Six weeks that changed my world

DOG portrait by SBS student, Annika Sylte

We just finished the first semester of Sketchbook Skool.  It has been phenomenal and beyond my wildest imaginings. One student captured it so well:

“The last six weeks have been a roller coaster ride.

When I was debating whether to sign up for SBS or not, I wondered if the course was really for me. I’m not a beginner but I do know there’s always something new to learn. And as for “Beginnings” – well I have had a number of those in my life: when I opened a retail shop after training as a teacher; when I started over as a single person after divorce; and when I immigrated to Australia three and a half years ago to earn my living as an artist and teacher. (Yep crazy I know!)

And I figured, the blurb said “Beginning” not “Beginner” so what did I have to lose. Then when I listened to Danny talk about creativity and repression and starting the practise of daily drawing, I knew why I signed up. I wanted to draw every day. I wanted to draw my life.

The course has been fast paced. The warm up – an admonishment from Danny to use only pen, Koosje’s urging to draw outside and to try coloured pencils (still not my best) Then enjoying Prashant’s lyrical approach to journals and his dreamy watercolours had many struggling with the medium — more due to incorrect choice of paper than any lack of ability. Jane’s approach to page layout and the freedom to pick up a pencil again made many sigh with relief. By the time Roz Stendhal wowed us with her journals and her ever generous comments and links to reviews, we were all addicted to SBS. she showed us that drawing animals and birds isn’t as scary as it seems. Her compilation of answers at the end of the week is almost a book. I have only scratched the surface of information it contains.

As more and more of us escaped the klass room and hung out in the playground, we discovered that this wasn’t just a Skool with boring lessons and strict teachers but a very kool place filled with funny talented friends. We found kindred spirits to lift us when we felt down, to support our efforts to lock the monkeys in the cupboard, to praise our drawings and most of all to share a laugh.

Then, this last week and Tommy Kane, the Kross-hatch King set us an assignment that had many running for cover. Slowly the results of hours and hours of careful, painstaking drawing started to go up on the FB page. What an amazing assortment of wonderful drawings! And how appreciative we all were when Tommy congratulated us on our efforts. Like kids we jumped up and down with joy because our teacher liked our work!! Yay! Certainly there are no more “Beginners” in this klassroom.

Thank you for the best six weeks. Ever. I can’t wait for the next semester.

           — Carol Lee Beckx, Brisbane, Australia

If you’d like to experience what Carol and thousands others have, join us for the next semester of Sketchbook Skool, starting July 4th.

 

Things you’ll like.

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An Excuse to Draw: Tommy Kane Sketches the World.

I want to share a few experiences I’ve had recently which you might enjoy too.

An Excuse to Draw: I mentioned Tommy Kane’s book a while ago, but it’s a pleasure I’ve re-experienced over and again since then and it has filled me with so many emotions. photo 2

One is enormous pride in my friend who is such an extraordinary and hard-working artist. I have always loved the things that Tom makes but seeing them all in one place, takes my breath away. The enormous variations of things he draws, the intense detail and perfection of each image, the wit, the beauty — they ricochet me about. And seeing them all hardbound and being shared with the world, well, that’s the fate he always deserved and I’m immensely glad he is finally getting his due. photo 1

Another is admiration at his tenacity. Tommy is such a perfectionist, to the point of obsessiveness, filling each page edge to edge, never forsaking a drawing if it starts to go awry, always riding it out to the end, which is never bitter. Each page is a grand battle, Tom vs. Tommy, slugging it out until Nirvana is reached. The sheer volume of time, sweat and ink that went into tis book would loop around the world many times I admire his balls and wish I had that perseverance.

Third, is the pleasure in seeing the drawings I’ve watched him make and all the ones that he made on the other side of the world — all together. This book is as big and complex as the planet, so many details one every page, so many pages, so many pages within pages, all laced with jokes, and stories, and observations. Poring over it reminds me of how I used to read books when I was a kid, studying every picture, looking for faces in the windows, scrutinizing each detail and fantasizing about going to every place. It’s an adventure.

