Why?


[<em>Seth Apter of</em> The Altered Page<em> is conducting a </em><a href=”http://thealteredpage.blogspot.com/2010/07/buried-treasure-2010.html&#8221; target=”_blank”><em>Buried Treasure</em></a><em> hunt and encouraged bloggers to resurrect one of their favorite long ago posts. I like this one. Next, back to the normal sturm and drang of the present.</em>]</p>


Danny,
The moment you get up to get your sketchbook to draw, why do you do it? What makes you want to make a sketch your sketchbook? Do you do it for you or does knowing other people will want to see it get you to do it? Is it an obsession? I don’t understand drawing constantly and not hanging it up unless it is a preliminary drawing for a project. If you are accomplished at drawing anything, why do it over and over?
Still in a rut and still depressed and with much gratitude for you,
A________

Gee whiz, Annette, you do sound like you’re in a funk.
Why whistle in the shower?
Why cook a new recipe for your family?
Why tell a joke?
Why put an outfit together?
Why style your hair?
Why arrange some flowers in a vase?
Why read a novel?
Why watch one movie instead of another?
Why not wear a uniform?
Or eat the same Value Meal at McD’s every day?
Why not shave your head?
Why not get a job at the DMV?
Come on outta the rut. It’s Springtime!
Or do you need to know why the bulbs are pushing out daffodils?

Your pal,
Danny Gregory

[Originally published on: Jul 19, 2008 @ 0:01]

Bad to the Bone

coverMaybe it’s because of my initials, but when I was little, I was determined to become a vet when I grew up. In fact, I got my first job at the age of 11, working for a vet at the local dog pound. It was only when I was in high school, and proved abysmal at Chemistry, that I realized I’d have to take another career path.
At any rate, I have always loved dogs. The dogs I loved the most weren’t the Lassies and the Benjis, the dogs that rushed to the rescue and did tricks and were cute and cuddly. No, my favorites were the ones that got into trouble, that showed character and individuality, the dogs that are bad.
For the past few months, I have been concentrating on drawing bad dogs of all types. And, inspired by Ogden Nash and Edward Gorey, I’ve been moved to write some little poems about dreadful pooches.
All of which leads me to the surprise part.

Image
I love my new publisher and can’t wait for An Illustrated Life to come out this Fall. In fact, I am so impatient for a new book that I decided to print up a limited edition book on my own, collecting about forty pages of those bad dog drawings and painted ripped from my sketchbooks.
This little book is only a limited edition. It’s four-color and I am really happy with the quality of the printing. I think it really captures the intensity of the watercolors I’ve been doing. Some of the drawings are done with a Rapidograph but most were drawn with a dip pen and they have a good energy that captures the mischief nature of their subjects. There’s a lot of experimentation with the quality of the line and the way I’m using color. It’s a bit of a departure for me, an intense exploration of a single topic but the folks who’ve seen it so far think it’s pretty funny and beautiful.
So, as part of this publishing experiment, I’ve decided to share this little book, Bad to the Bone, with my readers. I’m selling it more or less at (a super-low) cost, because I’m interested to see if this is a good way to make and share books. If you like it and want me to make more books of this sort, let me know and I’d be willing to give it a go.

CLICK TO ORDER: Bad to the Bone
Drawings & doggerel
By Danny O. Gregory

Image
I am really pleased with this book. I hope you’ll like it too.

An Illustrated Life Podcast 012: Melanie Ford Wilson


Melanie is a wonderful illustrator and designer based in Ontario, Canada. I first encountered her work through her blog and was enchanted by the sweetness of her perspective and by the lively way she writes.
We had a length chat about all sorts of things but I was particularly intrigued by our conversation about the ups and downs of being a popular blogger and the group of women illustrator/designer/bloggers of which Melanie has been a part for the past few years.
See Melanie’s work here and her blog here.
And listen to our conversation here. The episode is 63 minutes long; perfect to listen to as you draw in your own journal.
I am very happy that Melanie will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).

Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

An Illustrated Life Podcast 011: Seamus Heffernan


Seamus Heffernan is the youngest person in my new book but his work is mature and inspiring. He hand makes his own journals and paints and draws in them with enormous style and beauty.
Seamus grew up in New England and now lives in Portland, Oregon. He recently graduated with a BFA in painting from the Pacific Northwest College of Art, and did a semester abroad with the Aegean Center of the Fine Arts in Greece. He is a freelance illustrator/ painter/ comics artist and is working on a graphic novel about the Revolutionary War. See excerpts from the novel and his journals at seaheff.com

You can listen to the episode here. It’s 47 minutes long; perfect to listen to as you draw in your own journal.

I am very happy that Seamus will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).

Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

An Illustrated Life Podcast 009 & 010: Roz Stendahl

May 10, 2008


Many readers are probably familiar with Roz Stendahl and the incredibly useful advice she dispenses as a member of the EDM group. You may also remember that she gave me a special correspondence class in watercoloring a few years back that transformed my journal pages. On this special double episode of the podcast, Roz and I talk about all sorts of things drawing-related. We managed to blather on for a full two episodes worth of stuff and, frankly, could have gone on for hours more.
Part One can be found here.
Part Two is here.
I am very happy that Roz will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
I am posting both installments of the interview today; they are perfect to listen to as you draw in your own journal.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.
Next episode: Seamus Heffernan.

