The Sin of WRATH

For the first half of my career in advertising, I would often have irrational feelings of anger during a creative briefing. I would resent being given the assignment. Then I would be pissed off that I had to sit in a conference room with loads of other creative people while the strategists took us through the brief.

I simmered with impatience. I would ask critical, acerbic questions. I would strain against the deadline.

The monkey would tell me that the people briefing us were idiots, that their insights were lame or wrong, that I already knew more than they did about the subject, that it was wrong that we creatives had to compete for the assignment, the playing field wasn’t level, that the whole project was a waste of my time, blah blah and blah.

It was pretty crazy — and incomprehensible.

With time, I became sufficiently self-aware to identify this pattern and dampen it. But I can still feel the impulse when it comes time to get creative feedback or in the final days before a big presentation — a frothing resentment with no legitimate cause.

This reaction maybe in the minority but it’s not unique to me, alas. I often hired great creative people who would have explosions of rage at the most inappropriate times.

What is the fear that drives it? Vulnerability at having to show one’s ideas where they might be rejected? Of being misunderstood? Of losing control somehow?

Recently, I read of a study in The Journal of Experimental Social Psychology  that examined the effects of anger on creativity — and found that it could actually be helpful to the creative process.

Anger provides two benefits: an energy boost in the form of an adrenaline rush which focuses the mind on the problem at hand. Secondly, anger makes your thinking irrational — which can jolt you out of creative ways of thinking. In a paroxysm of rage, you may spit out some crazy truth that makes a wild and fruitful association.

Another study found that many creative people begin their days with negativity and then shift to positive feelings. By channeling the negative energy into their work, they find sharper focus and productivity. If you wake up on the wrong side of the bed, try channeling your bad mood into energy to solve a creative problem.

But proceed with caution for anger is still a sin. Its benefits dissipate fairly quickly. And once the red mists blow away, you may find you’ve alienated potential partners, wasted time and resources, derailed the process, and damaged your reputation. And if people dislike and fear you, they are a lot less likely to be objective about the merit of your ideas.

Being a genius doesn’t excuse being an asshole.

The last in a series on the seven deadly creative sins.

Inspiration Monday: Charlie, Francis, Frank and a powerful emotion.

Anomalisa: I love everything Charlie Kauffman touches. Being John Malkovich, Eternal Sunshine, Dangerous Mind, and, most of all, Synecdoche, which I have watched over and over till my BluRay skips. His inventions are endlessly fresh, rule breaking, and, despite the inevitable twinge of melancholy about them, inspiring and life-affirming to me.

This week, he dropped the first trailer for his new film which is a stop animation feature. I can’t wait to see the whole thing.

Chef’s Table: Technically speaking, I didn’t discover this Netflix series this week. I rediscovered it, probably for the eight time. If you come to my house for any length of time, I am going to make you sit on my couch and watch at least east one episode of Chef’s Table. It is sumptuously shot and will make your mouth water. But it’s not really about food. It’s about art, personal expression and demons, breaking rules, discovery, and the non verbal. It’s about art. It will inspire you in the kitchen and in the studio.

Frank Stella at the WhitneyI didn’t love most of this show but parts of it were fantastic. His later sculptures in metal and some of the painted surfaces with wild electric colors that vibrate and hum with fluorescent zest.

IMG_4654The most inspiring part was just being in the Whitney. I have three different museum memberships but this is the one I use. The new Whitney is such a great space, manageably-sized and walking distance from my house. That means I have been here three times in the last month or so. I can revisit the works I like and reconsider the ones I passed over. And best of all, I get access on off-hours when the hordes are still penned outside the member’s entrance.

Museum membership does obvious good things like support the arts but, selfishly, it also means permission and encouragement to see art more often and more deeply.

MONKEY SEE, MONKEY DO1S.H.A.M.E.: Apparently this is a common phrase in the recovery world but I encountered it for the first time this week. It stands for Should Have Already Mastered Everything. If you are any sort of perfectionist, you will recognize this cudgel the Monkey uses to flail us.

