A waste?

global art junkieI was flattered when “Global Art Junkie” posted my Art of Breakfast video on her blog along with some lovely accompanying words. Then I was struck by a comment by a lady who said,

See, this is why I don’t get art journals. Here he’s made something wonderful, and it’s spread over two pages in a book. What a waste! Now he’s going to have to do it again if he wants it to be on one whole piece of paper, and it’s never going to be the same. At least, that how it would be with me. (emphasis added)

I appreciate her POV but felt obliged to explain myself in a comment of my own. You can read it here. What do you think?

My Life in Volumes

I was invited by Chronicle Books, my publisher to be a guest blogger. I wrote this piece about my lifelong love of book beginning with my childhood stint as a librarian. Do you like it?

Chronicle Books blog

Deep in the Atlantic

The AtlanticSteven Heller has written a beautiful and deep article about my book in one of my favorite magazines, the Atlantic.

AKissB4UGo in The Morning News

The Morning NewsA funny interview with me and some other stuff on The Morning News.

Artful critique by Stillman & Birn

StillmanMy favorite bookmaker (no, they won’t take bets on the Superbowl) Stillman & Birn has some nice words about my book on their Facebook page. They are the first to discuss my art work in depth and I appreciate their insight:
THE ART OF “A KISS BEFORE YOU GO”
Much has been written about Danny Gregory’s new memoir, “A Kiss Before You Go”. The book is a powerful account of grief and mourning in the year following the death of Gregory’s wife Patti. The book has won acclaim in numerous reviews and has been cited as one of the top books in its category by Oprah Winfrey. But not enough has been written about the book’s graphics and their artistic achievement. This is understandable in a way: Gregory’s poignant narrative is so compelling, that it is the focus for the reader. But anyone interested in art journaling should take a careful look at these accomplished drawings, and the seamless way in which they are integrated with the text. Here are two examples of this. The first is a riff on Hokusai’s iconic “Great Wave”. Gregory uses this image as a metaphor for the waves of intense emotion which can be overwhelming in dealing with grief. The second image of a church on a black background has a more subtle connection to the narrative, an anecdote about the potential for people to atrophy, socially, in solitude. Both images have a tone of urgent spontaneity, yet both renderings are obviously grounded in an impressive technical mastery of draftsmanship and color control from a leading exponent of the art journal form. Click here to see an enlargement of these pages: http://bit.ly/UPY62O

Joy

Joy

Joy Corcoran has written a lovely and thoughtful review of my book. If you are on the fence about buying a copy, this might tip you into your local bookshop.

Oprah!

The Oprah bookclub has just published the list of her reccos for best memoirs.

And a Kiss B4U Go is the cover pick! (alongside other amazing authors like RIchard Russo and Jeannette Winterson…)

Wow! Happy New Year!

P.S. A favor:  There’s a really nice review of the book and I’m sure it would be helpful if people who come up on it knew others had read it too, so please, feel free to comment on it too and share your experience of the book. The more the merrier!

Oprah

Have a Pink Christmas!

Have a lovely holiday and, if you happen to find A KissB4UGo under your tree, do let me know what you think of it.  I’ll write again around New Year’s.

In the Hong Kong Airport

A drawings and some thoughts that never made it into the final version of my book, AKiss B4UGo

I sit in the Hong Kong airport, and, somewhat hesitantly, open the folder of my photos of Patti. In the past, I avoided looking at these pictures unless I was willing to lose it, even wanted to lose it. I take a breath and I flip through the vacation pictures, the birthdays, Patti playing with Jack at three, at ten, at fifteen, hugging the dogs, hugging me.

I feel a smile grow, seeing my love, my friend as she was, as she is, full of warmth and fun, all good memories, not sad or heartbreaking but there in me, warming me, keeping me company so far from home, just like she always has. I miss her like I would have done on long journeys past, thinking of how she would feel about what I’m doing now, what she would have thought of the curried noodle chicken soup I had at the airport cafeteria. “Ew, sounds goobery, honey,” she would have said. “Hurry home. I miss you.”
I miss you too, Pandy, I miss you a lot, but the thought of you deep inside me will help me keep on, keep happy, keep living. Our love is forever, no matter what happens, and now I feel like I might just cry, here in the Hong Kong flight club.

The hardened life.

Family hug, 1996

A sad declaration, written in my journal when I was just sick and tired of being sad and tired.

  I have been forced to stand on my own, to define and empower myself as a single unit rather than part of a pair. I have had to take responsibility for things I could get away with not doing, have had to be much more practical and unsentimental about things. Sentimentality is too powerful an emotion to bear now.

The life I define for myself is leaner, stripped down, less indulgent. Like a hard mattress, a rough blanket, a single pillow. In some ways, many actually, this is good for me. I feel more confident, more in control of the edges of my life, less anxious about the next shoe dropping. But my life is a lot less rich and beautiful. My harder, rational side is unmitigated by the gentle flirtations of love. And, while my heart is still here, still beats, is still capable of love, I fear it is also smaller and harder and less romantic.

Patti’s death has changed me forever. Just as Patti’s life did.

This fear has passed, but the memory lingers on.