An Illustrated Life Podcast 008: Paul Soupiset


On this week’s episode, I talk to designer and San Antonio native Paul Soupiset. I first came across Paul’s work last year when he posted his Lentenblog. I loved his watercolors and the interesting way he was approaching his faith through art. When Paul visited New York, I invited him to visit us at home. Patti, Jack and I were in the middle of trying to make linoleum prints and I took some time off to sit with Paul and talk about Art, Life, God and the rest of it.
Spend some time at Paul’s site as you listen to our chat.

I am very happy that Paul will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
The whole episode is 24 minutes long; it’s perfect to listen to as you draw in your own journal.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

An Illustrated Life Podcast 007: Mark S Fisher


A sketchbook is a place of contemplation. For some people, like me, that contemplation is of the exterior world, and focus exclusively on drawing the things that are in front of me. But for others, contemplation is internal. They draw the pictures that appear in their minds and allow their imaginations to embellish. On this week’s podcast, I talked to Mark S. Fisher, who is an illustrator, a designer, and a part-time security guard. Mark fills a half dozen books a year and has done so for over three decades. He has many interesting things to say about drawing, art, and contemplation.

As you listen to this conversation, I suggest you check out the work on his website and two galleries of sketchbooks stuff, here and here. I found that the conversation left me wanting to be much wilder and more free in my sketchbook. I hope it does the same for you.

I am very happy that Mark will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
The whole episode is 39 minutes long; it’s perfect to listen to as you draw in your own journal.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

An Illustrated Life Podcast 006: Rama Hughes


This week’s podcast is an interview with LA illustrator and teacher Rama Hughes.
Rama’s work is clear and confident and his ability to capture likeness is unnerving. A long time sketchbooks keeper, he has a lot of interesting things to say about incorporating art into your every day life — he and his wife Christine seem to be endlessly creative and just sit around with their friends making things while the rest of us are at McDonald’s or watching the American Idol semifinals. I urge you to listen to this interview carefully and be inspired.
I also urge you to join Rama’s Portrait Party. My family has been drawing each other for the party (I’ll post some pictures soon).
I am very happy that Rama will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
The whole episode is 47 minutes long; it’s perfect to listen to as you draw in your own journal.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

Having a problem playing the podcasts? Make sure you have installed Quicktime! You can get if free by clicking this link.

Oh, and here are some pictures from the Gregory family Portrait party: (I drew Patti who drew Jack who drew me….etc.) and Roz just joined the party too. Check it out!

http://www.db798.com/pictobrowser.swf

An Illustrated Life Podcast 005: Kurt D. Hollomon (Part II)

This week’s podcast is a continuation of my conversation with Kurt Hollomon. See the notes for last week’s episode for more details.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

Having a problem playing the podcasts? Make sure you have installed Quicktime! You can get if free by clicking this link.

An Illustrated Life Podcast 004: Kurt D. Hollomon (Part I)


Time for another in my series of podcast interviews with cool sketchbook keepers. Are you enjoying them?
I first encountered Kurt Hollomon‘s work when Dan Price sent me an outdoor gear catalog from Royal Robbins which Kurt had illustrated. It was the first time I had seen a commercial project that combined the sort of drawing and journaling and collaging stuff that Dan and I were into and it was very exciting.
We started to correspond with Kurt and soon received many letters filled with drawings and pastels and collages which were enormously inspiring and encouraging.
Now Kurt teaches at Pacific Northwest College of Art and is spawning all sorts of new sketchbookers while still pushing the envelope with his own work. He has a unique practice: he does a drawing, then goes back and layers on paintings, pastels, more drawings, text, typography, calligraphy, and collaged ephemera to build up the page into a beautiful pastiche. He is very devoted to journaling and documents his days more thoroughly than anyone else I know.
When I called up Kurt for a chat, we ended up talking for so long that I have had to split the conversation into two parts; the second will go up next weekend. I learned so much from him and I hope you will too.
I am very psyched to have Kurt’s work in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
The whole episode is 31 minutes long; it’s perfect to listen to as you draw in your own journal.
As usual, I invite your comments (haven’t had many so far) on whether this project is worthwhile and enjoyable. It take a lot of work to do and I would love to know whether and how you are listening to them.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.
Next week’s episode: More with Kurt D. Hollomon

Having a problem playing the podcasts? Make sure you have installed Quicktime! You can get if free by clicking this link.

An Illustrated Life podcast 003: Hal Mayforth


On this week’s podcast, I interview illustrator Hal Mayforth about crow quills, snowboarding and the Blues.
Hal and his work are smart and funny. I am particularly inspired by the travel journals he keeps, documenting the hijinks of his family on vacation.


I am delighted to have Hal’s work in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October.
The whole episode is 29 minutes long; it’s perfect to listen to as you draw in your own journal.

http://odeo.com/flash/audio_player_tiny_gray.swf
I hope this player works in your browser.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.
Next week’s episode: Kurt D. Hollomon

An Illustrated Life podcast 002: Cathy Johnson


Cathy (Kate) Johnson has been an inspiration to me for years with her extraordinary nature journals, her beautiful watercolors and her generous willingness to teach many of us in the EDM community via her informative posts and her many books and articles.
I am honored to have Kate’s work in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers.
On this week’s podcast, I share a chat we had recently about her career, her inspiration, her techniques and the crucial role her various sketchbooks play in her life and her art.
The whole episode is 25 minutes long.
Please stay tuned and consider subscribing via RSS or iTunes* to what I hope will be a weekly or thereabouts feature until the book comes out this Fall.
See all previous episodes on my podcast home page.
Next episode: Hal Mayforth

An Illustrated Life: the Podcast


One of the most exciting aspects of working on my upcoming book, “An Illustrated Life: drawing inspiration form the private sketchbooks of artists, illustrators and designers” has been the chance to get in touch with the many artists whose work I have admired and learned from since I began to draw. Each of the fifty contributors to the book have granted me a lengthy interview to include with the pages from their journals and sketchbooks.
Starting this week, I shall be producing a podcast that will share the experiences and musings of each of these artists to whet your appetite for the book to come.
We begin with a lengthy chat with Peter Arkle, a transplanted Scotsman who now lives and works in New York. His sketchbook drawings regularly appear in all sorts of publications and are simple, direct, and often hilarious observations about the world around him. For the last fifteen years or so, he has also intermittently published Peter Arkle News, a personal tabloid full of drawings and adventures.
I urge you to
listen to our conversation ( It’s about 37 minutes long — I think future episodes will be shorter)
and browse his website.
If you find this first podcast promising, please stay tuned and consider subscribing via RSS or iTunes* to what I hope will be a weekly or thereabouts feature until the book comes out this Fall.
Next episode: Cathy Johnson
* If you subscribe via iTunes, in the short term it may take you to a page for my old podcast, Everyday Matters. The feed is the same so just subscribe away and you’ll get the new show.

Beyond the finish line

Jack just made this beautiful piece by making a squiggle and then drawing portraits in each section.

Last weekend, Jack had his ‘audition’ at the art high school, doing three drawings under supervision and showing the portfolio of work he’s done over the past few months. He reports that he was quite happy with his work: a still life drawn from memory (oranges slices, a box and bowl of cereal), a portrait of a student who posed for them, and a pastel of a rock show, showing at least three people. However, he said the experience was pretty unpleasant. The art supplies were crummy, the sheets of paper was small, about 5×7, and the teacher who looked at his portfolio was rushed and uncommunicative. It was as I had feared, that the school is so big, had so many applicants, that it would be a very different experience from the schools he’s attended so far.

Art teaching can be terrific. But more often, it is either useless or off-putting. It’s not like teaching math or Spanish, and the emphasis on a right way and a wrong way can be chilling. Jack is also pretty averse to art instruction, though I have fantasies about finding a great extra-curricular program for him, a course designed for kids that are talented and motivated, a teacher that will help expand him, guide him, and keep him fired up. If you have any suggestion on how to find such a person, let me know.

Speaking of your input, Patti and I were so pleased to read all of the solid advice readers sent in regarding my last entry. It helped us to solidify our view — that Jack should go to a strong, progressive, general sort of school and we are lucky to have several great options. Jack has had to write application essays for several of them. One asked him to describe a commitment he had made and how it effected him. He decided to write about his love of art and I thought you might enjoy reading it:

Addicted to Art
I push my pencil to the paper once again and I hear a faint buzzing of the model’s timer and papers begin rustling. I look up and see that “Victoria” is up and stretching her legs. I sigh and put down my pencil to look at what I’ve done so far. Yellow teeth, chin hairs, and two green eyes fill the page. While it seems like I’m almost done with her face, I’m really just getting started. I look up and see about 20 people, each at least 15 years older than me. A sign missing a few letters reads, Li_e Dra_ing Classes! Two hours earlier, my friends had asked me if I wanted to head up to Central Park for a game of soccer. I had turned them down without even thinking. Why? Because art is my obsession.

Art has inspired me to do many things. I draw all kinds of stuff, create t-shirts, and even paint skateboards. There’s nothing quite like the rush you get from hopping on a board fresh with the smell of acrylics and oil. I scratch the art off the bottom then repeat the entire process. My t-shirts designs are drawings I am very proud of and want the rest of the world to see. I draw live models, animals, photographs, monsters, cartoons, and superheroes, just about everything. You name it; I’ve drawn it.

My whole family has been a huge influence on me. I write different designs of my name because my grandmother writes poems and designs art with calligraphy. I work with Photoshop and tried different designs on it, inspired by my aunt, a printer. My father and I talk about art at least fifteen times a day because of our shared interests. My mother studied fashion and
textiles, which has led me to want to learn how to create shirts and work with collages.

Part of the reason I love art so much is because I’m surrounded by it. Living in New York and having galleries, museums, and movies to study and go to has really made it grow on me. I also make art so much because of how it makes me feel. The moment my pen or pencil hits the paper and my iPod starts to play, I forget all about any homework or stress I may have and I am sucked into the page. There’s nothing like going out on a brisk morning and studying the streets around me. Capturing the scene on paper is the icing on the cake.

While I love art, I’m only thirteen, so I have no idea whether or not I’ll commit to it as a career. I know a lot of people who do this as well, businessmen and women who are artists at heart and all share a very strong love for art with no need to make it their jobs. We share ideas, visit museums, and go out together on ‘Ssketchcrawls,’ trips to museums and parks for drawing. Sometimes we even make art to raise money for different organizations and people in need of food or shelter.

I love art (as I’m sure you know and I’m sorry for being a bit repetitive) and I hope that as I grow older, I continue to work at it. Over the years art has expanded my view of the world and taught me discipline. It has taught me to become a better student at art and the world as well. I think that if I keep it a major part of my life, I will do it more and more and hopefully, one day, I will have mastered all different aspects and it will stay with me for my entire life, ‘til death do us part.

If you’d like to buy one of Jack’s t-shirt designs. he’s made a little online store here:

http://www.zazzle.com/assets/swf/zp/zp.swf?cn=238860589517453985&st=date_created&tl=My+Zazzle+Panel&skn=default&ch=jacktea

C

Advertising and Its Discontents – Part II: Charity

unravel.jpg

I like nice. I like sweet. But even more I like raw. I like real. And Ilove Charity Larrison. She and I have been corresponding for a couple of years ago and she always cracks me up and take my breath away with her honesty. Charity’s story is pretty different from Trevor’s and it is far from resolved. I won’t say much more in the way of introduction but to say, Charity is the real thing. We can all learn a lot from her bravery, creativity and independence.

The Fundamental Distraction by Charity Larrison


At 18, the idea of going to art school, being a real artist, whatever, you know – seemed basically useless. My family was poor – college was not even an option really. And college for something as abstract as “being an artist” – ha ha. I might as well not even think about it.
I remember spending my whole senior year of high school in a corner of the art room working on paintings - buying extra time here and there doing the whole fluttery-eyelashes thing, “Oh come on, *please* Mister Whatever Stupid Teacher - I finished the assignment in five minutes! Can't I *please* go down to Miss McKannicks' for the rest of the period?? - i'm working on A GREAT PAINTING!”
So like any good comic book loving skateboard punk rocker with no way out of small town America hell – I joined the army.

I remember when I was in basic training my drill sergeant secretly pulling me over to the side and saying: “ONUSKA, take these markers and these flags up to the latrine and draw E-328 Predator faces on them so I can give them as prizes at the end to the other drill's. If you get caught you're in trouble, so don't get caught!”
And then there was the Sunday afternoon when I was in advanced training, learning my 68G10 - Aircraft Structure Repair crap; I was walking through the platoon area on my way to the smoking table when I was accosted by my Drill Sergeant to report for detail to the enlisted club, where I ended up spending the rest of the summer assisting his wife painting a mural of a bunch of Blackhawk helicopters landing on the wall in front of the dance floor.
She yelled at me one day: “YOU DON’T BELONG HERE!” Then it was a few really a lot louder sentences in Korean that I am still glad that I couldn't understand & I remember shrugging my shoulders at her and saying: Don't worry, Sun, I have it all worked out.

I got married. We had fun for a while. I got pregnant. He got kicked out of the service. I decided to opt out and follow him home. Our marriage didn’t survive the strain. I packed my baby and what belongings I could fit into his gold Fiero (dear god) and never looked back. I was twenty. Worked and worked and worked. Lots of crap jobs. Night shifts at the convenience store. Short order cook. Bank teller.
I remember it is two am and I am standing under fluorescent lights in an all night convenience store slicing endless little piles of lunch meat, passing the time wondering who it was that got to have the job where you made all the dumb signs. I would be good at that job.
I remember hanging out at my teller station when I worked at the bank, copying pictures out of comic books every moment of time where there were not incredibly crabby people in front of my face blaming me for all their money problems.
I remember lucking into a seasonal civil service gig with Pennsylvania state parks. Where I got to take care of the computers. Burning another boring afternoon clerking it in the office, doodling on post-its when Kevin, the Assistant Boss Park Ranger dropped a stack of instructions in front of me and said: “Larrison: if you can figure out how to network all our computers and make it work, you can have the internet. (THE INTERNET!!!! FINALLY!!!)

I decided I needed to cave in and try to go to college. To get out and get something better. Thinking to maybe get some kind of IT certificate, as I was so swell at computers and all. Looked it up on the Internet. Looked halfheartedly at stuff, then saw it. The graphic design program. You know: the “oh, that’s what i’m supposed to be doing” moment. (omg – like art school! But like – you could actually GET A JOB) (try not to cry laughing at me :D) anyway – once i saw it, it was too late. I had to do it. So i did. It was insanity. I worked five million jobs and went to school and somehow held everything together with just, pure will. (because seriously, this was the stupidest gamble of all time WHAT ARE YOU THINKING etc.)
See – I loved graphic design. I loved it more than anything in the whole universe. There was nothing like it to me. I knew how to make the pages talk. Then i learned how to make the pages sing. I made pretend magazines and taught myself how to make web pages, and I demanded that i get a REAL internship at a REAL place. Because even though i was just some jackass with an Associates’ degree from a tech school – that didn’t make me not THE BEST. (quit laughing :D)