If you haven’t ordered a copy of Tommy’s book yet, start saving up. It will educate you, entertain you, and blow you away.

Oh, and if you want to see how he does it all first-hand, I hope you enrolled in “Beginnings” at Sketchbook Skool. His klass is the final one in the kourse.

Urban Watercolor Sketching by Felix Scheinberger
Urban Watercolor Sketching by Felix Scheinberger

Urban Watercolor Sketching: Another friend and collaborator on An Illustrated Journey has a new book out too. It’s actually not brand-new except in its English translation. Felix Scheinberger is a great illustrator, teacher and author.

photo 3-1This book (which I think is kinda misnamed as it doesn’t actually just focus on Urban Sketching but is about all things watercolor) is a treasure trove because it has so many witty, loose, energetic, gorgeous watercolors by Felix that are inspiring me over and again but also contains so much deep technical information, all presented in such a useful and accessible manner. photo 2-1Reading Felix’s book has re-whetted my appetite and rewetted my palette too. I am chomping at the bit to get out there and paint. I think it may have a similar effect on you too.  Now if I can only convince him to teach a klass for us!

Pocket Palette:

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Pans labyrinth.

IMG_1693And speaking of my palette, Maria Coryell-Martin just sent me a credit card-sized metal palette with a magnetic base into which you can swap pans of watercolor.  There are two sizes of pans and they all snap into place in this sleek little package. I just filled it up with my favorite tube paints and am ready to try it out. I am curious about how the mixing surface will work. Maria is an expeditionary artist who has painted in some amazing places and this invention seems quite genius. If you’d like one of your own, visit her shop.

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My current favorite colors

Until now, my palette situation has become less than optimal. I have my Winsor-Newton portable set which I just replenished, two teeny palettes which Roz sent me, and a big metal palette with too many paints in it.

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Teeny weeny kiddy paintbox

They are all a little dirty and muddy so sitting down and laying out my palette from scratch was a great feeling.  Now to pack up my gear and head out.

I just need to locate my favorite brush which seems to have strayed.  Heeeere, brusy-brushy!

Walk on the Wild Side

IMG_1614I have never been a great devotee of exercise. Maybe it was because I was always picked last for playground teams. Though I have gone through occasional paroxysms of gym-going and developed surprising muscles here and there, I would rather read a book.

My grandfather claimed to have been quite athletic as a young man and, to demonstrate his prowess, at sixty years old, kicked my soccer ball over the house and into the neighbouring bullock paddock, never to be seen again. Though he never went to the gym after graduating from the gymnasium (as secondary school is called in Germany), he was a doctor and, except for the smoking pipes, cigars and cigarettes, had a healthy and balanced diet throughout his life, (lots of veg, not much meat, etc).His one exercise regimen I remember is that he walked for half an hour every day and always took a post-lunch nap. It seemed to have worked — he lived to be 98.

The one form of exercise I actually like is walking. In New York, I used to work to my office and back each day, rain or shine, forty minutes or so each way. I don’t know how much it qualified as exercise —despite all those feeble studies that say mowing a lawn or brushing a dachshund or lifting an especially thick paperback is all the exercise the normal adult needs.

I walked as much as I did for other reasons. Taxis make me car sick and cost too much. Buses are painfully slow. I don’t own and wouldn’t drive a car in the City. The subway will do when it rains but there still a lot of walking needed to and from stations, so why not walk the whole way and save $2.50?  Bicycles get stolen and can get you killed. And it’s really hard to find  a decent rickshaw any more these days.

But the biggest reason: walking gives me ideas.

I have written huge chunks of all my books while walking the street of New York. I have written commercials, had life-changing ideas, worked out seemingly insoluble problems, and all while strolling through my favorite city in the world (sorry, LA!).

I’m not alone apparently. Researchers at Stanford University put people on treadmills and found that they were far more creative when they were walking. And even after taking a walk, they came up with a lot more ideas than before, up to sixty percent more! The researchers can only surmise why this is — perhaps it’s because when we walk, we feel good, and when we are optimistic, ideas flow. It could be because when you are diverting energy to walking, it’s not as available to the monkey, and right-brainish restrictions are relaxed. Your mind is simply freer, swinging its arms and whistling a happy tune.

