Podcast 11: Austin Kleon

This week I interview best-selling author Austin Kleon on the creative process.

Austin is one of my favorite writers and thinkers about the creative process. He is a poet, a collage artist, a blogger, an author, a diarist, and a writer who draws.

Listen to the episode here.

Mentioned in this episode:


COMPLETE EPISODE TRANSCRIPT: Continue reading “Podcast 11: Austin Kleon”

Podcast 09: Let’s Get Rid of Art Education – a modest proposal

I wrote this essay two years ago and lots of people hated it, so like a mangy dog licking a suppurating wound, I have returned to gnaw on it further in this week’s podcast.

Please listen and let me know what you think. And please subscribe on your favorite podcast app so I may gall you further in the weeks ahead.


Episode transcript: Continue reading “Podcast 09: Let’s Get Rid of Art Education – a modest proposal”

Podcast 04: How projects can kickstart your creativity

 

This week on art for all, I am bringing in an expert to discuss one of the most powerful productivity tools in the creative’s arsenal. How to give yourself assignments to focus your work,  improve your skills, and really move things along.

Roz Stendahl is an old pal of mine and a teacher at Sketchbook Skool since Day One. She is a real treasure, full of knowledge on drawing, painting. bookbinding, and life.

If you haven’t yet, please subscribe to art for all on your favorite podcasting app.

 

 


EPISODE TRANSCRIPT: Continue reading “Podcast 04: How projects can kickstart your creativity”

Podcast 03: The artist who couldn’t…

Amazingly, there are so many wonderful creative people who make all sorts of amazing things — but are afraid to draw.
In this week’s episode of my new podcast, art for all, I tell the story of one and how he overcame his fear.
You can listen to it here but please subscribe wherever you listen to podcasts.


Episode transcript: Continue reading “Podcast 03: The artist who couldn’t…”

New episode of SYM podcast

It’s been two years in the making — but here it finally is!  The Final Shutdown.

In it, I will tell you the one thing that is guaranteed to not only shut your monkey once and for all but also to transform your life and leave a lasting mark on the world. What is your mission? And how can you make it your destiny? Let’s discuss it.

Available on iTunes and on the monkeypodcast.com

Brain — on.

My brain has been whirring this weekend. I now have loads of things I want to make — but only one life to make ’em in.

• I am thinking of new daily projects I want to pursue. My 30-dogs-in-30-days iPad drawing project eventually reached 110 dogs, which was great fun for a while, but it’s feeling forced now and for the first time have missed several days. I am thinking of doing a series of drawings and long-text Instagram posts about my family’s history and my childhood. I spent some time yesterday looking at old photos and had a bunch of ideas. I have thought about writing on this topic before but always flamed out under the weight of it all, worrying more about how to wrangle several generations of dysfunctional people into an ongoing narrative but the idea of doing something bite-sized and episodic seems more doable and fun.

• I want to start up a podcast again. It’s been over a year since I did an episode of Shut Your Monkey and the podbug is nibbling at me again. I am thinking I’d like to do a chatty podcast about art making, probably under the Sketchbook Skool umbrella, kinda of like an audio version of the Zine we’ve been doing. A great new issue of the Zine comes out next week, by the way. I wrote a lot of it. (If you haven’t subscribed yet, get on it.)

• I just signed up for a mysterious creative camp for this summer and I am excited and super curious about that.

• There are only a couple of weeks till Illustration Nation begins at SBS and I have been thinking alot about what project I want to spend a month on. I like the idea of making prints or a book or magazine but am not sure what to do with the things I make. Maybe I’ll give them to you.

• I am very excited about a conference we are planning and keep thinking of more and more ideas about what to do there. Ideas that will get people together, ideas about all the people I want to have speak, ideas about how to promote it, ideas about little videos to show and ideas about what I will wear.

• I have been working on a short-film series on and off for the past year and I think I am now ready to release it. I’ll do so episode by episode. They’re gonna be short and autobiographical. I’m not sure why it’s taking me so long to get them done.

• I would like to do some new episodes of Sketchbook Club and now have an entire shelf of books set aside. I’m thinking of finally tackling Maira Kalman, Lynda Barry, Lapin, Eric Sloane and a few others. I’ll try to get one done in the week to come.

