Tag: travel
La vita bohemien!
Ten years ago, I illustrated a book called A Writer’s Paris by Eric Maisel. It’s about why/how you could/should move to Paris, at least temporarily, to fuel your artistic impulses. It worked on mine — Eric’s publisher paid for Patti and me to spend a long weekend wandering around Paris and making many of the drawings that would fill the book. What a time!
I’ll be honest, I don’t remember the book’s argument in detail. I was irritated that the publisher thought to combine my drawings with some collage artist’s work and so I couldn’t read the final version of the book with an open mind. That peevishness notwithstanding, the basic premise of Eric’s book came back to me as I sat here in the Piazza Benedetto Cairoli with my Macbook on my lap. I’ve been in Rome for less than forty eight hours, but the magic of a different continent, city, culture, place and pace is already working on me.
At Jack’s suggestion, I didn’t book a hotel room but found an AirBnB just a few meters from the door of his school. It’s a fourth floor walkup in a 15th century building with a giant front door key and iron shutters I swing open each morning to flood my room with sunshine. As I sit here in the Piazza across the road, I hear the tram rattle by, the chuckle of an accelerating Vespa, the doo-da, doo-da of the carabinieri, and snatches of Italian wafting over from the men on the next bench, smoking and joking. I’m not in Kansas anymore.
Being in a new place always open my eyes and ears. Everything is unfamiliar to some degree, a degree that inspires my record in ink to be deeper and fresher. My travel journals contain the richest pages on my shelves, the most experimental, the most free. Each day in a new city is both energizing and depleting. I strain every hole in my skull to suck in more and more information and end the day wrung out and deep in sleep.

Hanging out with my boy in his new city makes my imagination run wild. He lives and works in a gorgeous old building, a 15th century villa with frescos on the 16 foot ceilings and huge windows flung open upon mouldering terra cotta walls and stone alleyways strung with phone wires. His bed is narrow and hard but he has his own studio, bigger than our living room, with a checkerboard marble floor and walls filled with sketches and pages pulled from the old Italian magazines he buys at the flea market. A few blocks away is a park full of Roman ruins, fenced and gated to protect the hundreds of ferrel cats who’ve made it home. The Jewish Quarter is full of street markets selling big blocks of mozzarella and cadres of prosciuttos in chrome slings waiting to be shaven. Jack has learned to make pasta from scratch and to order a cornetto and a cappuccino with confidence.
He has less than a year till he graduates. But something in me tells him not to worry, to take it slow, to revel in this season in Italy, that it will be something he never forgets. Last week, he and his classmates traveled to Abruzzo and put on a performance in the earthquake ruins of a tiny village. Next week, he heads to Venice to sleep on a boat. I tell him that for the first year or two, he can keep his needs modest, can earn money here and there, can work on being a man of the world rather than a slave of the wage.
I spent a year in a garage in LA. And then I came back to the Manhattan haunts I had commuted through for decades, a new perspective on the same streets. It would be nice to have a garret here in Rome. Or to couch surf across India like Prashant. Or to get a cabin in the woods or a minihouse I could pull behind my car. It’s hard to eat leftovers with the same relish, but certainly New York is the kind of place I can have creative reawakenings, just like Eric’s Paris or Jack’s Rome.
Going somewhere fresh and rich and living just for one’s art for a period, that’s something every creative person should try, methinks. Forget the pressures of income of language and culture and history, just for a month or two, long enough to rearrange the pieces and shake the monkey back into his hole.
I don’t know that I need an adventure so complete, to completely pull up roots and repot on foreign soil. More likely, the many trips I have planned over the next few months will suffice. Next weekend, I’ll be in Austin. Then to Prague, Doha, Reykjavik, maybe Hanoi too. Shifting perspectives, fresh pages in my travel journal, the search for adventure, new faces, new menus, new conversations, all adding up to a big thick deck to shuffle and deal myself out another winning hand.
Jack hits the road.
Yesterday my son left home.
He forgot his comb.
Jack flew to Rome
in a tube of chrome
To drink cappuccino with foam
And grow his beard like a gnome.
Across Europe he’ll roam.
He’ll visit Place Vendome
And read the Mysterium Magnum of Jacob Boehm.
(Quite a tome.)
He’ll hike across Italian loam
To draw a thicket of ancient brome
Then pause to chant Om
on some verdant Tuscan holm.
And then he’ll return from St. Peter’s dome
to New York, cold as Nome,
and say, “Hey, Papa, Shalom!
What’s for dinner?”
Some stuff I learned in China that could help you too