Since coming to LA, I’m tempted to drive everywhere. But I walk my dogs for half an hour each afternoon and I try to walk to the grocery store a few blocks away rather than take the truck.  And even walking on a treadmill at the gym works and almost as well as strolling through a sylvan park.

How do I write while I walk? Well, I used to pull the journal out of my pocket and scrawl down thoughts in pen. But now, I use my phone. I am addicted to Evernote — I just launch the app, and the amazingly accurate speech recognition software turns my murmured thoughts into text which I can then refine when I get to where I’m going. If speech reco isn’t working well for some reason, I just make a little recording on my phone and listen to it later.

Amazingly, most of these ideas float up out of nowhere and, later on when I look at them, they seem magical. I don’t even remember having most of them. Getting those ideas down right away is key. If I clutch them in my mind, trying not to forget, my creativity freezes. The idea needs to be jotted down, stored and moved off stage for new ideas to show up.

Okay, see you later. I’m off to take a walk.

Bits and bobs

Maybe it’s ’cause it’s Spring, but so many things are blossoming in my life these days.

Spring: Our Sketchbook Film called “Spring” was just on the big screen at TELUS S20FE374F-0152-43BF-9A1C-B841FCD086D2park, the new Science Centre, in Calgary, Canada. People liked it, they tell me. It seems a zillion springs ago that I sat in the park drawing for that film. This year the spring in New York seems far grimmer and my sister texted me from the train platform this morning to tell me it was cold and raining and she was over it. I didn’t mention that our car thermometer registered 97˙ yesterday in an LA parking lot. I’m a nice brother.

Fullerton: I am going to be giving my first talk in California next week at Fullerton

156-08_FC_DannyGregory_finalCollege. I will be talking about my life, my discovery of illustrated journaling and all the things it has taught me over the years. I’ll also be showing loads of images from my books.  It’s open to the public and free, so if you are in the area, please drop by and say hi. It’ll be nice to just drive to one of my talks, rather than have to fly around the world. Well, I like doing that too.

HOW in Boston:  I am giving a big presentation at the HOW Design Live conference in a few weeks. I’ll be talking about some thing brand-new for me, the inner critic, based on posts I wrote here on my blog. They’ve asked me to do the speech twice so I will be spending the whole week in Boston.  shut your monkeyIt’s been loads of fun, writing and designing a new talk, but I must say the monkey does not like being talked about and I have had to wrestle with him daily.  Now the speech has really started to come together and I am feeling great about it and I really look forward to seeing all the designers who will be there. Not to mention Seth Godin, Malcolm Gladwell and Stefan Sagmeister.

art Before Breakfast: My new book logois all written, illustrated and designed and is now with my publishers.  I just reviewed the galleys and it looks awesome. I am so excited about this one.  I hope it will have the same sort of impact that “The Creative License” had and help a lot of people to find the time and inclination to make art part of the their lives. Plus it has several hundred new drawings and paintings and is quite handsome. IMG_1678

Sketchbook Skool:  Our online school is humming along.  We had to cap the first klass at 2,000 students and those who couldn’t get in the door have already been signing up for when we repeat the next semester. We are well into production on the next Kourse. It’s called “Seeing” and our fakulty includes some real super stars: Cathy Johnson, Liz Steel, Brenda Swenson and Andrea Joseph. It launches on July 4th. We are doing even more elaborate and polished productions this semester and using professional video crews. I supervised Brenda’s shoot in Pasadena last week and tomorrow Liz shoots in Sydney with a director I found for her. Then Andrea will be joining Koosje in Amsterdam to shoot her klass. It’s all very international and exciting and I am now a producer, writer, artist, teacher, director, headmaster, entrepreneur, and fanboy. Koosje and I will also be teaching this and every term and I am really excited about the videos I’ll be making for my section.

