Help me to help you.

Will you do me (and yourself) a GINORMOUS favor?

At SketchBook Skool, we make a lot of videos, on average one a day — tips, reviews, interviews, jokes. We share them all on YouTube.

Now, if we get 2,190 additional subscribers to our channel, YouTube will help us produce even more and better stuff. But we need to cross that threshold.

Will you help us by SUBSCRIBING (ask your pals and family too!) to our YouTube Channel? It’s here.

It just takes one click. You won’t get any annoying emails about it. It’ll help us BIG time.

Study Hall: The Good, The Bad and the Ugly

I love this week’s klass in Exploring with one of my idols, Felix Scheinberger. I made a bit of a mess with my homework but then was inspired by an old spaghetti Western. I hope you had fun with your assignment.

My new movie: The Art of A Fan

A few years ago, I had great fun making a series of Sketchbook Films with my old pal and genius, Tommy Kane. After bugging him for months, I finally got Tom to join me in making a brand-new film about Marcy Singer.

I first met Marcy when I taught a class at the Open Center in New York and apparently I gave her an idea that led to an enormous project. I said, “why not draw while you watch TV? Just use the DVR to freeze the frame and sketch what’s on the screen.”

An ardent hockey fan, she decided to draw every single game the NY Rangers play and has now filled many sketchbook with wonderful drawings and watercolors. It’s a great story about how drawing changes how you see things and deepens your experience and your passion.

The key to drawing in the street

This week I did a little urban sketching, drawing a crusty old locksmith shop in the Village. I was inspired by one of my idols, Nina Johansson, who we managed to convince to teach at Sketchbook Skool. Here I am doing my homework for her klass, despite a never-ending stream of obstacles.

Department of Redundancy Dept.

I had a great time drawing my top 32 favorite pens. Sadly, I had to leave the other 749 out.

My homework for Andrea Joseph‘s magnificent klass at Sketchbook Skool. If you don’t know her work, your life, like my pen collection, is incomplete.

If you like my blog, you’ll like this too. 

When we launched our first Sketchbook Skool kourse, someone asked, “Is this self-help? I thought it was a drawing class!” 

Fair question. But the fact is, making art starts with self-expression, so we tend to talk a fair amount about issues that impact creative people and get in the way of that expression. Things like motivation, habits, blocks, expression, and the inner critic. If you are just starting to make art as an adult, you may want to understand why on earth it took you so long.
I love to draw. But drawing is far more than a technical exercise for me. It’s meditation, it’s connection, it’s appreciation, it’s awareness. It’s a way to make sure that I stay connected to the things that matter to me, every day. In fact, one of my first books was called Everyday Matters because drawing helped me appreciate my life in ways both big and small.

When people find out I’m an author, their next question is “What do you write about?” I usually say I write about art and creativity, but I think what I really write about is the problems I face and how I can solve them in a way that helps others solve them too. That’s led me to write about everything from my childhood to how to get ink stains out of laundry. Which leads me to our new Kourse, Exploring.

I decided to explore two very different but essential things in the week that I teach in Exploring: creativity, and how to make drawings pop off the page. 

First, the latter.

A problem you certainly wrestle with early in your drawing life is how to represent lighting, texture, and dimension, to help bring your work to life. So I share my years of exploration through dozens of examples in my sketchbooks. And rather than just flip pages, I really discuss each one, why it works (or doesn’t) and how you can apply those lessons in your own work.

Then I do some experiments to show you how light changes mood and meaning, and how you can represent shades and colors using plain old black ink on white paper. Also how to indicate different materials, from glass to grass, skin to bricks, using just lines and dots.
Okay, that sounds a bit technical, but I think I manage to make it pretty fun.
Your most important art tool: your brain

I created a bunch of videos for this klass that delve deep into the creative process:

  • What makes you creative?
  • How do you get good?
  • How do you deal with criticism?
  • Where do ideas come from?
  • Why are you afraid to draw?
  • How do you keep motivated?

If any of these questions intrigue you, you’re ready to start Exploring. It’s not all self-help, but it will certainly help you help yourself to expand in new directions, enjoy your creativity, and have a wonderful five weeks with me and our other teachers, Lynne, Nina, Brian, and Felix.

Watch the video, then come find out even more about the klass on our website. And finally — sign up and start Exploring with us! We start on April 17.

See you in Klass.  

 

 

 

This email was sent to sketchbookskool@gmail.

This is going to be awesome

I’m gonna to take a break at noon to watch Brian Butler’s Facebook Live He’ll be taking drawing requests from the audience and it will be fantastic. See you there.

Whoops you missed it. 

Here it is again: https://youtu.be/5DD54NgHe7E

How I draw a selfie.

Call me a nerd if you must but I loved doing homework. In this video, I do my assignment for Week Two in Seeing, a Sketchbook Skool klass on drawing self-portraits, taught by my partner, Koosje Koene.

It’s not too late to join Seeing! Click here to learn more.

Something new from me

I’m pretty jazzed to be launching a brand, spanking new kourse at Sketchbook Skool in a few weeks.

It’s been a year since I taught a regular klass, one that’s just focussed on stuff I find interesting (and hope others do too).  I’ve been thinking a lot about how creativity works (and doesn’t) over the past year and was looking for a way to communicate those thoughts through a special kind of video technique.  I also wanted to explore a technical aspect of drawing, how to capture tone and light with black ink lines on white paper.

Beyond getting to teach, I love working on new klasses with new teachers. And we’ve managed to land several of the leviathans of illustrated journaling and urban sketching, luminaries who our students have been requesting for years.

One of my watercoloring mentors, Felix Scheinberger, is back to talk about watercoloring and composition. I pour over his books regularly and always come away with a new idea or two each time.

My partner, Koosje shot a klass with Nina Johansson who was a contributor to my book, An Illustrated Journey. Her watercolors of cityscapes are really breathtaking and it’s a treat to finally get to see how she makes them. Koosje also shot a klass with illustrator Lynn Chapman in England, another rock star of Urban Sketching. She’s incredibly peppy and generous with her ideas and techniques. Watching her paint was another revelation.

And, finally, we also have a brand-new teacher from Miami, a street artist who I shot recently in Los Angeles as he painted a 30-foot mural. Brian Butler is one of the most productive sketchbook artists I’ve ever met and, by dedicating his life to drawing, he has had incredible experiences all over the world. I’ve long wanted to explore street art at SBS and this was my first chance. We spent two days shooting Brian as he painted a wall on a busy intersection of Downtown LA — and it was amazing. This sort of epic production with an artists who I admire is one of the chief reasons I love working at Sketchbook Skool.

Anyway, check out the video to get a taste of what this kourse will be like. I can’t wait for it to start!

Find out more on our website.

A Blunder a Day

Last week, I really wanted to tell you about how cool our new project with Veronica Lawlor is — but I made a mistake in my post. I inadvertently shared a (nice) interview with Ronnie rather than the (super-cool) trailer that gives you a vivid, compelling, intoxicating peek at what the kourse will be like.

So accept my apologies and watch this super-awesome video now instead: