A Little Portrait

SeanByDanny.JPG

Sean: ink and color pencil 7″x10″
Jack and I haven’t been to life drawing together for ages so we dropped by for a few hours of portrait drawing at the Spring Street studio. We had two models, a woman we’d drawn earlier in the year, and Sean, a little person and an interesting challenge. We both were fairly frustrated by our first few efforts but finally settled into a groove.
SeanByJack.jpg
Jack’s pastel work is pretty great and he is aching to get into some oil painting. I can’t wait to see what he does with that medium. His drawing has leaped forward in the past few months and he is so self assured and able to concentrate like a laser.
I was a little bored with my piece — I find it hard to focus on the same drawing for over an hour and our class lasted three and a half — so I started messing around with colored pencils. It was okay. We will probably go back for another go in the next few weeks.

Oregon and Back

Outside Joseph

Jack and I just spent a week driving 1,000 miles or so (a crazy distance for New Yorkers) across Oregon and back to visit our pal, d.price. It was the first time Jack has seen the huge scale of things in the West and the first time we’ve done and dad-and-boy epic drawing trip.

My Oregon journal

My journaling skills were a little rusty. I haven’t been doing bona-fied illustrated journaling in awhile; over the past few months, I’ve been drawing various things in various books in various ways. So I decided to take a long two drawing books, one larger for ink and such, the other a smaller one made by Roz Stendahl. It’s 3 and 3/16 inches by 3 and 3/4 with Fabriano Artistico 90 lb. cold press paper, palm-sized and very handy.

OJournal1 Jack's Passport

We began the trip a little spasmodically as you can read above. We had to wake up at 4:30 a.m. and then double back to get Jack’s passport (which turned out to be completely unnecessary — kids under 18 don’t need ID to fly).

Fake Lewis & Clark journals

In Portland, we rented an SUV (a very odd vehicle for me, the non-car owner) and headed east. Jack is a very able navigator and we used the Google maps function on my Blackberry. We took our time ( on my last trip to Oregon, I got my first and very expensive speeding ticket; this time, I relied on my cruise control to keep us legal) and stopped at interesting stuff along the way. Looking for lunch, we stumbled into the Bonneville Dam and its sturgeon hatchery. We learned about fish ladders and saw the most enormous fishies ever — critters a dozen feet long placidly floated past the hatchery window like prehistoric aquatic cattle. As its near the end of their trail, replicas of Lewis and Clark’s journals were also on display.

OJournal CharBurger

We found lunch at the politically incorrect CharBurger and then continued east.

OJournal3 Pendelton

The weather had been overcast and intermittently rainy since we’d left Portland but midday things started to heat up.We were pretty knackered from the long day and decided to make camp midway, pulling into Pendleton to find a motel. We decided to look for one where we could swim and ended up at the Travelers’ Inn which boasted a pool with the dimensions and sanitary status of a New York urinal. After paying for the night, we discovered our room was similarly fragrant; clearly the former resident had developed some sort of kidney disorder and was forced to use the thick shag rug as a bedpan.

Sold out show in Pendeleton

Eschewing a dip and a nap but still anxious to escape the rain, Jack and I headed to the town cinema. A triplex, it proved to be sparsely attended. In fact, we were the only audience for the 4:40 show of ‘Tropic Thunder’, the sole patrons of all three screens. We returned to the Inn and found our next door neighbors were burning hot dogs on a propane grill outside our door.

We miss her

Early the next morning, we had a hearty breakfast ( we miss Patti!) and finished the last leg of the journey. We pulled into Joseph and met up with D.Price. Dan gave Jack a tour of his meadow, pointing out the various tiny buildings he has built by hand.

d.price's studio

There’s the studio where he writes and prints his magazines.

Sweat lodge

The sweat lodge where we would spend evenings having mystical conversations then plunging into the river.

outside the kiva

The Kiva, Dan’s hobbit house. Inside it’s about seven feet wide in diameter, wooden walls, carpeted, low ceiling with a sky light, snug as a bug.

OJournal Kiva

Here’s my impression of what it looks like inside.

Jack in the shower room

Dan has a little shower room, with a gravity shower. River water is loaded into the cistern by the bucketload and then heated electrically.

Tents in the meadow

Later, we were joined by Ryan White from Portland. He is a soil engineer who also likes to draw and camp. Jack and I spent the first night in tents and then we and Dan sopped places each night so we all had different sleeping experiences.