- 3-year-olds have a lot to teach me about drawing.
- Chinese people rarely eat rice. Or dog.
- Digitizing your entire life is efficient and modern and smart. Until you can’t get online.
- 10-year-olds can draw with a dip pen and a fountain pen.
- Strangers are almost always helpful and friendly, especially if they have no idea what you are saying.
- You can live happily without seat belts, helmets, or walk signs.
- When you’re four, you’ll draw anything fearlessly. When you’re nine, you’d like to learn to draw real things but deep down would just as soon draw stick figure armies. At thirteen, all that matters is what others think. At seventeen, you are obsessed with technique and your imagination is a liability.
- Committing to eating new things doesn’t have to extend to donkey meat, bullfrog, or turtle.
If you’d like to learn even more stuff about all sorts of things, hurry and enroll for the best semester yet of Sketchbook Skool. See you in klass!
Meanwhile…
I am enjoying my (hopefully) last day in Beijing. I’ve been using the time to writing about the lessons I learned here and make a little film or two will be sharing them here over the next few days.
Meanwhile, here are two nice pieces on my visit to Beijing by Rena Tang, a lovely person who I met there:
My glass is half full. But can I drink the water?
So much contemporary fiction these days, especially the stuff for kids and YAs, is dystopian — people trying to survive in a post-apocalyptic world in which electricity and information technology have disappeared. I think that’s because we all know deep down that we are relying on this stuff too much.
That’s been brought home to me over the past couple of weeks here in China. A hundred times away I reach for my phone or pull up Google on my laptop … and am stymied in some way (FYI, Google, Facebook, YouTube, and lots of innocuous websites are all blocked here. You need a VPN to get access to them and that is far from reliable. And the powers-that-be are supposedly just randomly choking the life out of people’s bandwidth too).
Under certain circumstances that can be a relief, a way of getting off the maddening treadmill of emails and texts, and I am all for it — when it is self-imposed. But it can be a real drag when you are lost in a hou-tong (a labyrinthine Beijing neighborhood of twisting lanes and dead ends), Google maps is blocked, and have no way to ask anyone for directions because you can barely say ‘hi’ in Chinese.
And it actually becomes a little scary when you spend two hours sitting on a United plane on a Beijing runway only to be told that your flight has been cancelled and you need to get off the plane, get your bags and find yourself a new flight. Which is what happened to me last night. The flight attendant muttered a phone number over the PA which I scrambled to write down — but my phone (not really working here to make calls, get texts or get data — thanks, Verizon) only reached some incomprehensible Chinese message.
Eventually another passenger helped me connect but the only flight I could get on would be in forty eight hours, i.e. tomorrow. I made my way to a hotel, tried to make some calls to get an earlier flight, reached lots of dead ends and people who don’t speak any English, and then finally resolved to just chill out here, a dozen thousand miles from home and twenty miles from anything but the airport.
I left my phone charger in my other hotel, the wifi is spotty (in fact, I’m not sure if I’ll be able to upload this post), a volcano blew up in Japan, there are demonstrations in Hong Kong, a madman apparently burnt down the control tower in Chicago, and my throat is raw from two weeks of Beijing smog.
However, I have a bagful of pens, ten blank pages left in my journal, a really good breakfast buffet, the Discovery Channel, a decent charge on this laptop and there are no zombies or vampires or nuclear plumes out my hotel window.
It’s all good.
Oh, and I’ll also be polishing my best-ever klass for Sketchbook Skool. It’s all about how to make art when you travel, even just on a trip to the grocery store. Join me and enroll at Sketchbook Skool.com
Recent Chinese adventures
Internet is kinda tough out here so I am posting my experiences and drawings on Instagram while I travel in China.
Follow me to stay updated.
Here are a few recent ones.
This place is crawling with dragons!
Mao is still around, a benevolent but irrelevant icon, kinda like George Washington.
Drawing fast and slow with middle schoolers.
My first cardboard painting in Beijing:
My 2nd cardboard painting.
I convinced 150 8th graders to draw each other.
3rd cardboard painting in Beijing.
What on earth am I doing in Kuala Lumpur?
I am nearing the end of my week working with students at the International School of Kuala Lumpur. It’s been a great experience and I think I’ve probably learned more than the kids. Here are a few photos and drawings from the week so you can see what I’ve been up to.
Click on any picture to open the gallery..
Heading East

Hello. This is Danny. I am away from my desk right now.
I am busy talking about drawing — in Kuala Lumpur, and then in Beijing.
I will return at the end of September and will get back to you as soon as I can.
Have a nice day.
[Beep]
The story behind “Storytelling”
What happened to all the drawings I made on our cross-country drive — and other musings.



















