Author sits down to write blogpost — you won’t believe what happens next!

I’m not sure that I have anything to say today — but I do miss my blog. The poor thing has fallen victim to various impulses within me that claim to know best.

One said, “Hey, I read an article online that says that people don’t read any more, so you should just post videos. Oh, and another article said blogs are dead and people just look at Facebook posts, so stop bothering to write here.”

Another impulse is to focus my time and energy on my job, i.e. Sketchbook Skool. (Yes, I refer to it as a job. The world’s best job, but a job nonetheless.) That means I figure I should devote my creative energy to making kourses and telling people about them, rather than venting here.

It’s a funny thing, being your own boss. There are definite perks, like taking off early to go to yoga or hiring a special effects team to make something you dreamed up, but there’s also the issue of having a boss who sits in a corner office in your skull and can call you into review your performance on a daily basis. My boss loves to tell me I could always be doing more. And this blog strikes him as a pointless cul-de-sac. (As you can tell, my week’s vacation helped revitalize my monkey. He’s tan, well-rested, and eager to get back to work.)

Despite all this wound licking, I have been thinking of a lot of ideas in the last few months, ideas that don’t necessarily have anything to do with teaching. A few weeks ago, I woke up in the middle of the night with a brilliant idea for a new book and wrote it down, in the dark, with a Sharpie, on a pile of paper on my dining room table. It’s sat in that pile ever since, unread.

I think it could be something interesting or utter crap, but I’m not ready to either take it on or be disappointed by it yet — so it just sits there, in a neat pile, waiting for me.

Another project: drawing dogs.  I started drawing on an iPad Pro this summer and flailed around for a while looking for a direction to my efforts. It was a pretty interesting exploration and I have been meaning to write a long post about it sometime (pending resolution of the issues in paragraphs 1, 2 and 3 above) but suffice it to say it kick started my drawing practice and toppled a number of hardened prejudices. The latest stage in this exploration has been to try to make a drawing of a dog every single day, always a different dog in  a different style.  Today I posted number 56.

This process has been energizing but has also resurfaced the usual issues.

One — monkey struggles. Three days ago I convinced myself I had milked the idea dry and could not make a drawing I could abide.   After giving up completely and bathing in failure, I drew three new dogs I really liked.

Two — the quest for approval, a monkey variation. Posting my dogs on social media has led inevitably to being overly aware of likes, comments, and all the attendant distractions. People like the ones that look like photos best and the monkey tells me these are the most pedestrian and not creative at all. Sigh.

I do apologize if this first post in ages feels a little lachrymose. I need to shake off the cobwebs and think of stuff I actually want to write about. But writing here this morning has scraped some of the rust off my hull and I look forward to setting forth on a new adventure.

Hopefully no one is reading this because you are all too busy watching baby hippo videos.

Sketchbook Club: Illustrated Maps

This week I discussed some amazing books on illustrated map making:
You Are Here: Personal Geographies and Other Maps of the Imagination by Katharine Harmon
The Map as Art: Contemporary Artists Explore Cartography by Katharine Harmon
Plotted: A Literary Atlas by Andrew DeGraff

and don’t forget to join the great new Sketchbook Skool kourse, Let’s Make a Map!

Study Hall: The Good, The Bad and the Ugly

I love this week’s klass in Exploring with one of my idols, Felix Scheinberger. I made a bit of a mess with my homework but then was inspired by an old spaghetti Western. I hope you had fun with your assignment.

My new movie: The Art of A Fan

A few years ago, I had great fun making a series of Sketchbook Films with my old pal and genius, Tommy Kane. After bugging him for months, I finally got Tom to join me in making a brand-new film about Marcy Singer.

I first met Marcy when I taught a class at the Open Center in New York and apparently I gave her an idea that led to an enormous project. I said, “why not draw while you watch TV? Just use the DVR to freeze the frame and sketch what’s on the screen.”

An ardent hockey fan, she decided to draw every single game the NY Rangers play and has now filled many sketchbook with wonderful drawings and watercolors. It’s a great story about how drawing changes how you see things and deepens your experience and your passion.

On not drawing

It happens. You ought to write something, draw something, not eat something, but ya just aren’t feeling it. Your New Year resolutions have petered out — less than two weeks into January.  Are you a bad person? Worthless? Is the monkey 100% right?

‘Course not. Ronnie Lawlor (who is drawing monster, by the by) and I talk about why not.

(Happy Friday 13th! It’s your luck day.)

How to draw when it’s ccccold.

Cripes, but it was cold here this week.  To boot, we were all coming down with some sort of flu, but the cold even had our dogs snuggling into the same bed, deep under their blankets. Then there was snow and salt and muck and, ugh. It finally eased up today, bit still, what the hell, where’s global warming when you need it?

Anyway, I was fortunate to have chatted about how to cope with all this mess earlier with my Ronnie Lawlor.  Here ya go:

A Drawing a Day

One of the hardest things about starting something new is developing a habit that will help you carry on. Even though I’ve been drawing for quite a while now, I occasionally need some sort of kick in the butt to get back on track.

Here’s what works for me: a reason to be consistent. It could be a absorbing project I devise that keeps me engaged — so I am eager to keep working at it. It could be a collaboration with other people who I don’t want to let down — so I keep showing up and making stuff.

We’re about to kick off a new undertaking that combines both. It’s called A Drawing A Day. The first phase of it is a Sketchbook Skool kourse, taught by a teacher I admire enormously: Veronica Lawlor. (If you took our kourse, Storytelling, you remember her amazing, epic demo in which she made over 100 drawings of a pair of dancers.)

We’re beginning this kourse on the first Monday of the January so the year starts off right. Every day Ronnie will do a demo for us and each Friday we’ll go on a virtual field trip. We’ll get encouraging emails every day to keep you on track and engaged. Like all of our new kourses, this will initially be a “Community” kourse, meaning we’re all going to do it together in January, supporting and encouraging each other to keep going.

I think it’s gonna be great. We put a lot of work in to producing this kourse and it’s gorgeous, exciting, smart and fun. Kinda like Ronnie.

That’s not all, though. We’re also launching a year-long project to really make this new habit stick. A year of prompts, interviews, demos and ideas. We’ll be sharing encouragement through a special Facebook group and on other forms of social media. It’ll be a great adjunct to the kourse.

As I said, the kourse begins on January 2nd, but 1) you can sign up now and 2) we will make the kourse available again after January so you can sign up whenever you want and take the kourse immediately.

A Drawing a Day is gonna make 2017 a beautiful, creative year. I can’t wait.

Wanna join me and Ronnie and the rest of Sketchbook Skool? Click here.

My new kourse

I only started drawing in my late thirties. I was super-motivated but it was a struggle to learn. I read books, I copied the masters, I looked into classes, but ultimately the only thing that worked — was work.  I kept drawing and drawing and, slowly, I figured it out.

In retrospect, it was worth all the effort. Drawing changed my life.  But I suspected all along that there’s probably an easier way. And every time I’d hear someone say, “I can’t draw, not even a stick figure,” I’d vow to myself that I’d figure out some way to make the process of acquiring this skill (and that’s all it is, like juggling or shoelace tying or bike riding or driving — a skill) easier and more fun.

I tried a few times. I wrote about it in The Creative License and again in Art Before Breakfast, I even made a series of crude how-to YouTube videos.

But then, this summer, I sat down and really worked it out. I went back and studied my own process over the years, figure out what had worked and what didn’t, I did further research, I consulted experts, and then I made two dozen clear, fun video lessons that explain how drawing works and how to do it, step-by-step.

I set my standards high. I avoided jargon, I avoided tedium, I added jokes, and corralled my friends, family and even my dogs into helping.  And I decided that the kourse should be something you could do at your own pace, but with the encouragement and support of other people who are going through the same process of discovery and transformation.

And then, to make sure that nothing gets in the way of people watching and using these lessons, Koosje and I decided to move this kourse (and ultimately all of Sketchbook Skool) to a fresh new platform that is intuitive and fresh and inviting.

Oh, and we’d price it to be even more affordable that our other kourses — so the monkey would have one less reason to prevent people from signing up.

Finally, this week, after five months of work, the kourse is ready. I hope it is the first step in launching a lot of extraordinary creative lives. Maybe yours.

You can watch the video trailer below.

If you’d like to try it, sign up here. 

Heads up: Even if you have an SBS account already, you’ll need to get a new user name/password to enroll on our spanking new platform. It’s worth it.

See you in klass!


PS: Someone asked how this kourse differs from “Beginning” at Sketchbook Skool.

My answer: “It’s totally new. Totally different. Beginning has 6 teachers and is a great place for people to start keeping an illustrated journal. How To Draw Without Talent is about the basics of drawing. Beginning is a recipe book, HTDWT teaches you how to boil water and use a knife.”

Inspiration Wednesday: Fun with Faces

I am working on my homework for Week Four of Polishing at Sketchbook Skool. Nelleke Verhoeff is a fantastic teacher, a former street performer, hilarious and imaginative, and if you have missed her klass, please try to take it next time Polishing comes around.