OJournal 4 Horsies

We drive around Joseph, stopping to draw. Here are pack horses that climb up the mountain trails that surround the town.

OJournal 5 Lake

The lake is lovely and huge, filled with boats but few swimmers. Last week it was over 100 degrees but the rain has arrived and cooled everything dramatically.

OJournal 6 Joseph

Dan’s a master of improvisation and craft. He turns old bikes into fence rails, and recycles driftwood, paving stones, and old wooden signs.

Jack in the outhouse

Jack checks out the gallery walls of the outhouse.

OJournal Trial and Lake2

Dan had some court business with his ex-wife and then we went back to drawing.

Drawn by Jack

Jack’s drawing has been transformed in the past six months, since he fell in love with drawing from life. His summer arts camp helped him develop the most amazing ability to concentrate. While Dan would dash off a drawing in minutes, Jack could sit in full meditation for an hour, until he was forced to abandon his drawing midway and come with the annoying grownups. Here’s a bunch of the drawings he made on our trip.

Drawn by Jack

Drawn by Jack

Drawn by Jack

Drawn by Jack

Drawn by Jack

I’m admittedly biased, but I think he’s scary good.

OJournal Teepee

Dan spent years living in a teepee like this, back when dinosaurs roamed Joseph.

Jack on 1948 tractor

One of the wonderful thing about hanging out with a bunch of fellow artists, is the opportunity to compare visions. Here for example are the ways we all approached a bunch of old tractors we found in Enterprise, OR.

Ryan's tractor

Tractor by Ryan White

Dan's tractor

Tractor by Dan Price

Drawn by Jack

Tractor by Jack Tea Gregory

My tractor

Tractor by Danny Gregory

Drunk driving

Personally, if I had to spend more than a couple of days in a small town like Joseph, I would blow my brains our from boredom. However, there are endless lovely things to draw there, as there are in every corner of the world.

OJournal 10 Barn

A tornado whacked this barn a while back. Rather than fix it, the owners are waiting for Ron Paul.

Drawn by Jack

Jack’s version.

Redesigning d.price's website

One of our projects in Oregon was to help d.price to set up an online version of his ‘zine, Moonlight Chronicles. The first few pages are up and I urge you to visit his new site regularly for updates. He will continue to publish on paper but is scaling back to minimize the environmental impact of tree killing. If you like his work as much as I do, consider buying some back issues (or even the first 50 in a lovely hand-painted box).

OJournal 11 Truck

Our drawings of an old train were constantly interrupted by the fact that the crew moved it up and down the rails.

Squished coins

So instead, I put some coins on the rail and the train squished them flat:

OJournal 12 Road Back

At week’s end, we drove back across Oregon. It was a super trip — one we plan to make a regular summer tradition.

Jack & Ryan draw the train

I guess normal men do this sort of thing regularly, except they go fishing or hunting or play golf. We weirdoes prefer to just sit around, pen in hand, seizing the moment.

ImageP.S. For this and probably future posts, I shall be putting my images on flicker where you can see them larger (just click on the blog image you like and it will take you to the flickr page). I have also posted a couple of hundred other pictures up there from our trip.

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Why?


[<em>Seth Apter of</em> The Altered Page<em> is conducting a </em><a href=”http://thealteredpage.blogspot.com/2010/07/buried-treasure-2010.html&#8221; target=”_blank”><em>Buried Treasure</em></a><em> hunt and encouraged bloggers to resurrect one of their favorite long ago posts. I like this one. Next, back to the normal sturm and drang of the present.</em>]</p>


Danny,
The moment you get up to get your sketchbook to draw, why do you do it? What makes you want to make a sketch your sketchbook? Do you do it for you or does knowing other people will want to see it get you to do it? Is it an obsession? I don’t understand drawing constantly and not hanging it up unless it is a preliminary drawing for a project. If you are accomplished at drawing anything, why do it over and over?
Still in a rut and still depressed and with much gratitude for you,
A________

Gee whiz, Annette, you do sound like you’re in a funk.
Why whistle in the shower?
Why cook a new recipe for your family?
Why tell a joke?
Why put an outfit together?
Why style your hair?
Why arrange some flowers in a vase?
Why read a novel?
Why watch one movie instead of another?
Why not wear a uniform?
Or eat the same Value Meal at McD’s every day?
Why not shave your head?
Why not get a job at the DMV?
Come on outta the rut. It’s Springtime!
Or do you need to know why the bulbs are pushing out daffodils?