Phew! Next I have to come back to New York to hang out with Jack for the summer. His term ends in a few weeks and then he begins a really exciting internship program working with some amazing painters and becoming part of the New York art scene. I am so proud of him and just know he will have a wonderful life making art. I have had such an amazing year. To think that twelve months ago, I was sitting in a meeting discussing marketing challenges for the oil industry!

On beginning

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Beginning starts with a dream.

A dream to draw.

A dream to create.

A dream to play the ukelele. Speak Portuguese. Ride a bike. Lose five dress sizes.

A dream to be what you always wanted to be.

A dream to finally face that part of your life that you’ve avoided so long because it shames you or makes you feel weak.

You hold that dream in your mind, you caress it at night, you turn it over and over and wish it would come true. That you could do this thing you dreamed of, effortlessly, fluidly, joyously.

And with that dream of doing this one thing come dreams of doing other things, of being other things, of feeling strong, and competent, on top of your game, happy. Complete.

Achieving this one dream feels like it could mean achieving all those others as well.

This dream means so much to you that you hold it delicately, like an egg that could shatter and dash all your expectations of yourself. To pursue this dream could mean to fail and so you take a long time before you muster the courage to take the first step towards reaching it.

So, beginning, starts with a lot—too much—at stake.

And beginning starts in a realm you can only imagine, because you haven’t ever been there. You’ve seen other people achieve that dream. You’ve seen the drawings they’ve made, heard theme singing that aria, tasted the soufflé they whipped up so easily. And you think you know what that must be like. You think you know what the journey there must entail. If only you had the courage to actually begin.

But so far, all you really have is that dream, turning slowly in your mind, lit by thousand candles.

And then a day breaks, more sunny than the rest, a day that fills you with a new type of hope, and so you decide to begin. You breathe deep and pick up that pen. You sit down at that piano. You dive into the deep end of that pool.

You are filled with exhilaration and hope. Your dream glimmers on the horizon

And then as soon as you leap, you flounder and flinch. You gasp. You sink beneath the waves.

The water is colder, deeper, and darker than you’d ever imagined.

That first line that you have imagined in your head is finally on paper. That first chord thunders across the strings…

And it is flat and leaden and ugly, the work of a fool. Nothing like what you had seen in your dream. You flail and struggle on, despair sinking like clouds over the moon, plunging you into darkness.

And then, through the shadows, you hear the first righteous wails of the monkey. Wails? Or hoots and cackles? That voice in your head that delights in holding you back has finally fought its way through the lavender  bushes and daisy fields that surround your dream, bringing with it an icy dose of ‘reality’. It delights at your failure, your hubris at thinking you—ugly you, stupid you, hopeless you—could do this thing.

It wraps a protective arm around your shoulder and starts to lead you back to safety.

“You don’t have to keep doing this,” it tells you. “It’s too hard. Your talents too meager. The teacher’s too  incompetent. This isn’t really your fault. Just don’t try it again.”

That monkey is in your head to keep from risk, from new experiences, from growing. That monkey voice was implanted in you when you really needed it, when you had to have a warning voice to say, “you’ll put your eye out with that, you’ll break your neck, you’ll catch your death of the cold.”

New things still make that monkey scamper out of the darkness with alarm. The unknown, the challenging, the scary, the hard. Things that could make you cry.

And it has a hundred tools up its hairy sleeves to keep you in check and on the reservation.  It can make you panic. It can make you beat yourself up.  It can make you lash out at those around you. It can make you freeze and suck your thumb.

  It can make you panic. It can make you beat yourself up.  It can make you lash out at those around you. It can make you freeze and suck your thumb.

This what happens when your dream first meets reality. A rude awakening.

You feel shocked. You feel hopeless. You feel humiliated. You feel blind to the path ahead.

The monkey says, “See, this is why you haven’t done this before.  Because. You. Can’t. Do. It.”

The monkey says, “Stop now, stop the pain, crawl back on shore. Go back to where you were.”

The sense of failure spreads beyond the task at the hand, this particular challenge.

The monkey uses this opportunity to tell you what a failure you have always been, at so many things throughout your life, at every new effort you ever undertake.