Anyway, i got my internship. They hired me right out of school. Their art director moved to Atlanta, and I got his job. I was never, ever, ever, so miserable in my entire life than how miserable i was for those six months. I remember my favorite part of the day was whenever I could go down and sit in the restroom just so that I could spend five or ten minutes not having to be in the same room with those people. I mean, holy shit – these guys were some serious assholes. I was so depressed. I mean this? This is what graphic design is for? Lying? And lying and lying forever? GAH. And I’d spent so much of myself learning and it felt like, all for nothing.
I lasted about six months till they fired my ass. I remember dancing up the street Fred Astaire style the afternoon they fired me. Sure it sucked and I was doomed, but lunchmeat at two am was better than that crap.
Not to be thwarted, once i finished celebrating being fired from the ninth circle of hell, I threw my resume up on monster.com and got a call. Some company needed someone who could use Photoshop. Okay. I can do that. Went. Interviewed. They ended up hiring me on the spot. Was a small engineering company. Tired of getting raked over the coals from the ad agency that was doing all their stuff previously, they wanted just someone who could use Photoshop to fix some images for them.
I was all like, well, you know, i can do everything those bastards were doing for you, except better, and cheaper. So they hired me and gave me a million raises and built me a giant office and bought me every toy I asked for. It was fantastic for about a year. I made everything for them from out of nothing. I was like a great hero, rescuing my company from the tyranny of the great evil of advertising agencies.
I suppose you see what’s coming by now. I mean, there’s only so much you can do. After a while my job started to consist of just updating and tweaking and pressing buttons. I joke that it is my George Jetson job. I just rush in push a button then put my feet up on the desk. Which everyone says is so great. Which I suppose it is, but what happens if you are crazy and actually LIKE to work, but have no work to do? It sucks. But you can’t leave your great job when you are the sole support of your tiny family. You gotta just suck it up and go to work.
So, I sit in my giant office in the middle of nowhere America and spend my days floating around the great now of the Internet. I don’t know that I had a plan really when I started out. I mean, I just did the things I already liked to do. I followed comics websites and comics artists and followed their advice about how to learn how to draw, and i just kept trying to learn how to draw. Because that’s what I wanted more than anything. To learn how to draw for real. So i could draw comic books. For real. So i just kept drawing. I made myself websites to put my drawings on, cause that kind of made it feel like an activity. I made horrible comic books. I made friends and enemies.
I have some friends who are writers, they asked me to draw their stories, so I did. Because I love them, and I love that they write stories, and I love making words into pictures, and the challenge of making the pages read and flow. Figuring out just the right thing to draw to make the story move the best way. It’s the funnest game ever. It makes me work hard. I could do it till the end of the universe.
And slowly I started to learn how to learn.
It’s funny about learning. It’s never what you expect. I am starting for the first time ever, to actually get the hang of it, and make some things that are kind of cool and that i really love. I am starting to learn how to see the world, and my heart is constantly in like this odd vice of joy. I want to draw everything all of the time. But time is precious – which things to spend the time on? I want to draw that tree – but really shouldn’t I be working on something serious? I mean, that is the kind of thing I have been thinking to myself lately.
See – honestly, I hate my job. It’s awful. I am all by myself all the time. There is no one to talk to ever, except the dumb internet, and I want out. Having basically one client only for the past four years, my portfolio is utter crap. And, Jesus, I don’t want to be a graphic designer anymore anyway. I want to draw. But how do you make a living from drawing? How do you make a living from drawing without starting to hate drawing, is the main thing i think. I have been trying to figure it out. Trying to figure out what way to push so that I can still love it, and still get out of here.
So I have been trying to remember why I started this. Why I am here. What did I want when I began? To maybe find some kind of clue that will help me figure out what to do. What is important? Why do i do all these things that I don’t actually care about anymore when I would really rather be out drawing trees?

These days I just wake up every day and do what I have to do to buy the extra time down miss mckannicks' to work on the paintings. And think it is pretty awesome that I get to stay here this time and don't have to go to the Army again, because that sucked.