Shame at not always exceeding expectations. Fear at screwing up. Inability to realize that we aren’t meant to be perfect, but human.

S.H.A.M.E. may not qualify as inspiration, but, if I can affix this label to self-destructive demands and make me see them for what they really are, it will be a useful tool indeed.

What have you read, seen, experienced, or thought of recently that could inspire me and others? Please share your discoveries and help fill my well with inspiration.

Art Before Breakfast: drawing with a friend

My friend Koosje Koene has been staying with us this week. Koosje is a wonderful artist and teacher so we spent a lot of time talking about drawing and sharing our sketchbooks. The weather was great so I showed her around the Village and then we sat down to draw the Jefferson Market Library.

We decided to do a fun exercise— working on a single drawing together. We sat side by side with a sketchbook on our laps and worked back and forth across the spread. As you’ll hear in the video, we strategized a bit before we began, discussing how to lay out the building across both pages. Then we put our pens together and worked out from the center. Throughout, we jumped back and forth across the drawing, adding to each other’s lines, and discussing the drawing as we went.

It was a blast and the whole exercise took us less than twenty minutes. Get a friend and give it a try this weekend!


Every Friday I work through an idea from my latest book, Art Before Breakfast. It would be lovely if I could imagine you out there drawing along with me. This particular exercise comes from the Art Before Breakfast Workbook, to be published by Chronicle Books early next year. If you decide to do it too, please share with me how how it turned out! (Share the results on your own blog or on Facebook and post a link in my comments section. Use #artb4bkfst on Twitter or FB).

PS Sorry if the video is a little noisy — we shot it on a busy morning in New York City!

Raw


I woke up at 4 am and this was in my inbox. I watched it in the dark and it filled my heart.

When I decided to share it with you, I thought I’d make a joke of it. Call it, “Cure for Insomnia” or some such.

But every time I watch it, it fills my heart again. Fills it with peace, with sweetness, with raw simplicity.  I think of my boy, standing on a hillside in Sicily, filming this on his phone, hanging on till the end of an extraordinary moment.

I love the beauty he sees. I hope you like it too.

Suggestion: watch the whole thing. Give yourself a two-minute experience before clicking away.

The Sin of SLOTH

I’ve been meaning to write this post for a whole but, (sigh) I’ve been tired, I’m sooo busy, I feel kinda run down, the World Series was on, I had Halloween candy to eat…

The monkey loves a good excuse for not doing what you really oughta (and wanna) get done. Maybe your small reserve of creative energy is  being tapped only to make those excuses.

There’s no real shortcut to drawing, bestselling, Sgt. Peppering, or making a perfect soufflé.

It’s easy to tell yourself that you just don’t have talent. But the people you admire didn’t get to where they are just through some God-given gift or amazing luck. They worked their asses off. They sweated over their sketchbooks, threw away draft after draft, built their networks, filled their wells of inspiration, and tried, failed, tried, failed, tried, failed until their humps were busted — and only then did they became overnight successes.

When the Beatles played in Hamburg, they did six 90-minute sets a night. Lennon said: “Every song lasted twenty minutes and had twenty solos in it. That’s what improved the playing.”

Before Picasso sent Les Demoiselles D’Avignon to the framer, he made over 700 sketches and studies in preparation.

Gone With the Wind was rejected by 38 publishers. The 39th sold 20 million copies.

And Isaac Asimov wrote five hundred books. And had cool sideburns.

Sowwy. There’s no real shortcut to drawing, bestselling, Sgt. Peppering, or making a perfect soufflé. You gotta break eggs and you gotta scramble.

You have talent. Or maybe you don’t. Whatevs. But don’t let excuses and torpor and depression and sorrow and keep you from where you want to go. The world needs what you will dream up. Your contribution is anticipated and will be valued.

It could seem easier to stay on the couch with a beer in one hand and a remote in the other — until you go to the john and catch sight of yourself in the mirror.

Failure may scare you into not trying. Sloth should scare you more.