The monkey, of course, glides over all of the things you have accomplished, all the battles you’ve won since you took your very first step at 11 months. The monkey edits your life down to show you that you have done nothing but shit since birth.

You cry yourself to sleep.

You wake up, the sun shining. You are still you. But now you have learned one lesson.

That lesson might be if you try and fail, it hurts.

That lesson might be if you try and fail, it hurts and you should neverever try again.

That lesson might be that the pain is temporary. That you can weather it. That you are now a day older, a day wiser and that challenge is still there to be conquered.

You regroup. You uncap your pen. You charge once more.

And this time (or the next time or the tenth time after that), you suddenly feel a shift. You look down at your sweaty paper and one part of one corner of one wretched drawing gleams with hope.

It’s good, that bit there.

Through all the mangled notes, one cord rings true. Amidst all the collapsed and burned cakes and pies, one crumb of one cookie tastes sweet.

You can do it.

You have seen the first shred of evidence that you don’t utterly suck to the core of your marrow.

Now, that glimmer of proof may actually have been there in your first or second drawing or concerto or cookie. But you missed it. That first shock the monkey dealt you, that first brutal wakeup call, made you temporarily blind and deaf. When you first stumble and crash to the ground, your head is ringing, your nose is bloodied, and you can’t see straight. You can’t assess your work, you can only cringe and cover your head.

But when the day comes that your vision clears, your objectivity returns, you will discover the value in what you have made, the beauty, the reward.

And now you can clutch on to that one sign of hope.  You can continue even as you blunder through more mistakes, more beautiful, educational mistakes that teach you lessons galore with every ham-fisted stroke.

And that dream that started you off? It wasn’t wrong to have. Even though getting to that castle on the hill is harder going that you’d dreamt, you can look over your shoulder and see that you are getting higher and soon you are walking through clouds. That dream remains essential because it is the thing that keeps you going, especially when the going gets tough.

The monkey is still hanging on for dear life.  He still claws at your shoulders and ears as you struggle forward. But his grip is weakening. His voice is dimming. He is wrong. You can do it if you will do it.

You just need to begin and keep on beginning and discover that it’s the journey that is the reward. The dream is just to keep you moving forward, a mirage, fantasy. It’s the journey makes you smarter and stronger and better and happier.

Now, what would you like to begin?

Discovering Columbus

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Joe didn’t want me to go away and tried to stow away in my bag, but I flew to Columbus, Ohio today to do a couple of events for the Columbus Society of Creative Arts and to see my super-cool niece, Morgan.

Here’s a little video about my doings so far.

A great time at the Open Center

Thanks to everyone who attended my Open Center workshop on Saturday in New York. I had a lovely time and you were all wonderful students!

Release the hounds!

sbs launchAround the planet, Sketchbook Skool‘s doors are slowly opening. The first student signed in at midnight from Russia and now the Aussies are filing in. As the calendar flips and the world turns, I am filled with a combination of glee, excitement, and a twinge of impostor syndrome.

We have worked as hard as we can since last fall to make this thing as rich and interesting and high quality as we can. When I sat down last night for a final walk through, I felt really good. The monkey tried to jabber at me a bit, telling me I’m not really a teacher, or a film maker, or an artist, or an Internet expert, but I have successfully swatted him away and am now just humming with anticipation.

I feel like I did that first night at Rowe Center last summer, surrounded by people who wanted to make stuff and to hang out together and share. The same feeling I plan to have on Saturday at the Open Center.

Thank you so much for supporting me in launching this idea. It’s very gratifying and a testament to our amazing fakulty and my partner, Koosje Koene.

There are still so many people hammering on the registrar’s door and, every few minutes, we see another new name appear on the klass list.

See you in klass!

Tommy!

I’ve convinced my old buddy Tommy Kane to teach for the first time. He’ll be sharing all sorts of great insights at Sketchbook Skool in a few weeks (May 9th). I’ve already learned a huge amount from Tom and Skool hasn’t even started!

Jane!

My pal, Jane LaFazio is joining us for the first semester of Sketchbook Skool.  Here we chat about what she has in store for us: