EDM Challenge #5: Draw your bed

Sleeping dogs are a great subject and mine spend a lot of time posing. These two lumps sleep with me every night, almost aways in the same configurations, Joe curled up a foot or so away  and Tim nestled right up against me, clamping down the cover so I can’t move with out flipping him across the bed.

I drew this minutes after I woke up, my trusty sketchbook and finepoint Safari by my bedside. Something about the scene made me  want to capture the feel of my favorite old book  illustrations and engravings. I like the way the lines curve around Tim’s back. It’s easy to get completely micro-involved with cross hatching the folds of a sheet but I managed to keep that impulse under control. First thing in the morning, my eyes are still bleary so I draw almost by feel.  It helps to keep things loose.

EDM Challenge #4: Draw your cup or mug

 

I felt like switching up my materials a bit this time. I drew (and redrew — you can see my varied attempts at the circular shape of the lip) with a splattery dip pen and some India ink. Then I hauled out a medium I haven’t touched in years: my old collection of Tombow brush markers. I used to use these markers all the time when I first started adding  color to my journals. My collection grew and grew until I had a fistful of a hundred or more different shades.

Ultimately, I wanted to blend my own colors and I also grew tired of carrying around this huge bag of markers and ferreting through the m to find the approximately right colors, and so I bought some good watercolors and put the markers in a Ziploc in a drawer. This morning though, they were just right for the many small slivers of color I needed to reproduce my Paul Smith cup.

EDM Challenge #3: Purses, Wallets or Bags

I don’t much like bags. I try to carry what I need in my pickets. If I risk looking like a kangaroo with bulging, tumorous trousers, I begrudgingly pick up a backpack or one of the many bags Patti used to sling on her scooter.

This particular bag looks like a dark blue, exploding chicken. It has been hanging, more or less untouched, in Patti’s bathroom for the last 839 days.

I drew it sitting on the cool marble floor, Joe leaning heavily against my side. My composition is a bit lopsided and there are some splashes of ink on the right for some reason but I like what I made. It was easier to draw than it was to haul myself up off the floor.

EDM Challenge #2: Draw a desk lamp or other lamp

Except for my stuffed giraffe leg lamp (which appears somewhere in Everyday Matters), most of my lamps aren’t that interesting to draw . So I unscrewed this new lightbulb and drew it instead. I tried drawing its contours as accurately as I could, stopping to see how each band of the bulb continued under the others as it coiled. It was a little treacherous.

I drew it with both of my Lamy Safari pens, broad and fine, but because it ended up looking a little meagre as just a line drawing I gave it a hit or two of watercolor.

I quite like doing these challenges, tackling each one at breakfast time, before the day gets going.

Taking the Challenge. EDM Challenge #1: Draw your shoe

I decided to try tackling the EDM Challenge after a multi-year hiatus. The Challenge is an incredibly inspiring and motivating series of exercises devised by the wonderful Karen Winters. It initially began in the EDM Yahoo group but has now become a part of the EDM Flickr and Facebook groups too.

Each week, Karen posts a prompt for a drawing subject and zillions of people tackle the challenge and post their results. It’s a great opportunity to compare and learn from others. You can find the list of challenges in the files section of each of those groups. Also I have included a page on this site with the list.

I’ve decided to go back a half dozen years and start at the beginning with EDM #1: Draw a shoe. I hope to tackle a new one each day or so (unless life intrudes in some horrid way or I lose interest, as is my wont).

I drew this shoe with my new Lamy Safari Fountain Pen, Charcoal Broad Nib (L17B) filled with Noodler’s Bulleproof Black ink. This Noddler’s ink is perturbing me a bit these days. Even when I leave it to dry for hours, it can be a little less than waterproof at times and can add a black tinge to my watercolors. It seems to vary by the paper, so I am not giving up on it yet. But I do love the handfeel of this big fat nib; it’s sorta like drawing with a charcoal stick.

I drew the shoe as a contour drawing, tracing around each hummock of shoelace and protruding bit of tongue. Then I want back in and drew the interior bits, making sure the laces crossed where they outghta, and that the nose of the shoes wasn’t too snub or too elephantine. At this stage the drawing looked amateurish and flat. So I added some cross hatching in places ( I always vow not to do shading and then give in and add light and shade. I just can’t keep myself to just drawing in pure line) and filled in the interior of the shoe. Then I took out another, older pen, my Lamy Safari Charcoal Extra Fine Point ( L17EF) and drew in the little holes and stitching and added another layer of crosshatching.

I was still wrestling with how to capture the lovely grey suede of my new shoe, so I hauled out my Daniel Smith paints and used a grey, Sodialite Genuine, keeping things fairly flat as I really wanted to make  a drawing rather than a painting. Next I added a coat or two of Cadmium Yellow   and a dash of Doctor Martin’s lemon yellow for good measure (I bought these shoes primarily for their canary yellow, delightfully cushioned soles).

Finally I wrote about my new shoe with the trusty ol’ steel nibbed dip pen.

The composition is a bit wonky as my page is square and my shoe is oblong but it’ll do for a twenty-minute drawing before breakfast.

On to the next challenge.

Oh, and if you have drawn EDM #1 and would like to share it, please post it somewhere (Facebook or Flickr or on your blog) and tell me where I can see it.

Drawing trash

In the process of my endless rearrangement of my apartment, I managed to reveal a completely bare wall in my living room, one of the few in my home, and realized it called out for a big square painting. I mentioned this emptiness to my pal, Tommy Kane, and yesterday he appeared with one of his masterpieces, a lovely canvas of the Lone Ranger. Tom even hung it, as perfectly as only such a talented art director could do.

It was a beastly hot day, so, once the ladders and hammers were put away, we decided to visit the NY Sanitation Department’s maintenance garage on the banks of the Hudson River. We set up our folding armchairs in the shadow of some especially fragrant trucks and unwrapped ham and cheese croissants. After lunch, we broke out the drawing gear and spent an hour or two drawing the grimy complexity of rows of ailing trucks.

Tom is capable of spending weeks drawing a single scene so I tend to take my time too whenever I draw with him. As a result, these drawings tend to be very thick with lines, dark, layered, probably overworked. But there’s nothing like sitting with an old buddy in a garbage garage parking lot on a sweltering day, pen in one hand, book in the other, croissant crumbs in one’s whiskers, cawing seagulls overhead. Try it sometime.

First Feelings

Last night I sat down with my camera to talk aloud about how I feel having the first copy of my new book, A Kiss Before You Go in my hands. Here’s what I said:

A new video: timcam

An utterly ridiculous experiment in film making. The latest from sketchbook labs. vimeo.com/43860865

Dancing with myself

I have become utterly bored by my breakfast (in dismay at my shortening belt, I’ve taken to eating celery and radishes and the like while staring out the kitchen window dreaming of waffles) so I have embarked on a new subject – my reflection. I don’t think it’s pure vanity but rather the easy availability of the subject and his increasing lumpy wrinkledness which makes for more interesting lines and shadows than the usual bagel.

I have also been considering the several international trips I have scheduled for the rest of the year and wondering if there’s an easy way to make Sketchbook Films on my own while I am abroad. I plan to draw, obviously, while I’m there and it would be interesting to share the process with you. Unfortunately I won’t be able to sneak my crew into my bag, so I may have to make do with ingenuity and a jury-rigged camera setup.

To that end, I knocked out a quick test at home which was fairly educational. I didn’t plan it properly so I ended up drawing myself with a couple of Sharpies on an old shopping list and the light was quickly fading. The old Flip camera I was testing likes a lot of sunlight so I’ll probably get better image quality in Shanghai, Rio, Capetown and Perth. The resulting film is a bit ugly and fairly interesting, like the drawing itself, and if you have any creative suggestions about how to improve future versions (that don’t require helicopters, Teamsters, or an army of makeup artists), please leave a comment. I have been collecting some small tripods and a wide-angle lens so testing will continue.

If you think the idea of me doing a drawing and stopping to readjust a barrage of cameras around me like some schizophrenic paparazzo, you are quite right. These are the sacrifices I willingly make for art.

The Artist’s Pulse – now on video

At the end of March, I was part of a panel of artists (including Karen Cole, Jill Zaheer, Roxanne Evans Stout, Julie Prichard, and Michelle Ward) gathered to discuss our work and Seth Apter‘s new book, The Pulse of Mixed Media.

It was an interesting morning and for those who were not able to attend, Seth has posted a rather abbreviated video of the discussion.

If this doesn’t satisfy you, there is more on Seth’s blog. More importantly, there’s Seth’s book, brimming with many more inspiring thoughts and art thingees.