Just do it.

Sixth in a series on seven deadly creative sins.

Inspiration Monday: Filling the well.

Several experiences topped up my well of inspiration. Maybe they’ll feed you too.

I’ve been reading Brian Grazer’s book, A Curious Mind. Grazer is a mega-successful movie producer (Splash, Apollo 13, A Beautiful Mind, etc) and he identifies curiosity as the key to his success, his creativity and a happy and engaged life. By having an open and enquiring mind, he has been comfortable with risk taking and exploration. Curiosity is the spark that kindles new creative explorations.

If you can look at learning a new skill, like, say, drawing, as a thing to learn about and explore, rather than an grim evaluation of yourself and your skills, you will make eager progress. If you are genuinely curious to learn about people, you will search out new connections and ask questions without preconceptions. If you are curious, you will not let the past hold you back. If you live a curious life, you will fill your head with a rich soup of influences, ideas and inspiration. You will make new connections which will lead to new ideas and creations.

As Glazer puts it, “Life isn’t about finding the answers. It’s about asking the questions.”

Last week, Jenny and I went to the Brooklyn Academy of Music to see Refuse the Hour, William Kentridge’s multimedia chamber opera. We went with zero knowledge about what the piece was about (Jenny impulsively bought the tickets on craigslist at the last minute). I vaguely knew of Kentridge as an artist but was surprised to think he had made a stage work. Turns out he has a rich resumé in many forms and has even staged operas at La Scala, the mecca of grand opera.

Refuse the Hour is about his lifelong fascination with time, its plasticity and relativity, and the piece brimmed with fresh insights. It combines a poetic script, incredible vocal performances enhanced with audio processing, mechanical musical sculptures, dance, an orchestra playing modified instruments and film projections that layer drawings over performances

What I took away from the evening was the incredible act of creative collaboration between a score of enormously talented people. The program fairly bulged with accomplishment. Each person — the dramaturg, the choreographer, each musician, the singers — had paragraph after paragraph of accomplishments. Honestly, any one of them could have been the headliner, but they all worked together in a joyous harmony. There were so many unusual intersections between the forms, it couldn’t possibly have come from a single creative mind.

One singer took a refrain from the script Kentridge read, and turned it into a aria running up and down the scales. Another singer then sang the same aria backwards into a megaphone, perfectly mimicking all of the reversed breaths and shifts. Then an artist played an array of airpumps venting through brass horns. Next a tuba and a modified trombone took over. Meanwhile, a flickering projection of Kentridge’s hand turning the pages of a sketchbook was layered on top of a couple fighting in a stark painted kitchen set in gorgeously coordinated graphic costumes. I could go on and I would never approximate the tapestry of ideas and skills on display.

Above all, the experience urged me to think of new ways I can collaborate with others in such an open and generous way. The power of Ours over Mine is immense and exciting.

BigMagicFinalI am also reading Elizabeth Gilberts’ latest book: Big Magic. The author of Eat Pray Love has become somewhat of a self-help guru and is now focussed on thinking about the creative process and how to overcome fear.

I really like the book. Liz has a wonderful, chatty writing style, confessional and inspiring. I was particularly caught up with one notion: that ideas are a life form that inhabit the world just like dogs and walruses and have a single purpose — to be made manifest. They appear to us creators and it is up to us to shun them or to adopt them.

If we do take them on, we now have a responsibility to show up and do the work to make them come to life. If we fail in holding up our end, the ideas will wither and then slip away. Ultimately it will then appear to someone else. Drag your feet if you must, but don’t be surprised if ‘your’ idea eventually blossoms attached to another artist’s name.

I love this idea. It takes away the pressure of judgment, of self-evaluation, and replaces it with a spark which it is up to us to kindle. We don’t own the idea. We are simply its collaborator. Liz’s perspective turns the wasteful drama of self flagellation into a joyous, if sweaty, dance.

What have you read, seen, experienced, or thought of recently that could inspire me and others? Please share your discoveries and help fill my well with inspiration.

Good news on the foreign front

“I just got an update from my foreign sales guy that we now have a whopping FIVE foreign editions of Art Before Breakfast in the works! Chinese, Korean, Russian, Taiwanese, and now Spanish. This is very excellent. Woo!”

— Bridget, my lovely editor at Chronicle Books

Art Before Breakfast: couch potato

I usually listen to the radio while I potter around in the kitchen of a morning. Today I put on the TV instead and watched talkingheads discuss the last Republican debate. While they kvetched, I sketched.

I approached it like a doodly collage, capturing moments in boxes that approximate the shape of the screen without being too slavish to reality, and augmenting them with decorative bits.  I kept moving around the page, adding bits to earlier parts, making the whole thing denser and more detailed. It’s a fairly mindless way of drawing, half paying attention to the screen, half to the page.

One trade secret: the pause button on my remote control. I can freeze the action for a couple of minutes and catch a gesture. Other bits I just drew while they were happening or from memory. Or from my imagination.

I used a manga pen and a brush pen in my trusty Stillman & Birn Delta sketchbook.


Every Friday I work through an idea from my latest book, Art Before Breakfast. It would be lovely if I could imagine you out there drawing along with me. This particular exercise comes from p.51. If you decide to do it too, please share how it turned out! (Share the results on your own blog or on Facebook and post a link in my comments section. Use #artb4bkfst on Twitter or FB).

The writer’s guide to essential gear.

I started writing when I was about six. Within a year or two, I had migrated to my mother’s manual typewriter and when I was seventeen, I finally bought the first typewriter of my own, an Olivetti Lexikon 82. I acquired my first word processor, a RadioShack TRS 80 Model 100, in 1983, then an Apple IIC, and then a long line of Macintoshes stretching all the way to the present.

olivettiBut my computer is just one of many tools I use to write with these days. When I was in college, writing my senior thesis about the social dynamics of 1960s political activists, I used yellow legal pads, index cards and Black Wing pencils to write the 400 pages of my first real book-like object.

trs80I do most of the spade work for all my writing in incremental chunks. Every book, every blog post, began as a series of little scraps, notions, inspirations that struck me often when I was far from my writing desk. I used to jot down thoughts on bits of paper, envelope backs, and receipts. Now I say them to my iPhone.

macAfter I’ve assembled all the scraps a mountain of these scraps, I begin to shuffle them around and pile them into chapters then sections and ultimately a book. And when I write, I rewrite. I go back over each sentence and rethink it, tighten it, replacing a sprawl of adjectives with a single taut verb.

IDEAS: Here are the tools that I use to glean my raw materials, and then shape them into something that deserves to sit on a shelf.

Evernote: My life revolves around this app. It’s a huge database of notes, links, pictures, scans, boarding passes, receipts, quotes that I have assembled over the past few years, all assembled into digital notebooks and tagged with labels. I access it on my laptop, my phone and my iPad. I’m writing this blogpost in Evernote because it’s so convenient.

evernoteIf I am walking down the street and a thought hits me, I whip out my phone and put it in Evernote. Many times I don’t even type it, I can record a note or even have it transcribe my words as I walk. If I am reading an article online, I highlight a quote for future reference, click on the Evernote plugin in my Chrome browser and, boom, it’s added to the data mountain. But unlike the cocktail napkins and matchbook covers of yore, these notes are all easily located and connected to other relevant bits and bobs. I even have photos of all my lightbulbs on it so when I’m at the hardware store I always know what size to buy for the spotlights in the living room. Evernote is a miraculously good thing and I couldn’t write or even function well without it.

Do Note: This is an app for the iPhone which provides shortcuts for the usual process of writing myself a note. In the past I would have to 1) open my email app, 2) put in my email address, 3) write a subject line, 4) write the note to myself, And then 5) send it to myself. With Do Note, I simply open the app, write the note, and push a button. My note now appears in my email, or goes directly into Evernote. Many of these notes are just one word, a clue that will jog my memory and help me reconstruct the thoughts later on.
do itBy making it so simple I can write with one hand, Do Note has made it much easier and more likely that I will record and later developed these little ideas. And we little bit of tweaking, I can write shortcuts to all sorts of other things, allowing me to make a tweet with just one hand or even Post to my blog with the push of a button.

I used to use a notebook and pen to record midnight flashes of inspiration but it would mean turning on the light and waking up fully. Do Note lets me remain half-asleep and still jot down my thoughts and sent to myself for later reference.kindle

Kindle app: I have a paperwhite Kindle and is a fantastic reading device. But I also use the Kindle app on my phone and on my iPad. This app allows me to hight and copy lines from books I’m reading and instantly save them to Evernote for later reference.

LONG-FORM WRITING: Once I’ve gathered all of these many bits and pieces, it’s time to sit down and write a longer piece like a presentation or a book. At this stage, organizing all this information is often half the battle. I generally create an outline of sorts, not the formal sort we learned in high school, but more of a mental map that will guide me to the finish line. I want to sort all of my little thoughts and references into buckets and then arrange those groupings into a larger structure. For this, I use two apps for the Macintosh.

Mind Node: this app has replaced the hand-drawn diagrams I used to make in my sketch book. I usually create a sort of tree with branches connecting different thoughts and expand them into their component parts. But doing it on paper made it much harder to rearrange that structure as I work. I’d have to completely redraw all of the elements to make a change and things tended to get messy and harder to follow. Mind Node allows me to simply drag these branches around into different relationships. And it makes them into pretty colors as well.

mind nodeI also use Mind Node to create to do lists as well, because it allows me to empty my brain of all of the projects I am working on and create a single List that give me an overview of everything that’s on my plate. I create a higher level category and then break it down into its component parts. When I’m done I can see everything I have to do laid out for me in actionable pieces.

Scrivener: this is a heavy-duty professional writing tool. It allows me to create structure, to write in a clean and uninterrupted environment, to build in small bites, and then to format to various industry standards. Scrivener is a complex application and it took me months to understand most of its capabilities but it makes it possible to write a long presentation or a complete manuscript for book in a way that a regular wordprocessing application never can. I can put all of my research into it and I can break down my long piece of writing into manageable small parts, almost like writing on index cards that then weave them together to form one unbroken manuscript.

scrivenerIt also makes it easy to see the forest and then the trees, zooming in and out all of the structure of the book so that I feel in control of an otherwise unwieldy mass of tens of thousands of words.

I used to have to print out my entire book and shuffle hundreds of pages around on the floor. No more — I can save trees and proceed with confidence. Scrivener has helped me to take risks and gain clarity. I used it to write Art before Breakfast and Shut Your Monkey and to keep track of dozens of blog posts over the last couple of years.

Dictation: Writing and drawing are physical activities and they take a toll on my body. I’ve long been plagued with headaches that come from hunching over my keyboard and using a self-taught method of hunt and peck typing. After a long and uninterrupted binge of writing or, even worse, editing a film, all of that unnatural pressure on my thumbs and wrists causes tension in my shoulders and neck resulting in headaches that can last for four or five days. I’ve used various mechanical aids to get around this problem, but the best solution is to be more moderate in my output.

laptopOne way around this problem is to dictate my words rather than pound them out on the keyboard. Over the last decade or so I’ve watched this technology get better and better, and it is reached near perfection with the dictation function of my Macbook Pro. This is built right into the system and it works really well. In fact I’m using it to write this blog post today.

Now, dictating tends to create writing that is different in tone than writing that is, well, written. I can’t quite put my finger on it, as it were, but writing via dictation tends to make things a little more formal and less fun. Somehow dictation puts me in the mood of ordering some robotic slave around, and I tend to be a little more imperious and commanding than I do when I have keys under my fingers or a pen in my hand. Nonetheless it is an effective tool for getting my thoughts down and on I can polish things up with the keyboard and lighten things up afterwards.