Blue Skies


From a comment submitted re. my last post.
What is creativity? Creativity is the ability to come up with productive, enterprising ideas and work that, at the very least, should have aesthetic, if not monetary value. It’s all very well to say that creativity should exist for its own sake; for enabling the self to be conscious of the here and now; but how could you possibly remain calm and poised enough to achieve that state, if your so-called creative work merely represents your inability to produce anything more than eyesores?
Your book, ‘Creative License’, aims to rid people like me of this inconvenient truth, but I’m afraid it fails to do so. I attempted at your EDM group’s weekly assignments one challenge a day, everyday for the past week, struggling to keep my inner critic down and concentrating hard and long so that I may to produce something half-way decent, but the best I have come up with so far is a deep lengthwise scratch in frustration down a page of the Moleskine I’d bought after months of guilt at such indulgence.
I doubt you could really help, but it would be interesting to see what you have to say for such problems.
— Blue Skies

Image
“A creative artist works on his next composition because he was not satisfied with his previous one.” — Shostakovich
Dear Blue Skies:
I’m sorry you are so frustrated with your efforts. I’d suggest you worry less about aesthetics and persevere. The fact is, your desire to make ‘something half way-decent’ is your Achilles heel right now and your harsh inner critic is taking advantage of it.

Spend another week just drawing the same thing over and over. Draw it, turn the page and draw it again, A bowl of fruit, a shoe, a picture of yourself, whatever. Again and again. Don’t look at your work, don’t judge it, just draw and draw.

If your inner critic is jabbering in your ear, blast music.

I know you don’t trust me but heed just this: if you draw a lot you will improve your drawing. It may take longer than you’d like but it will happen.

Aesthetics do not matter at this point. I know you don’t believe this either but it’s true. You are learning how to drive, not how to win the Indy 500. And there will be rewards. Every so often a line an angle, maybe a whole drawing will strike you as not quite so awful. And that feeling will happen more and more.

Force yourself to do it on a schedule so your inner critic can’t talk you out of it each day. Twenty minutes after breakfast, forty five before bed, whatever.

It may sound like bullshit, but your inner critic is the one that is the one convincing you that the whole enterprise is a waste of time. But it is wrong.

Frustration is natural but irrelevant at this point. You are not and are not going to make anything frame-able or even pleasing at this point. That’s not the point. Work out, build your muscles, feel the rhythm and only then run a race. So your inner critic is right: everything you are doing is crap. That’s no reason to stop.

So go on, right now, get off the computer and just draw some object. Don’t think too hard about what it is, just draw it. Then turn the page and do it again.

Don’t think of why I’m wrong. Just do it.

Thanks.

Your pal,
Danny Gregory

PS For more of this sort of useless advice, read on.

An Illustrated Life Podcast 008: Paul Soupiset


On this week’s episode, I talk to designer and San Antonio native Paul Soupiset. I first came across Paul’s work last year when he posted his Lentenblog. I loved his watercolors and the interesting way he was approaching his faith through art. When Paul visited New York, I invited him to visit us at home. Patti, Jack and I were in the middle of trying to make linoleum prints and I took some time off to sit with Paul and talk about Art, Life, God and the rest of it.
Spend some time at Paul’s site as you listen to our chat.

I am very happy that Paul will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
The whole episode is 24 minutes long; it’s perfect to listen to as you draw in your own journal.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

An Illustrated Life Podcast 007: Mark S Fisher


A sketchbook is a place of contemplation. For some people, like me, that contemplation is of the exterior world, and focus exclusively on drawing the things that are in front of me. But for others, contemplation is internal. They draw the pictures that appear in their minds and allow their imaginations to embellish. On this week’s podcast, I talked to Mark S. Fisher, who is an illustrator, a designer, and a part-time security guard. Mark fills a half dozen books a year and has done so for over three decades. He has many interesting things to say about drawing, art, and contemplation.

As you listen to this conversation, I suggest you check out the work on his website and two galleries of sketchbooks stuff, here and here. I found that the conversation left me wanting to be much wilder and more free in my sketchbook. I hope it does the same for you.

I am very happy that Mark will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
The whole episode is 39 minutes long; it’s perfect to listen to as you draw in your own journal.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

An Illustrated Life Podcast 006: Rama Hughes


This week’s podcast is an interview with LA illustrator and teacher Rama Hughes.
Rama’s work is clear and confident and his ability to capture likeness is unnerving. A long time sketchbooks keeper, he has a lot of interesting things to say about incorporating art into your every day life — he and his wife Christine seem to be endlessly creative and just sit around with their friends making things while the rest of us are at McDonald’s or watching the American Idol semifinals. I urge you to listen to this interview carefully and be inspired.
I also urge you to join Rama’s Portrait Party. My family has been drawing each other for the party (I’ll post some pictures soon).
I am very happy that Rama will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
The whole episode is 47 minutes long; it’s perfect to listen to as you draw in your own journal.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

Having a problem playing the podcasts? Make sure you have installed Quicktime! You can get if free by clicking this link.

Oh, and here are some pictures from the Gregory family Portrait party: (I drew Patti who drew Jack who drew me….etc.) and Roz just joined the party too. Check it out!

http://www.db798.com/pictobrowser.swf

An Illustrated Life Podcast 005: Kurt D. Hollomon (Part II)

This week’s podcast is a continuation of my conversation with Kurt Hollomon. See the notes for last week’s episode for more details.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

Having a problem playing the podcasts? Make sure you have installed Quicktime! You can get if free by clicking this link.