A conversation with Brenda Swenson from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

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Brenda Swenson was dissuaded from being an artist time and again when she was growing up, but her passion ultimately won out. Now she is a professional artist, an author, and a teacher who leads fantastic sketchbook workshops, helping others discover and  believe in their talent.  And she loves to travel and fill her sketchbook with juicy watercolors.    Vernazza,-Italy-(Cinque-Terre)

Brenda shares a lot more in my book. Here’s an excerpt:

“One day I saw a billboard. Go to school to be a professional artist. Wow, I could be an artist! Right away I told by my step-mom. I know what I am going to be when I grow up. I am going to be an artist! I was abruptly told that’s much to difficult find something else. I was crushed.  The only thing in me that felt special wasn’t good enough. I was ten years old..…” (continued)

Please don’t forget to check out Brenda’s blog.

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A lovely piece

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Seth Apter, to whose book, The pulse of mixed media: secrets and passions of 100 artists revealed, I contributed to last year, has written a beautiful post about AKissB4UGo.

A conversation with Nina Johansson from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

skowera_ninajohanssonNina Johansson lives in Stockholm so even the most mundane things she draws strike me as exotic. She is an amazing watercolorist and urban sketcher and I have learned do much from studying her work.

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I hope you’ll enjoy what she has to say in her video chat and in the book. Here’s an excerpt:

“I find that drawing a place makes it more mine, no matter where I am or how long I’m staying. When I draw a street corner in my sketchbook, I take a little piece of this place home with me. All these little pieces end up in my bookshelf, as a collection of all ”my” places in the world. It’s not a greedy kind of ”mine”, it’s a grateful kind, I feel lucky to have had the opportunity to visit and share all these places with the people living there…” (continued)

Please don’t forget to check out Nina’s blog.framlingsvagen_apr12

Let’s draw together! C’mon!

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So, listen, I have always thought it would be nice to get a group of people together and draw in a lovely place. You could call it a class, a workshop, a mildly dirty weekend ( if you are sloppy with your ink) , whatever you want, but it could be fun if I could ever get it together.

It seems I finally have.

Last fall I was contacted  by Arthur Samuelson, a  lovely man who is the director of the Rowe Camp and  Conference Center in the Berkshires in Massachusetts and asked if I might  want to come up and do a workshop there in late spring. It does seem like the perfect place to spend some time together drawing and so I have agreed to do it on the weekend of May 31- June 2.

It is an accesible place but also remote enough to be a proper get-away. And what I really like is how affordable it is, room and boardwise — they even are willing to price things according to need, so I hope you can manage it.

It will be a three day event, from Friday afternoon to Sunday afternoon. We will get together on Friday evening, I will talk a bit and discuss a plan for the weekend. And I will show examples from my journal collection. Then you can thumb through em (and hopefully share some of your own). After a good breakfast on Saturday we will set out to draw in the woods, the lake, and the small town nearby. In the evening, we’ll sit around together and share journals and stories. Then on Sunday we’ll do some more drawing and writing and scatter home after lunch.

I will post a lot more about it very soon but just wanted to get the word out now so you can make plans a reserve a place (I think the number of attendees may be limited). This is my first time doing such a thing so if you have any suggestions, please let me know.

Here’s the link for details and registration.

Even if you have NEVER drawn before, please consider joining us. I will be fun and not at all traumatic, I promise! I really hope you can come.

An interview I really liked

kymn%20working%20fileI did a long interview on the radio this morning with Paula Granquist on “ArtZany!: Radio for the Imagination” on KYMN Radio in Minnesota. We talked about A Kiss Before You Go but the conversation was far more wide ranging and covered many important creative concepts.   It’s about 45 minute long and you can hear it here. 

I was also on some other shows in the past couple of weeks including:

  • TURNING PAGES, KCBX Public Radio FM 90 San Luis Obispo, CA (March 11)
  • THE ROUNDTABLE on WAMC/Northeast Public Radio. Hear here. (March 12)
  • IT’S YOUR HEALTH RADIO, WUML, Boston Talks, Boston, MA (March 19)
  • MORNING EDITION, WOJB 88.9 FM, Hayward, WI (March 19)

A conversation with Chris Buchholz from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

8404449156_1e67cd6857_b Chris Buchholz has been on a wild adventure over the past few years, giving up his life as  a designer in Pennsylvania to move to the Dominican Republic and take up missionary work. A dramatic life change that results in a lot of gorgeous sketchbook pages. 8468805586_04e3ba394b_b

He’s back in the States now and he chatted with me about life and art.italy_21-copy

Chris shares a lot more in my book. Here’s an excerpt:

“For me, my sketchbook is the ultimate passport. When I’m traveling with my sketchbook in hand I seem to slide easily into cultures and conversations. When I’m drawing, the locals seem to let me into their world, accepting me as if I were one of them. This self-issued passport, the sketchbook, is what gets me into the “heart” of the place; into the dining rooms, front porches, hidden alleys, and into the most  fascinating conversations..…” (continued)

Please don’t forget to check out Chris’s flickr feed.

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A conversation with Lisa Cheney Jorgensen from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

Lisa Cheney-Jorgensen is a graphic designer and teacher of all things journalish in Idaho. She inspires and mentors so many people and I love her own work too.

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Lisa shares a lot more in my book. Here’s an excerpt:

“I recall very clearly the advice my father gave me when I was being discouraged not to follow my dreams once again. He said, “Honey, do what you love to do. Because you are going to do it for a long damn time! You may not be rich or famous, but you will have enough money to be happy and will love waking up each day.” I keep that nugget of inspiration with me even now. I promptly moved…” (continued)

Please don’t forget to check out Lisa’s blog.

A conversation with Roz Stendahl from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

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Roz Stendahl has been my mentor, teacher and friend for many years. She knows more about everything than anyone, is an amazing artist, and a wonderful, vivacious spirit too. I hope you love our chat as much as I did.

Roz shares a lot more in my book. Here’s an excerpt:

“I draw when I travel for the same reason I draw all the other times I can’t stop myself from drawing—because something catches my eye and grabs my interest. I want to remember it; I want to savor it; I want to understand it just a little bit better; I want to acknowledge what I just saw.  At the same time all this is happening, when I’m drawing there is also a physiological change within me when I draw. I am more calm, more alert (hyper alert), and filled with wonder. Drawing activates a direct switch to my sense of wonder. I feel that to draw something or some place is to ask questions about that subject—how is it made, why was it made, what does it stand for, how was it used, or how does it live in these circumstances? (That last is something I ask as I draw pigeons the world over.)..…” (continued)

Please don’t forget to check out Roz’s blog. And often.

Three Years after Pink

“Tickled Pink” by Kevin Kling

At times in our pink innocence, we lie fallow, composting waiting to grow.
And other times we rush headlong like so many of our ancestors.
But rush headlong or lie fallow, it doesn’t matter.

One day you’ll round a corner, your path is shifted.
In a blink, something is missing.
It’s stolen, misplaced, it’s gone.
Your heart, a memory, a limb, a promise, a person.

Your innocence is gone, and now your journey has changed.
Your path, as though channeled through a spectrum, is refracted, and has left you pointed in a new direction.

Some won’t approve.
Some will want the other you.
And some will cry that you’ve left it all.
But what has happened, has happened, and cannot be undone.

We pay for our laughter.
We pay to weep.
Knowledge is not cheap.

To survive we must return to our senses, touch, taste, smell, sight, sound.
We must let our spirit guide us, our spirit that lives in breath.
With each breath we inhale, we exhale.
We inspire, we expire.

Every breath has a possibility of a laugh, a cry, a story, a song.
Every conversation is an exchange of spirit, the words flowing bitter or sweet over the tongue.
Every scar is a monument to a battle survived.

Now, when you’re born into loss, you grow from it.
But when you experience loss later in life, you grow toward it.
A slow move to an embrace,
an embrace that leaves you holding tight the beauty wrapped in the grotesque,
an embrace that becomes a dance,
a new dance,

a dance of pink.”

It’s three years today since you left, Pandy. I will always miss you.

A conversation with Fabio Consoli from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

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Fabio Consoli has inspired me almost more than anyone else in the is book. (At least this month).  I love the style and wit in his pages, his adventuresome spirit and his incredible bike trips to exotic places in Africa. Plus, he’s Italian!thailand-tuk-tuk_2

After you watch our chat, don’t forget to check out his travel blog.

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Fabio shares a lot more in my book. Here’s an excerpt:

“When I look at an old notebook full of drawings I made in Madagascar, I’m almost able to smell the aroma of Africa, yes, for me Africa has its own smell and forest sounds. I’d like to imprint them in my notebooks forever, this is why I often use food or fruits like coffee, wine, soy sauce, some fresh herbs, berries or tomatoes for coloring. Thus is some way, even for a short time, I can put the smells into my drawings, this gives my moleskine a nice garbage smell..…” (continued)

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