InDesign: I’ve not only written and illustrated most of my books, I’ve also designed them. That means ultimately creating final files that I can send to my publisher and they can send to the printer. It’s a lot of work but it allows me to make books that reflect my style and vision.

I use InDesign CC not because I love it but because Adobe forces me too. I’m not a big fan of having applications that are so strongly tied to the cloud because they make it more difficult to work off-line and seem to be updating themselves a couple of times a week just as I want to get to work, but this is the most up-to-date form of this indispensable application. I’ve used it, and a now pretty-much defunct program called Quark Express, for 30 years and it is pretty much second nature at this point.

Canon MX922: In the last century, when I designed my first books, getting a production-worthy scan of a piece of art meant sending it to a service bureau to have a drum scan. That could cost a fair amount of money and slow down the process. But scanner technology has advanced so far and become so cheap that I’ve been able to make three books in a row using a $75 multi-function Canon scanner. It’s a bit limited in size but I tend work small so it’s rarely a problem.iphone

I even found that my new iPhone 6S Plus takes really clear photos from my sketchbook that, with a bit of tweaking in Photoshop, can work as final art. It really makes the workflow move along and allows me to experiment without hesitation.

BLOGGING: It may not seem like it but this blog takes a fair amount of work. It’s not just a matter of coming up with ideas, but also writing posts, editing images, and designing overall look of each page and the blog itself. I’ve developed a toolkit just to cope with this because I know that if the process is cumbersome, my monkey will have many excuses to procrastinate. The smoother I can make the process, the more likely I am to get my thoughts out to you.

Draft: I hate Word. For decades, this Microsoft dinosaur has been sprouting claws and additional tails and horns and useless, complicating features that make a simple writing tool feel like the cockpit of a Space Shuttle. These features were designed by marketing people, to give the illusion that this application is progressing, rather than trying to be a useful tool for writers.
I told you above about how Scrivener is really useful for longform writing. But when it comes to writing a blog post, I want a clean empty environment. No bells, No whistles, no formatting options even, just a blank screen the blinking cursor. That’s why I use Draft.

draftIt’s a website, not even an application. And it simply provides me with a clean page on which to write my thoughts. Draft even has a ‘Hemingway mode’ that remove all distractions, even the delete key so you can just concentrate on getting the idea onto the screen without worrying about rewrite — you can always fine-tune it later. Draft is not the final stop on my creative journey, it’s simply the place to write something fairly short like a blog post. And then I can copy and paste those characters into another place, like WordPress, in order to do the final tweaking and formatting to express my intentions most clearly.

wpWordPress: I use WordPress.com because, after trying many other options over the past twelve years, I have my blog where I like it: clean, distinctive and with just enough features to make it useful. Tumblr and blogger are too barebones while WordPress.org is the opposite, super customizable, allowing you to host your site anywhere and add lots of plugins with cool features. However I know from also managing the sketchbookskool.com blog that it can be a drag to keep updated. WordPress.com just takes care of all the action under the hood and leaves me to blogging. Plus, I have a special custom theme that makes it look pretty distinctive.

bucketImageBucket: Each of my blog posts has at least one image, many of which begin as fairly large Photoshop files. I can save them as smaller files in Photoshop but I like to use image bucket, a Macintosh app, to down-res batches of images or to quickly knock out a 72 dpi version of a large tiff file. It works quickly and mindlessly it is therefore a regular part of my toolkit.

VIDEOS: I love making films and, in many ways, the process is like writing so I’ll share my filmmaking process with you too.

My kit now has fourcameras:

camera 3– At the top of the heap is my Canon 7D which I generally use with a 50 mm lens. I also use a wide-angle (16-35 2.8 L II), a macro (100 2.8 LI1.8), and an all-purpose zoom (24-70 2.8 LII).
– My favorite camera these days is the small, gorgeous Canon G7X. It is infinitely customizable, has a display that flips up so I can frame myself in a shot, and fits in my pocket. It’s a pretty miraculous bit of gear.
– I also have a butt-simple Canon Vixia HFR40 camcorder which I originally bought to take along on our cross-country trip. The images and sound are pretty great and it’s a basic point-and-shoot, perfect for those moments when I don’t want to monkey around with technical considerations.
– My new iPhone 6S Plus shoots 12 Megapixel stills and 4K video — which is insane for a cel phone. It will definitely become indispensable as a camera too.

fcpxFinal Cut Pro X: I think FCPX is, despite the derision of many of my professional editor friends, an incredible cutting platform, especially at $300. We cut all of the Sketchbook Skool videos on it and it works like a dream. If you wonder how good it is, sign up for a kourse at SBS and see for yourself.

vimeoVimeo: We host all of our videos on Vimeo because it has real respect for the art of filmmaking. There’s no advertising and full control over the appearance of embedded videos, including making them private and passworded. I’ll often copy videos over to YouTube as well, just to stay on Google’s good side, but there’s just no comparison. Vimeo’s also a great place to browse and be inspired.

AND FINALLY: I have a lousy desk chair. I’ve tried an Aeron, a yoga ball, standing, and now I have given up and just use a chair from the dining table. They all leave me feeling tight and achy and lead to the headache situation I described above.

pomodoroThat’s where Pomodoro Pro come in. It’s a really simple idea, a timer on my computer and phone that divides my day into 25-minute work increments, followed by 5 minutes of rest. It is intended to keep your nose to the grindstone, your attention undivided and focussed on the task at hand. For me it does the opposite, reminding me to stop, stretch and take a breather. The timer just went off so I’ll stop now.

I hope this has been useful. If so, why not sign up for future updates from my blog. Just drop your email in the box at the top of the column on the right.

The Sin of LUST

Ironically, the classic bio of my favorite painter is called Lust for Life. But lust is a sin that has sabotaged loads of great artists too. Lust is any intense sort of intense and uncontrolled desire — be it for sex, food, drugs, money, fame, power or freshly-poured, frosty lager. Society loves to depict the artist as a lusty, carnal creature — snorting, boozing, copulating, and then self-destructing at 27.

Uncontrolled. Undisciplined. Lust replaces thoughtfulness with raw impulse. You cave in to self-destructive abandon. Instead of doing the necessary work you are distracted. Instead of drawing the model, you drool on him.

Lust makes you myopic. It distorts your normal perspective and gives you tunnel vision, tuning out everything but the object of your desire. And what you see is not real. It’s a thickly veiled concoction of your fevered mind.

Perhaps you are slender and celibate and sugar-free and believe lust is a sin that doesn’t apply to you…

At the heart of sexual lust is a form of depersonalization. Instead of seeing people as human beings, they become sex symbols. Lust for money isn’t about acquiring the things you need. It’s about the symbolic value of wealth, the illusion that it will provide security and satisfy all your needs. You want gazillions you’d probably never spend.  Lust for power makes you ruthless, disconnected from the effects of your actions, reduces people to symbols, to pawns on your board. Mwahahahah!

Lust turns reality into abstraction, turns people into symbols, replaces authentic needs with insatiable hunger. And an artist who cannot see or feel or connect is lost. An artist who only deals in symbols cannot find her way to truth.

Lust is obsessiveness. Lust is abstraction. Lust is infantile, sacrificing your higher goals to your basest weakness. Lust is lost in the future, a future of quelled desire that may never come, a future you cannot control.

But creativity requires control. Control over your skills, your materials, but most of all over your vision of the world you are creating.

Perhaps you are slender and celibate and sugar-free and believe lust is a sin that doesn’t apply to you. But look deep and honestly within and look for those impulses that cloud your objectivity, that distort your actions, and color your perceptions.

Really, what about you? Do you lust for perfection? For acknowledgement? For a Winsor & Newton Series 7 Kolinsky Sable Pointed Round #10 watercolor brush with a seamless, cupro-nickel ferrule (list $499.99)?

Fifth in a series on seven deadly creative sins.