• I have three new shoots with artists scheduled for the next month and I’ll be travelling to Atlanta, then Charlotte and finally Nashville starting in ten days. I have been preproducing these for the last couple of months and I can’t wait to get out there, work with some new artists and film crews, and make some cool stuff.

• Koosje and I have been working on a new kourse that we are calling “Zillion” for short. We have begun filming and it has been so fun to work on a new kourse and to collaborate creatively with my partner.

• I was invited to do two keynotes in Washington DC — and they are major. The audience is super-important and not the usual sort of folks I talk to so I am eager to do something interesting. I am contractually not allowed to say who it is, alas, but let’s just say they are in Washington and work in a large building with flags on it.

Weekends are meant for relaxation so I tried turning my brain off last night by watching a movie. But The Square was the most amazing, brilliant, hilarious, thought-provoking film I maybe have ever seen and so it filled my dreams with monkeys, piles of gravel, and angry children. What an incredible work of art!

Today, I will make some stew and probably not watch the Super Bowl. Maybe the Puppy Bowl instead.

The Color of Money

When you grow up in New York City, weeks can go by with your ever getting into an automobile. Generally, the only cars you travel in are subway cars. That’s how I managed to reach the ripe old age of twenty five without ever getting a driver’s license.

I’ve always loved cars though. I can identify most makes, models, and years from a distance. Particularly those made when cars were still cars and not just interchangeable silver blobs. I read somewhere that people love the cars most that were manufactured the year they first became aware of cars, usually around five or six.  That’s why my very first car was a 1965 Ford Fairlane. I bought it for $800 in a used car lot under Route 1 overpass in Jersey City, when I was 25 and still a month or two away from taking my driving test. I’d moved out of Manhattan to live in Jersey City with a friend and for the first time actually needed a car to go buy a carton of milk.

Despite its age, the Fairlane had about 40,000 miles and its original paint which was a buttery bronze color. Patti (who managed to go to her grave without ever getting a driver’s license) dubbed the Fairlane “The Color Of Money” after the Scorsese movie which also came out that year. It was big and boxy with a fat stripe down its side. It had a manual transmission, “three on the tree”, and suited my old-mannish driving style. The thing was perfection.

Patti and I would take it around town but were always a little nervous about taking it on a road trip. It ran fine and I was obsessed about looking after it. I bought maintenance manual and endless tools. I’d change the spark plugs and oil myself and way more than necessary. I would hand wash, then wax it, buffing the bronze till it glowed like a Marine’s buttons. Perfection.

I let my roommate Simon drive it occasionally. One bleak day he came back from running errands and casually mentioned that he’d accidentally dinged the driver-side door in the supermarket parking lot. I rushed down to survey the damage. The door looked like a moose had run into it. It was crumpled like one of Simon’s empty cigarette packs. As I pulled open the door, it emitted a pitiful screech and a groan.

I was bereft. Sure, we could probably have gone to a body shop and had the door undinged. But The Color of Money was now  imperfect, soiled, sullied. Instead of a classic, it was just an old beater. A few weeks later, I moved out of the Jersey City house  and into an apartment with Patti. I gave the car to Simon and never saw him or it again.

I thought about The Color of Money today because I was listening to Episode Six of The Unmade Podcast, one of my current favoritest indulgences.  This podcast is about podcasts which is rather meta but deeply entertaining. Actually it’s about podcasts that have never been made (hence the name) but could conceivably be one day if anyone could be bothered.

In each episode, two Australian chums swap ideas for potential podcasts, then delve into what they might be like, and whether they’d be any good. Then they move on to the next idea.  Some of the ideas are great and unspool into hilarious explorations, while other are dead ends which are equally amusing to demolish like the door of a 1965 Ford Fairlane.

I love this podcast because it is all about creativity. These two blokes come up with ideas on the fly, then bat them back and forth, twisting and shaping them then tossing them aside. There’s no obligation to prove the ideas, just the raw pleasure of invention and problem solving.

It really gets my wheels turning as it did this week when they discussed another unmade podcast idea called “My First Car.” In this nonexistent podcast, guests would come on to describe their first vehicle and tell stories about what it meant to them, what adventures they had,what memories it provoked — and that would be it. Simple, dumb, and wonderful.

I’ll never be a guest on My First Car — because it doesn’t exist. But I wanted to share my memory of the Fairlane somewhere.  What stories would you tell if you were a guest on the show?