Your pal,
Danny Gregory

[Originally published on: Jul 19, 2008 @ 0:01]

Bad to the Bone

coverMaybe it’s because of my initials, but when I was little, I was determined to become a vet when I grew up. In fact, I got my first job at the age of 11, working for a vet at the local dog pound. It was only when I was in high school, and proved abysmal at Chemistry, that I realized I’d have to take another career path.
At any rate, I have always loved dogs. The dogs I loved the most weren’t the Lassies and the Benjis, the dogs that rushed to the rescue and did tricks and were cute and cuddly. No, my favorites were the ones that got into trouble, that showed character and individuality, the dogs that are bad.
For the past few months, I have been concentrating on drawing bad dogs of all types. And, inspired by Ogden Nash and Edward Gorey, I’ve been moved to write some little poems about dreadful pooches.
All of which leads me to the surprise part.

Image
I love my new publisher and can’t wait for An Illustrated Life to come out this Fall. In fact, I am so impatient for a new book that I decided to print up a limited edition book on my own, collecting about forty pages of those bad dog drawings and painted ripped from my sketchbooks.
This little book is only a limited edition. It’s four-color and I am really happy with the quality of the printing. I think it really captures the intensity of the watercolors I’ve been doing. Some of the drawings are done with a Rapidograph but most were drawn with a dip pen and they have a good energy that captures the mischief nature of their subjects. There’s a lot of experimentation with the quality of the line and the way I’m using color. It’s a bit of a departure for me, an intense exploration of a single topic but the folks who’ve seen it so far think it’s pretty funny and beautiful.
So, as part of this publishing experiment, I’ve decided to share this little book, Bad to the Bone, with my readers. I’m selling it more or less at (a super-low) cost, because I’m interested to see if this is a good way to make and share books. If you like it and want me to make more books of this sort, let me know and I’d be willing to give it a go.

CLICK TO ORDER: Bad to the Bone
Drawings & doggerel
By Danny O. Gregory

Image
I am really pleased with this book. I hope you’ll like it too.

An Illustrated Life Podcast 012: Melanie Ford Wilson


Melanie is a wonderful illustrator and designer based in Ontario, Canada. I first encountered her work through her blog and was enchanted by the sweetness of her perspective and by the lively way she writes.
We had a length chat about all sorts of things but I was particularly intrigued by our conversation about the ups and downs of being a popular blogger and the group of women illustrator/designer/bloggers of which Melanie has been a part for the past few years.
See Melanie’s work here and her blog here.
And listen to our conversation here. The episode is 63 minutes long; perfect to listen to as you draw in your own journal.
I am very happy that Melanie will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).

Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

An Illustrated Life Podcast 011: Seamus Heffernan


Seamus Heffernan is the youngest person in my new book but his work is mature and inspiring. He hand makes his own journals and paints and draws in them with enormous style and beauty.
Seamus grew up in New England and now lives in Portland, Oregon. He recently graduated with a BFA in painting from the Pacific Northwest College of Art, and did a semester abroad with the Aegean Center of the Fine Arts in Greece. He is a freelance illustrator/ painter/ comics artist and is working on a graphic novel about the Revolutionary War. See excerpts from the novel and his journals at seaheff.com

You can listen to the episode here. It’s 47 minutes long; perfect to listen to as you draw in your own journal.

I am very happy that Seamus will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).

Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

An Illustrated Life Podcast 009 & 010: Roz Stendahl

May 10, 2008


Many readers are probably familiar with Roz Stendahl and the incredibly useful advice she dispenses as a member of the EDM group. You may also remember that she gave me a special correspondence class in watercoloring a few years back that transformed my journal pages. On this special double episode of the podcast, Roz and I talk about all sorts of things drawing-related. We managed to blather on for a full two episodes worth of stuff and, frankly, could have gone on for hours more.
Part One can be found here.
Part Two is here.
I am very happy that Roz will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
I am posting both installments of the interview today; they are perfect to listen to as you draw in your own journal.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.
Next episode: Seamus Heffernan.

Blue Skies


From a comment submitted re. my last post.
What is creativity? Creativity is the ability to come up with productive, enterprising ideas and work that, at the very least, should have aesthetic, if not monetary value. It’s all very well to say that creativity should exist for its own sake; for enabling the self to be conscious of the here and now; but how could you possibly remain calm and poised enough to achieve that state, if your so-called creative work merely represents your inability to produce anything more than eyesores?
Your book, ‘Creative License’, aims to rid people like me of this inconvenient truth, but I’m afraid it fails to do so. I attempted at your EDM group’s weekly assignments one challenge a day, everyday for the past week, struggling to keep my inner critic down and concentrating hard and long so that I may to produce something half-way decent, but the best I have come up with so far is a deep lengthwise scratch in frustration down a page of the Moleskine I’d bought after months of guilt at such indulgence.
I doubt you could really help, but it would be interesting to see what you have to say for such problems.
— Blue Skies

Image
“A creative artist works on his next composition because he was not satisfied with his previous one.” — Shostakovich
Dear Blue Skies:
I’m sorry you are so frustrated with your efforts. I’d suggest you worry less about aesthetics and persevere. The fact is, your desire to make ‘something half way-decent’ is your Achilles heel right now and your harsh inner critic is taking advantage of it.

Spend another week just drawing the same thing over and over. Draw it, turn the page and draw it again, A bowl of fruit, a shoe, a picture of yourself, whatever. Again and again. Don’t look at your work, don’t judge it, just draw and draw.

If your inner critic is jabbering in your ear, blast music.

I know you don’t trust me but heed just this: if you draw a lot you will improve your drawing. It may take longer than you’d like but it will happen.

Aesthetics do not matter at this point. I know you don’t believe this either but it’s true. You are learning how to drive, not how to win the Indy 500. And there will be rewards. Every so often a line an angle, maybe a whole drawing will strike you as not quite so awful. And that feeling will happen more and more.

Force yourself to do it on a schedule so your inner critic can’t talk you out of it each day. Twenty minutes after breakfast, forty five before bed, whatever.

It may sound like bullshit, but your inner critic is the one that is the one convincing you that the whole enterprise is a waste of time. But it is wrong.

Frustration is natural but irrelevant at this point. You are not and are not going to make anything frame-able or even pleasing at this point. That’s not the point. Work out, build your muscles, feel the rhythm and only then run a race. So your inner critic is right: everything you are doing is crap. That’s no reason to stop.

So go on, right now, get off the computer and just draw some object. Don’t think too hard about what it is, just draw it. Then turn the page and do it again.

Don’t think of why I’m wrong. Just do it.

Thanks.

Your pal,
Danny Gregory

PS For more of this sort of useless advice, read on.

An Illustrated Life Podcast 008: Paul Soupiset


On this week’s episode, I talk to designer and San Antonio native Paul Soupiset. I first came across Paul’s work last year when he posted his Lentenblog. I loved his watercolors and the interesting way he was approaching his faith through art. When Paul visited New York, I invited him to visit us at home. Patti, Jack and I were in the middle of trying to make linoleum prints and I took some time off to sit with Paul and talk about Art, Life, God and the rest of it.
Spend some time at Paul’s site as you listen to our chat.

I am very happy that Paul will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
The whole episode is 24 minutes long; it’s perfect to listen to as you draw in your own journal.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.

An Illustrated Life Podcast 007: Mark S Fisher


A sketchbook is a place of contemplation. For some people, like me, that contemplation is of the exterior world, and focus exclusively on drawing the things that are in front of me. But for others, contemplation is internal. They draw the pictures that appear in their minds and allow their imaginations to embellish. On this week’s podcast, I talked to Mark S. Fisher, who is an illustrator, a designer, and a part-time security guard. Mark fills a half dozen books a year and has done so for over three decades. He has many interesting things to say about drawing, art, and contemplation.

As you listen to this conversation, I suggest you check out the work on his website and two galleries of sketchbooks stuff, here and here. I found that the conversation left me wanting to be much wilder and more free in my sketchbook. I hope it does the same for you.

I am very happy that Mark will be represented in my upcoming book, An Illustrated Life: drawing inspiration from the private sketchbooks of artists, illustrators and designers due out in October from HOW books ( though you can pre-order it today).
The whole episode is 39 minutes long; it’s perfect to listen to as you draw in your own journal.
Please stay tuned and consider subscribing via RSS or iTunes* to this weekly feature until the book comes out this Fall.
See all previous episodes on my podcast home page.