, how a page of even mediocre drawings gains power and beauty as you add more drawings. And this approach is so fast and simple, taking just a minute each — a minute you can fit in, no matter how busy your day. Just make sure you keep that workbook handy for when the moment strikes.
This week is all about finding triggers that will help make drawing into a regular part of your day, building new patterns and habit to make you more creative and productive. It’s also about why you should bother— why do you want to be creative? What are your goals and aspirations?
I am really enjoying poodling along in my workbook. The paper is hefty, the size is just right. And I’m having fun making these simple little videos — no SBS level production value, just me, my iPhone, my kitchen, workbook, and pen.
It’s funny being taught by myself. I thought about all of these exercises a lot when I wrote the book and its predecessor but, with the distance of time, I am now able to dig into each assignment as if for the first time.
But enough about me.
I hope you are working alongside me and filling in the pages of your workbook too. And if you don’t have one yet, it’s not too late to enter for the giveaway. Just email your name to firstname.lastname@example.org and we’ll pop it in the hat. I’ll be drawing names at my Facebook Live thingee on Saturday.
Yay! To celebrate the launch of my new book and your new creative habit, Sketchbook Skool and my publisher, Chronicle Books, are giving away 10 copies of Art Before Breakfast: The Workbook.
To enter for a chance to win, email email@example.com before Thursday. Good luck!
(For more details, click here.)
I am slowly working my way through the exercises in my new book, Art Before Breakfast – the workbook. I keep it on my kitchen counter and start each day by filling in a few pages. It’s a nice, gentle creative experience that’s reviving my drawing habit and I thought I’d record the experience as I go along — and share it with you.
This isn’t meant to be a commercial, just a sort of visual process journal shot and edited on my phone. If you are working through the book too and would like to share any thoughts or discoveries, I’d love to hear about ’em.
My new book is out! It’s succinctly titled: Art Before Breakfast – the workbook: How (and why) to develop a creative habit, no matter how busy you are.
Based upon my bestselling book (six foreign-language editions and counting!), this encouraging, guided journal is packed with short exercises designed to help shape a life-enriching artistic habit. Open-ended prompts, visual examples, and lots of blank space for drawing make this workbook a fun, accessible entry to artmaking for anyone looking to carve out time for creativity.
No matter your age or drawing ability, this workbook will become your constant, creative companion.
Click to get yours now!
It’s been a while. The last you heard from me, I was whining about my extraordinary good fortune, that I had rented a painting studio for the summer to share with my son and how challenged I felt by this enormous hot fudge sundae.
And, while it may have appeared on this blog that I had disappeared into that studio and locked the door behind me for two months, I actually was absent because I gave myself an even bigger gift.
A summer off.
It wasn’t a deliberate plan at first. But despite my industrious and responsible nature, I decided to shirk more and more habits and rutware and see what grew in their place. And to see how much trouble I’d get in to for not showing up.
I made a bunch of paintings and some sculptures. Despite my initial trepidation, I let myself go fairly wild with how I made them, experimenting with new media and working much bigger than usual. Most of the paintings were fairly large and the sculptures were all knee high but were installed in various sites as if they were monumental. In a few days, I’ll write a detailed post about what specifically I did and what I learned by doing it, but suffice it to say for now that going to the studio was a refreshing departure that helped me examine and combat a lot of those fears I had expressed to you a few months ago. I drew some but less than normal and didn’t keep any sort of illustrated journal at all.
Usually, the summer is a great time to go to the movies. But over the past few years, the cinema has lost its appeal for me. I find most of the films really forgettable. I can think of two I have seen this year that I liked (Hunt for the Wilderpeople and The Lobster) and, because so many of my friends don’t seem to go the movies any more either, even they haven’t been good fodder for dinner party conversation.
Instead, I have watched TV and read books.
I made time to read a lot. I’d get up early and read before breakfast and go to be early and read for an hour every day. I read a fair amount of escapist crap as one should in the summer. I also read some fantastic books, many of them new. Many of these are memoirs and others are novels that feel like memoirs. Here are the ones that have really stuck with me, creating moods and insights that I keep coming back to as the best books do.
