A conversation with Tommy Kane from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

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Tommy Kane is one of my oldest and bestest friends. And he’s a genius too.  You’ve seen Tommy’s work all over, including in my books ( An Illustrated Life and The Creative License). It’s observant, it’s bold, it’s witty, and it’s endlessly inspiring to me.

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And hopefully you’ve seen his blog and his movies too (and his star turn in Red Hook, the film Jack and I made last year).

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And now he has more amazing drawings in An Illustrated Journey.

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When I interviewed Tommy for this project, he was on one of his innumerable business trips to Korea.

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Here’s an excerpt from Tommy’s contribution to the book:

“I have drawn every brick, cinder block and lamppost in all of New York City. Google earth didn’t need to go around and photograph every building in Manhattan. I would have given them all my drawings instead. They could have saved a lot of time, money and effort. All of this has created a dilemma for me. The Big Apple all looks the same to my eyes now. I can even say I’m bored of drawing New York. As I ride my bike around, I whisper to myself, “did that, drew that, sketched that, painted that.” My wife and I discuss moving out of New York someday. Mostly I discuss it. It wasn’t until I started to write this, that I realized the real reason is that…” (continued)

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A conversation with Lapin from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

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Lapin is an extraordinary artist, a Frenchman who lives in Spain and travels the world. His work is unique and bound to inspire you. First of all, the man can draw anything and give it enormous character and wit.  Secondly, his pages are uniquely his — he draws in old (decades and decades old) lined, ledger books, in ink and watercolor. He has published several books of his work, beautiful replicas of his journals exactly as he created them on various trips .

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Lapin discusses his history and technique at length in the book. Here’s an excerpt:

“I grew up in Bretagne near Saint-malo, and now I live between Barcelona and Paris. I started drawing in my very first sketchbook when I was around 4 years old. It was a small notebook with penguins on the cover. All the pages were fully doodled with planes, houses, people, even a “man-house” only sketched with ball point.

Then, as far as I remember I’ve always had some drawings in my school notebooks, and caricatures of the teachers. I sketched some horses to please the girls, some…” (continued)

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We had a great, far-wheeling chat in this video and immediately after I started looking for new and interesting surfaces to draw on.  He’ll get you going too.

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See more of Lapin’s work on his blog and his website.

A conversation with Prashant Miranda from “An Illustrated Journey”

Here’s the next interview with the contributors to my new book An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers

prash-1I just love Prashant Miranda for so many reasons. First of all, I love his freedom — he travels through India, apparently sleeping on couches and beaches while using his art to serve others. Then he pops back to Canada, works on animation and illustrates books, and as soon as it gets cold, he heads back to India.  His paintings are full of love and color with a gentleness and wit in every panel.  And, as you’ll see in this video, he is a supremely happy and contented person who makes me feel happy and relaxed whenever I talk with him.

prash-2I have included Prash’s work and story in several of my books — you will remember him from An Illustrated Life and The Creative License. But it is as a traveller that he is most inspiring and exemplary and I hope you will enjoy his work in my newest book, An Illustrated Journey.

prash3I chatted with Prashant when it was well after midnight in his temporary home in Goa. He was sitting on a balmy verandah by the sea, an owl roosting in a tree behind him. I was  hunkered down in frigid New York, envying him once again.

Prash shares a lot more in my book. Here’s an excerpt:

“I am a migratory bird. I spend my summers and autumns in Canada, and when it starts getting cold, I travel to India. And within Canada and India, I travel around.

Travel is a very important part of my life because it is a dose of reality, widens my perspectives and gives me an objective viewpoint of the places that I live in. Like not taking for granted that we get fresh drinking water out of our taps here in Canada, hot water too! And when I’m in India in certain places I’m thankful for that!

Often when I draw while travelling, it attracts…” (continued)

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(See more of Prash’s work in the book and on his blog — it’ll make you rethink your own journal, I promise).

Up in the air! It’s a bird, it’s a plane … no, it’s just me.

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I did a fun interview with Andrea Scher recently. She’s an artist, photographer, jeweler, and creative coach who runs a wonderful blog which encourages people to be their own superheroes.

Her questions ( What is your superpower? What are your obsessions? Tell us about a time when you had to practice courage. What did you believe as a kid that you no longer believe? etc)  were stimulating and challenging and I ended up saying things I’ve never thought of in quite the same way before. I hope you enjoy it.

I also came across a lovely tribute to my work by Illustrian.

AIDS is going to lose.

Two new commercials I just made. They’re among the ones I mentioned here a few weeks ago.

December 1st is AIDS Day. I have been working with Chevron to remind people of the battle against this scourge and to infuse it with some optimism. We have launched a big campaign to talk about how mother-to-child transmission of HIV is being overcome in Africa.

Me, my pal Chris, and my giant ad at the AIDS conference.

Last year I wrote an ad whose headline was “AIDS is going to lose” and it became a bit of a rallying cry, especially at the Global AIDS conference in Washington earlier this year. This year we are trying to encourage people to share this battle and information about how the spread of the disease can be beaten with education, testing, care and support.

AIDS is strong, but together we are stronger. If you’d like to help spread the word, please visit this special site we’ve built.

Giving Thanks

I recently told you about some of the commercials I’ve been making. Here’s the first one. It will only run for the next two or three days in the US starting tomorrow. If you have the TV on while you eat your turkey, you’ll be hard-pressed to miss.

It was shot by Jeff Preiss of Epoch films, edited by Charlie Johnston at Lost Planet, scored by Mark Isham and produced by Drew Lippman.

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Just to recap and explain my absence over the past months, here are some souvenirs from my second consecutive shoot. We are making a big commercial that will run on Thanksgiving Day — if you watch American TV for even a minute on November 22, you’ll certainly see it. If not, I’ll post a copy later this month.

We filmed around New York City and Westchester in the days leading up to the arrival of Hurricane Sandy. In fact, we wrapped the evening the storm finally arrived on our shores.

Fall is here.

Our first location. This seems like ages ago, an idyllic Fall day in Brooklyn. Now all of these leaves have been blown away by the hurricane. Hopefully the house is still standing.

Jeff shoots in Ocean Park.

My director Jeff and I have made commercials together for over 20 years. We’ve shot in New York, California, Chicago, and Rome and the results are always spectacular. He’s one of my favorite creative collaborators and I can’t wait to see his feature film, scheduled to come out next year.

One of the three complete Thanksgiving dinners we prepared and shot.

We shot three scenes with large, extended, real families making and sharing Turkey Day. The food styling was extraordinary and cornucopian.

The crew films in a nut store on Brooklyn’s Atlantic Ave

We used real stores, streets, yards and homes as our locations.

Never mind the Bollexs. My director’s 16 mm. cammeras.

Jeff shot with several different cameras, film and digital: 35 mm., a Canon 5D, a Canon C300, and his personal collection of Bolexs.

A glass-blowing forge

We filmed a master craftsman as she and her team blew extraordinary glass vases.

Relics of the Industrial Age.

We shot a factory scene in a  giant warehouse full of old machines from New York’s dwindling manufacturing industry.

This isn’t a scene from “Armageddon” or “Independence Day”. It’s just the first arrival of Sandy on our shores.

On our final Day, we shot high atop the World Trade Center where crews were battening down their gear as the wind picked up.  Then we hired a ferry to drive us back and forth past the Statue of Liberty as the sky grew menacing.

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Now that my house is back to normal, I want to catch up on the all things I have been doing for the past month.

Shoot #1:  Three weeks ago, I traveled to Los Angeles to shoot some commercials for AIDS Day (December 1st). We filmed near Santa Clara in a fantastic location, an entire Mexican village that was built just to be used as a set. It has a half-dozen streets lined with bars and churches and various hovels, all uninhabited and weathered in the hot California sun. I’ve used it as a stand in for West Africa twice now.

The new sherriff in town.
The town doctor.
Filming in our traditional African village. Tortillas on the side.
My limo awaits.

Back in LA, we shot in an abandoned hospital which was still full of equipment and supplies. It was like something from “The Walking Dead,” and filled me with an eerie feeling that resurfaced during last week’s power outage in New York.

This emergency room needs an emergency room.
Spell check. Stat!
I napped in here.
This left me in stitches.
A good subject for a drawing.

The shoot went very smoothly (I’ll post a link to the commercials when they’re done) and then I flew back to New York and immediately went into production for another client, shooting around the city and environs. More on that in my next post…

EDM #49: The contents of my refrigerator

There’re few things as depressing as a bare fridge. It’s the cliché of the single person you always see in movies: a few moldy Chinese takeout containers, a half-empty jar of mayonnaise, a box of baking soda, a six-pack.

But shopping for one is tricky. These days, I do tend to eat at home and to cook more than I did when I had a teenaged roommate. But I have to be careful not to be too ambitious and to fill my kitchen with stuff I’ll never have time to eat. I hate throwing out stuff that survived past its due date: a head of cauliflower, a half-gallon of milk, some cheddar that’s turning into bleu cheese. Still, I’d rather waste food than face an empty larder.

Whenever I do a drawing in indian and sumi ink, I think of Ben Katchor. For years he did comics in the Daily Forward that had a bleakness and everyday decrepitude that made a big impression in me. His weltschmerz came out in a sigh of grey washes, a shrug of indifferent lines and cramped composition. These days as he branches out to publications with bigger budgets,  he uses bright colors but his work still has a lovely unsavoriness to it that smells vaguely of sour milk and unwashed socks.

An Illustrated Journey continues down the road.

While copies of A KIss Before You Go are being loaded into warehouses, work continues on my next book, An Illustrated Journey: Inspiration From the Private Art Journals of Traveling Artists, Illustrators and Designers, the sequel to An Illustrated Life.

I just did the lettering for the cover (you’ll notice on Amazon that they uploaded the art for the cover before including my handlettering — that’ll be fixed soon) and the design for the interior continues. It’ll be a lavish book with work from forty of my favorite artists and will be out at the end of February, next year.

I’ll talk about it more in the months ahead but meanwhile you can see some of the art work from the book on my Pinterest page.