A conversation with Fabio Consoli from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

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Fabio Consoli has inspired me almost more than anyone else in the is book. (At least this month).  I love the style and wit in his pages, his adventuresome spirit and his incredible bike trips to exotic places in Africa. Plus, he’s Italian!thailand-tuk-tuk_2

After you watch our chat, don’t forget to check out his travel blog.

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Fabio shares a lot more in my book. Here’s an excerpt:

“When I look at an old notebook full of drawings I made in Madagascar, I’m almost able to smell the aroma of Africa, yes, for me Africa has its own smell and forest sounds. I’d like to imprint them in my notebooks forever, this is why I often use food or fruits like coffee, wine, soy sauce, some fresh herbs, berries or tomatoes for coloring. Thus is some way, even for a short time, I can put the smells into my drawings, this gives my moleskine a nice garbage smell..…” (continued)

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A conversation with Jean-Christophe Defline from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

Like me, Jean-Christope Delfine is not a professional artist. He’s a businessperson and a family man.  BUt when he hits the road, man, he makes beautiful things. He loves to experiment with media and I am especially fond of his experiments with kraft paper. See more on one of his blogs.

J-C loves Tintin as much as I do and he hast taken it a step further. Every trip he takes with his family is turned into the cover of a Hergé style book.

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Here’s a little film tour of them hanging on his apartment wall in Paris.

And here’s  a link to a blog he has set up devoted to this work

Jean-Christophe shares a lot more in my book. Here’s an excerpt:

“I draw mainly because I need it: it makes me happy and it’s a way to absorb intensely all feelings while away from home and try to record them. It’s also a way to better understand life in a country. Drawing things pushes you to analyze details and understand why life is different here. It tells you a lot of things you wouldn’t even notice at a simple glance or with a snapshot. If you are drawing a rickshaw, you’ll see that under different layers of blue paintings an old rusted framework hides. You’ll notice the old wooden pedals handcrafted, the patched hood and the worn towel on the handle bar to wipe out sweat. You immediately understand how much love and effort are needed to run this heavy engine on a daily basis.…” (continued)

A conversation with Earnest Ward from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designersfrankfurt

Earnest Ward has had a unique career glide path. For a decade, he was a professional pilot. Then he became an art teacher. Travel journaling combines both those branches of his life. He is an avid traveler and makes his trips a family affair —  his wife and children are all artists in their own rights and they all draw together. Earnest’s work is beautiful and carefully observed. He has wonderful lettering skills and loves intense stippling. We had a lovely chat and he shared many of his techniques.

Earnest shares a lot more in my book. Here’s an excerpt:

“I have always been fascinated by a sense of place and culture. I grew up on the tales of Marco Polo, Lewis and Clark, Thomas Moran, Alexander von Humboldt, National Geographic, and films like “I Know Where Iʼm Going.” So, the attraction of distant places and exotic vistas was, I think, quite logical, if not inevitable. Like a child, Iʼm still in awe of the world around me. I believe that weʼve only discovered a fraction of the things the world has to offer. I believe that — when we each discover something that is new to us — we become the First Discoverer, no matter how many people have made the same discovery before us. I try to learn something new every day and to render it in my sketchbook or journal. I travel to discover new places Iʼve never been. And I travel so I can look at home with fresh eyes upon my return….” (continued)

(See more of Earnest’s work in the book and on his blog and his website).

A conversation with Steven B. Reddy from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

AIJ-complete-book-180  Steven Reddy took a bold step, agreeing to move to China for a year to teach in an elementary school, but the results have been worth it for all lovers of illustrated journaling. He came back with books full of amazing images and wonderful stories, which he shares in our video chat and in his section of  An Illustrated Journey.AIJ-complete-book-182 I admire his courage, his sense of adventure, and his incredible watercolors. AIJ-complete-book-181

Steven shares a lot more in my book. Here’s an excerpt:

“When I draw, many things that happened while I was drawing get “locked into the picture.” I don’t mean in a figurative sense, like, “oh, that was beautiful day…” But very specific details: the conversations I had while drawing, the song I was listening to on my iPhone, the tv show that was on the background. It’s weird, but I’ll look back at a drawing of a cup of coffee and Madmen will pop into my head. Or a glance at a drawing from a Chinese restaurant will elicit a shouted, “Laoban! Laoban!” because I heard a patron call that to the waitress in the restaurant while I was drawing. While doing a drawing, I’m wholly in the moment. It sounds like…” (continued)

(See more of Steven’s work in the book and on his blog and on flickr).

A conversation with Tommy Kane from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

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Tommy Kane is one of my oldest and bestest friends. And he’s a genius too.  You’ve seen Tommy’s work all over, including in my books ( An Illustrated Life and The Creative License). It’s observant, it’s bold, it’s witty, and it’s endlessly inspiring to me.

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And hopefully you’ve seen his blog and his movies too (and his star turn in Red Hook, the film Jack and I made last year).

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And now he has more amazing drawings in An Illustrated Journey.

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When I interviewed Tommy for this project, he was on one of his innumerable business trips to Korea.