Americanah by Chimanda Ngozi Adichie, Lab Girl by Hope Jahren, Vol.4 of Karl Ove Knaussgard’s My Struggle, The Underground Railroad by Colson Whitehead, Hillbilly Elegy by J.D.Vance, Sapiens by Yuval Noah Harari, The Sellout by Paul Beatty, The Nix by Nathan Hill, and How to Get Filthy Rich in Rising Asia by Mohsin Ahmad.
I read some books about business and about creativity. The better ones include How to Fly a Horse by Kevin Ashton, Makers and Free, both by Chris Anderson, The Prize by Daniel Yergin, Let the Elephants Run by David Usher, Choose Yourself by James Altucher, and Elon Musk by Ashlee Vance
We watched a fair amount of TV when staying in the air-conditioned living room seemed the sanest plan. We watched the ABC series Lost on Netflix, a strange and endless tease which I hadn’t watched when it was first broadcast. It took the better part of the summer.
We watched the Olympics, although our initial enthusiasm waned over the two weeks of breathless coverage. Partly because living with a millennial for the summer who doesn’t get the Olympic quadrennial ritual and wonders why we need to watch hours of gymnastics and swimming when there 700 other things on to watch instead. And partly because I started to wonder the same thing.
(Note: One thing that I have learned in a dozen years of blogging: avoid talking about religion or politics; it just ruins the party. But I’ll break that rule today to share how I have felt watching the election this summer.)
Since high school, I have always been a deeply committed election follower. I was a political science major at Princeton, a White House intern, and devoured all the classic books about campaigns like Fear and Loathing on the Campaign Trail by Hunter Thompson, The Boys on the Bus by Timothy Crouse, The Selling of the President by Joe McGinnis, and the various edition The Making of the President by Theodore H. White.
I like following the campaign strategies, the unfolding dramas, the twists and turns. And, in at least four elections in my adult life, I have felt pretty passionate about one of the candidates running for office.
This election has been a gobsmacking, rubbernecking train wreck but it lacks the usual pleasures. There’ve been no real discussion of solutions, no traditional campaign strategy, and the result, despite the media’s shrill thrashings, has been forgone for some time. It’s like the 1972 Olympics in Munich — instead of watching a match of amazing accomplished competitors, we are watching a highjacking. It’s disturbing that at a time of such change in the world, this important opportunity for discussion has become just a referendum on two individuals. Like a lot of people in this country, I don’t feel much enthusiasm for either candidate, and I am just waiting for it to be over. Nonetheless, it’s hard to tear one’s self away from the spectacle. I just hope I can get back to enjoying the race next time.
Okay, back to more important things we can all agree on, like Sketchbook Skool.
We are entering a new phase in the Skool’s development. It may not always be apparent from outside, but we do a lot of thinking and planning and replanning and rethinking about what the future of the Skool should be and if it should even continue at all. What began as an experiment almost three years ago grew into a business. And a passion project became a job. There are times it has been the best job I could imagine. At times, I have felt like I work for the worst boss ever: me.
This year, we had lots of ambitions, tried lots of experiments, and finally came to a maturing in the early summer that has made us all feel both excited and in balance.
We have created a number of new kourses this summer. We released Andrea Joseph’s Creative Lettering klass, one of our biggest launches
ever and people really love it.
We filmed another intensive kourse with Veronica Lawlor that we will be launching later this year. I am in the midst of creating a kourse called “How to Draw Without Talent” that I am having loads of fun with. And we have several new teachers segments in the can for another 6 week kourse to launch in the winter.
Jack and I even made a film (to be released soon) called “How to Draw Your Dog” featuring our two favorite canine mascots, Tim and Joe. We’ll share that soon.
We are also advertising on Facebook for the first time which has been a great way to welcome new people and has made us completely rethink how we present ourselves and what our Skool can be. It has also been fascinating, as a person who created advertising for thirty years, to be marketing my own business, and to be using new tools and technologies that work in such amazing ways. I can’t say I ever knew exactly how any ad I ever write really worked. Now I know on an hourly basis.
This summer we also committed to doing a Study Hall video for every single week of every kourse, a daily blog post that’s useful and inspiring, a weekly newsletter, a weekly video roundup of everything that’s going on in the community and to our first wave of Teaching Assistants, recruited from our alumni.
Our growth has had some pains. We have come to terms with the fact that our platform may not be right going forward and in the next few weeks, we will begin to transition in a hopefully seamless way to a new technology that is faster, more secure, and has lots of new features that will improve the Skool. It’s one of the most essential and most disruptive things we have to do (we changed platforms last year and it was like moving to a new country) and it’s taken many months to finalize the decision but it’s gotta be done.
We are also getting better at doing our jobs. For the first time, we are regularly getting planning and things done long before they are due, sticking to proper production and marketing schedules. And we are being realistic and focused in what we take on so we can get things done, and grow in the way we want to, to accomplish our personal and business goals.
Sketchbook Skool is a great part of my life and the lives of lots of other people, my colleagues, fakulty, and students. Keeping it viable and thriving is challenging but rewarding and this summer has been one of our most important chapters, even though much of that work has gone on behind the scenes.
I signed on to do a three-month project for a former client which will take me through early October. I can’t discuss the deets but it involves a sizable budget and a fair amount of autonomy.
It has been interesting to fire up those sections of my brain that have been under a tarp for three years and see if they still work. They do.
It has also been interesting to see how I have changed in the past three years, how differently I work, how differently I view the processes of big corporations and of the advertising business. I must say I much prefer how we do things at SBS. So much less bureaucratic, more decisive, more flexible — but so it goes. I don’t miss working full-time for the Man but an occasional visit is fine.
My boy graduated this summer and has spent a couple of months working to save up for his move to Los Angeles in the fall. It has been great to have him here with Jenny and me but bittersweet because we all know it’s the last time he’ll really be living here. Soon he’ll start his new life, far away, and I am savoring every one of the moments we have left.
At the end of September, I plan to drive with him from New York to Los Angeles to help him get setup in his new apartment and to leave him the family car. Then I’ll fly home and he will begin his next chapter. Gulp.
We spent last Spring having our kitchen renovated and we love the results. Jenny and I have a beautiful, sunswept place to cook now and we are making the most of it, visiting the farmer’s market, ordering mystery boxes of artisanal veggies from Fresh Direct, and having an excuse to buy even more cookbooks. Our kitchen is so big and well designed that all three of us can work in it together, without knife fights or saucepan jousts.
Maybe it’s my demographic, but more and more of my friends and relatives are getting decrepit. They’re spending time in the hospital, struggling to reach their shoe laces, filling drawers with pill bottles. I want to avoid that. My shingles experience last Spring really brought that home. I have been ever more dedicated to working out with my trainer Keith, to avoiding french fries, double dip cones, and the sun’s rays. I am also realizing that I am not meant to be thin but that doesn’t mean I am meant to be fat. I am, however, meant to be baldish, it would seem.
This summer I began a new habit: I start each morning by writing down a bunch of ideas. Each day I concoct a different assignment and write down whatever occurs to me. It pumps my brain with blood, clears the cobwebs, and is a nice habit. Most of the ideas are worthless but the occasional one is worth developing and that’s what I’ll be doing. I’ll share some of those lists with you here, in time.
I have a new book. It just came out at the end of August. It’s called Art Before Breakfast – the Workbook. It is designed to help you develop a creative habit, of drawing and seeing the world around you every day. If you have read Art Before Breakfast, you will recognize some of the content but it has been redesigned and expanded and printed on high quality sketchbook paper so you can not only carry it around with your for inspiration but also draw and write and even paint right in its pages. I hope you like it.
And if you prefer Frühstück to Breakfast, you will be glad to know that the original Art Before Breakfast is soon to come out in German. That will be the sixth edition foreign language, including Spanish, Russian, Korean, Mandarin and I forget the other one. Aussie?
Well, I hope you had a great summer too. Do tell me about it.
School’s back in session, I have my new shoes, fresh haircut and sharpened pencils and will be at my workstation, posting semiregularly again. So get used to coming back to this same batchannel in future for more ruminations on all things creative.