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Here’s an excerpt from Tommy’s contribution to the book:

“I have drawn every brick, cinder block and lamppost in all of New York City. Google earth didn’t need to go around and photograph every building in Manhattan. I would have given them all my drawings instead. They could have saved a lot of time, money and effort. All of this has created a dilemma for me. The Big Apple all looks the same to my eyes now. I can even say I’m bored of drawing New York. As I ride my bike around, I whisper to myself, “did that, drew that, sketched that, painted that.” My wife and I discuss moving out of New York someday. Mostly I discuss it. It wasn’t until I started to write this, that I realized the real reason is that…” (continued)

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A conversation with Lapin from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

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Lapin is an extraordinary artist, a Frenchman who lives in Spain and travels the world. His work is unique and bound to inspire you. First of all, the man can draw anything and give it enormous character and wit.  Secondly, his pages are uniquely his — he draws in old (decades and decades old) lined, ledger books, in ink and watercolor. He has published several books of his work, beautiful replicas of his journals exactly as he created them on various trips .

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Lapin discusses his history and technique at length in the book. Here’s an excerpt:

“I grew up in Bretagne near Saint-malo, and now I live between Barcelona and Paris. I started drawing in my very first sketchbook when I was around 4 years old. It was a small notebook with penguins on the cover. All the pages were fully doodled with planes, houses, people, even a “man-house” only sketched with ball point.

Then, as far as I remember I’ve always had some drawings in my school notebooks, and caricatures of the teachers. I sketched some horses to please the girls, some…” (continued)

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We had a great, far-wheeling chat in this video and immediately after I started looking for new and interesting surfaces to draw on.  He’ll get you going too.

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See more of Lapin’s work on his blog and his website.

Apologies

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Dear readers of my new book, An Illustrated Journey. You may have noticed that there are several references to something called “pare” watercolors throughout the contributor essays. To clarify, there is no such thing. This was an error that slipped through copyediting process unnoticed.

My editor and I cannot explain how this strange gremlin appeared; my only theory is that somehow a spellchecker caught the British spelling of “watercolours” and instead of just replacing it with “watercolors” added “pare” as well. Cursed machines.

I hope it doesn’t it diminish your pleasure in reading the book. It will be corrected in the next printing. Damn.

Addendum 2/22: Just heard from my editor:  An Illustrated Journey is going right back on press as the first printing is already sold out! And the new printing will not contain any “pare” watercolors … or any other sorts of mistakes! 🙂

A conversation with Prashant Miranda from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

prash-1I just love Prashant Miranda for so many reasons. First of all, I love his freedom — he travels through India, apparently sleeping on couches and beaches while using his art to serve others. Then he pops back to Canada, works on animation and illustrates books, and as soon as it gets cold, he heads back to India.  His paintings are full of love and color with a gentleness and wit in every panel.  And, as you’ll see in this video, he is a supremely happy and contented person who makes me feel happy and relaxed whenever I talk with him.

prash-2I have included Prash’s work and story in several of my books — you will remember him from An Illustrated Life and The Creative License. But it is as a traveller that he is most inspiring and exemplary and I hope you will enjoy his work in my newest book, An Illustrated Journey.

prash3I chatted with Prashant when it was well after midnight in his temporary home in Goa. He was sitting on a balmy verandah by the sea, an owl roosting in a tree behind him. I was  hunkered down in frigid New York, envying him once again.

Prash shares a lot more in my book. Here’s an excerpt:

“I am a migratory bird. I spend my summers and autumns in Canada, and when it starts getting cold, I travel to India. And within Canada and India, I travel around.

Travel is a very important part of my life because it is a dose of reality, widens my perspectives and gives me an objective viewpoint of the places that I live in. Like not taking for granted that we get fresh drinking water out of our taps here in Canada, hot water too! And when I’m in India in certain places I’m thankful for that!

Often when I draw while travelling, it attracts…” (continued)

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(See more of Prash’s work in the book and on his blog — it’ll make you rethink your own journal, I promise).

A conversation with Liz Steel from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

Liz Steel is a lovely, bubbly person who has fallen madly in love with drawing over the past few years.  In our chat, she shares the story of her journey from office-bound architect to world traveler and rabid journalista. (See more of her work in the book and on her blog).

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Liz shares a lot more in my book. Here’s an excerpt:

“I was born in Sydney and have lived here all my life and LOVE it! I have always loved to draw but at high school, maths was my favorite subject (a family trait) and I dropped out of art after one year because I spent 6 months drawing a spark plug! Although I entered my degree in architecture from a more technical basis, my love of drawing was soon re-kindled and it was during my student years that I started keeping travel journals. These early journal were mainly made up of little …” (continued)

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An Illustrated Journey: The Chat Show

One of the best things about working on my new book, An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers, has been the chance to talk to so many people who have inspired me. In the course of the last couple of years, I have had the chance to collaborate with dozens and dozens of gifted artists, illustrators and travelers and they all have unique lessons to teach and wisdom to share. To enhance the experience of reading the book, I have been recording video chats with the contributors and I’ll be sharing them here, on YouTube and a special channels on Vimeo.  Each one is 20-60 minutes and I’ll be posting them twice a week.